El hombre con mi cara

Barry Nelson starred or guest starred in about 60 T.V. shows from the 1950's to the 1980's. He even starred in three different television series in the 1950's, none of which lasted a full season. His triumphs on television included being the first James Bond on film/video in a 1954 "Climax" episode based on Ian Fleming's "Casino Royale" and an excellent made for television suspense movie called "The Borgia Stick" (1967). Three "Alfred Hitchcock Presents" and a "Twilight Zone" episode also adds to his reputation.

This is only one of four theatrical features that he starred in. "Undercover Maizie" (1947), "The First Traveling Saleslady" (1956) and "Mary Mary" (1963)were the other three. In truth, the female leads: Ann Sothern, Ginger Rodgers, Debbie Reynolds were the stars of these three movie. Thus this is really the only theatrical movie where Nelson was the main star.

It is a showy part with Nelson being both the protagonist and antagonist. He handles both part well. Nelson was never a flashy actor, but he always brought sincerity and charm to his roles.

Carole Matthews also was known mainly as a television actress from the 1950's and 1960's. She was in about 50 television shows, but only playing leading roles in a half dozen or so. She also starred in about half a dozen low budget movies like this one. Like Nelson, she is also a fine actress who is quite believable even in unbelievable movies like this one. It is sad she never got better roles and never became a star.

Like D.O.A., this film noir starts with a totally fantastic plot and then tries to convince you that it is possible. A man arrives home one day to find that a double has taken over his life. Unlike D.O.A., this one doesn't convince you that such a thing is possible, but it is fun, nevertheless and you have the give the script credit for trying.

Perhaps the real star of the movie is a Doberman Pincher who does his best to convince you that he is a trained assassin. He doesn't quite make it, but he is a handsome and well trained dog.

The movie is nicely photographed and has lots of great shots of Puerto Rico circa 1954. This is no masterpiece, but it is interesting and original enough to keep one watching for its short length of 70 minutes.

Wildly improbable but seldom less than absorbing, The Man With My Face has the distinction of being the only film noir set in the Commonwealth of Puerto Rico. That's where Barry Nelson settled down after the war and where he runs a little business with his old army buddy, now his brother-in-law, John Harvey. But one evening he returns home to his cozy bungalow only to find his tough-faced wife (Lynn Ainley) staring at him as if he had suddenly grown a second head. In a sense he has, because there in his living room is his exact double, having drinks and playing cards. And as far as Ainley and Harvey are concerned, this newcomer is the real husband and business partner, respectively. Even his little pooch bites Nelson on the hand.

Turned out into the Caribbean warm, Nelson enlists the help of an old girlfriend (Carole Mathews) whom he had thrown over for the blonde if shopworn Ainley. Mathews' protective brother (Jack Warden) stays wary, but soon joins in trying to figure out the puzzle. It doesn't take long, because Nelson's face is on the front page - as a Miami bank robber who got away with half a million. This robber - the double - has been in league with the wife and brother-in-law since long before the marriage. Rounding out the gang is another war veteran, but as a member of K-9 corps - a Doberman trained to kill; his slavering maw turns several hapless victims into bowls of Alpo.

Edward Montagne directed, who the year before had made The Tattooed Stranger, a starvation-budget police procedural shot on location - then a rarity - in New York City. Like that strange and seedy movie, The Man With My Face shares a cast that, apart from Nelson, had few credits behind them (or ahead of them); it shows little visual dimension, either, having been shot entirely in flat subtropical sunshine. But the doppelganger theme holds attention, despite the fact that its ironies and perversities are never pursued to real satisfaction. It's pure plot, and far-fetched at that, but in its modest way it works.

The Man with My Face (1951)

Wow, this is built on such a fun and totally ridiculous premise it might be hard to see that really well done aspects to the film. Here it is: a man and wife are bickering a bit. She's a bombshell, he's a nice regular guy. What gives? Well, the man comes home one day to find an exact duplicate has taken his place (played by the same actor, sometimes with split screen done quite well).

So, is he crazy? Is this the twilight zone? Who is the double? Oh, and his wife and dog both don't recognize him. I mean, the wife we get, wives in movies are made out to be as unpredictable as husbands. But the dog, now that's huge clue. And the brother-in-law doesn't know him other--or worse, believe the impostor is the real guy.

So our hero is in a quite a pickle. Not only is he homeless and disparaged, and eventually even hunted by the law, he doubts his sanity. It seems impossible.

The problem is that it is, truly, impossible, and yet the movie plays it all as if it were quite reasonable, if at least daring. And we aren't talking plastic surgery or alien forces here, just go old greed and extraordinary luck.

So, swallow it in a gulp and enjoy the dual role played, really well (in a B-movie way) by Barry Nelson. Who's he? Yeah, exactly--he did mostly 1950s television, and some war flicks before that. So here's the one film he snuck in his t.v. career. Some of the rest of the cast is fun in the same B-movie way, though the femme fatale (if the word isn't an exaggeration here) is unconvincing.

A quirky fun film. It's not underrated, but it's better than a lot of other overrated genre movies. Once you swallow that pill, that is.

First thing I want to do with this review is state who femme fatale Lynn Ainley really was. This was a name used only for a few projects by actress Betty Lou Gerson. There were financial reasons why she had to be hired in Puerto Rico where this was filmed and they made it seem like she was "discovered" there by this name.

At any rate, this is an above average crime thriller based on a doppelgänger premise. Chick Graham is married to the blonde femme fatale Cora. He had a dog named Jiggs. They pretty much have a normal life in Puerto Rico. Then everything goes haywire when Chick finds his wife and brother-in-law don't recognize him and neither can his dog.

Everyday Everyman Chick Graham has an unrelated man who looks just like him, indeed, who could easily pass as his twin brother. That fellow is psychopathic Albert Rand who has cooked up an elaborate plot to commit a big time heist and then fade into the woodwork as Chick Graham. It turns out that wife Cora and her brother Buster are in on the nefarious plot. Most of the movie shows our hero trying to get things sorted out as he is on the lam from the cops who have him down as robber Rand.

It might have benefitted from being shot in color but the makers of the film do as much as possible in black and white with the lush setting of Puerto Rico. I think Barry Nelson did a fine job of playing nice guy chick vs. Route to the core psychopath Albert Rand. The other performers do well. Perhaps the canine performers deserve a special nod. There is the little one who plays Jiggs and then there is the doberman who plays the trained killer dog. Betty Lou Gerson/Lynn Ainley is attractive in a tough way as the femme fatale wife who suffers pangs of conscience and Carole Matthews is endearing as the forgiving ex-girlfriend.

"The Man With My Face" grabs and holds interest. It is a slightly above average crime drama.

Barry Nelson comes home from a business trip. His wife doesn't pick him up. He calls home, but she does not recognize his voice. He takes a cab, and finds his wife, his brother-in-law (his business partner), his dog (who bites him) and his exact double, who insists he is Nelson. They call a cop, but his ID has the other guy's fingerprints. The cop takes him to the police station, but a Doberman Pinscher attacks him and he flees in the confusion.

It's a very nice done movie version of a novel by Samuel W. Taylor. Director Edward Montagne keeps things going along at a good clip, with the doubling handled by a skilled combination of editing and masking by cinematographer Fred Jackman Jr.; there's also some good location shooting of San Juan, Puerto Rico. It's also Jack Warden's first credited role; he had had uncredited bits in three earlier movies.