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IMDbPro

American Psycho

  • 2000
  • 18
  • 1h 42min
PUNTUACIÓN EN IMDb
7,6/10
811 mil
TU PUNTUACIÓN
POPULARIDAD
325
68
American Psycho (2000)
text os
Reproducir trailer0:32
3 vídeos
99+ imágenes
Asesino en serieComedia negraDrama laboralDrama psicológicoHorror psicológicoSlasher HorrorCrimenDramaTerror

Patrick Bateman, un rico ejecutivo de banca de inversión de Nueva York, esconde su ego psicopático alternativo de sus compañeros de trabajo y amigos al tiempo que profundiza en sus violentas... Leer todoPatrick Bateman, un rico ejecutivo de banca de inversión de Nueva York, esconde su ego psicopático alternativo de sus compañeros de trabajo y amigos al tiempo que profundiza en sus violentas fantasías hedonistas.Patrick Bateman, un rico ejecutivo de banca de inversión de Nueva York, esconde su ego psicopático alternativo de sus compañeros de trabajo y amigos al tiempo que profundiza en sus violentas fantasías hedonistas.

  • Director/a
    • Mary Harron
  • Guionistas
    • Bret Easton Ellis
    • Mary Harron
    • Guinevere Turner
  • Estrellas
    • Christian Bale
    • Justin Theroux
    • Josh Lucas
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,6/10
    811 mil
    TU PUNTUACIÓN
    POPULARIDAD
    325
    68
    • Director/a
      • Mary Harron
    • Guionistas
      • Bret Easton Ellis
      • Mary Harron
      • Guinevere Turner
    • Estrellas
      • Christian Bale
      • Justin Theroux
      • Josh Lucas
    • 1.7KReseñas de usuarios
    • 243Reseñas de críticos
    • 64Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 7 premios y 11 nominaciones en total

    Vídeos3

    American Psycho
    Trailer 0:32
    American Psycho
    American Psycho: Killer Collector's Edition - Uncut Version
    Trailer 1:54
    American Psycho: Killer Collector's Edition - Uncut Version
    American Psycho: Killer Collector's Edition - Uncut Version
    Trailer 1:54
    American Psycho: Killer Collector's Edition - Uncut Version
    Which Roles Did Christian Bale Turn Down?
    Video 2:57
    Which Roles Did Christian Bale Turn Down?

    Imágenes375

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    Reparto Principal51

    Editar
    Christian Bale
    Christian Bale
    • Patrick Bateman
    Justin Theroux
    Justin Theroux
    • Timothy Bryce
    Josh Lucas
    Josh Lucas
    • Craig McDermott
    Bill Sage
    Bill Sage
    • David Van Patten
    Chloë Sevigny
    Chloë Sevigny
    • Jean
    Reese Witherspoon
    Reese Witherspoon
    • Evelyn Williams
    Samantha Mathis
    Samantha Mathis
    • Courtney Rawlinson
    Matt Ross
    Matt Ross
    • Luis Carruthers
    Jared Leto
    Jared Leto
    • Paul Allen
    Willem Dafoe
    Willem Dafoe
    • Donald Kimball
    Cara Seymour
    Cara Seymour
    • Christie
    Guinevere Turner
    Guinevere Turner
    • Elizabeth
    Stephen Bogaert
    Stephen Bogaert
    • Harold Carnes
    Monika Meier
    • Daisy
    Reg E. Cathey
    Reg E. Cathey
    • Homeless Man
    Blair Williams
    Blair Williams
    • Waiter #1
    Marie Dame
    Marie Dame
    • Victoria
    Kelley Harron
    • Bargirl
    • Director/a
      • Mary Harron
    • Guionistas
      • Bret Easton Ellis
      • Mary Harron
      • Guinevere Turner
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios1.7K

    7,6811.4K
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    Resumen

    Reviewers say 'American Psycho' is a provocative film exploring consumerism and identity. Christian Bale's chilling performance as Patrick Bateman is highly praised. The film's dark humor and social commentary effectively critique 1980s yuppie culture. Its unsettling atmosphere is enhanced by stylish visuals and a haunting score. The supporting cast, including Willem Dafoe and Reese Witherspoon, contributes effectively, though some feel underutilized. The ambiguous nature of Bateman's actions adds to the film's disturbing impact.
    Generado por IA a partir del texto de las opiniones de los usuarios

    Reseñas destacadas

    rogerebertsclone

    Two Chainsaws Up

    Without a doubt the most underrated movie of the past decade, "American Psycho" is a piece of American cinema that shouldn't be missed by anyone, regardless if they do not like the violence (which does have its reasons).

    Christian Bale gives a flawless performance as the troubled, deep down wannabe Yuppie who has psychotic, violent impulses. This is true acting here, folks. Not phoned in Tom Crooze acting. Some people object to Patrick Bateman narrating the movie [always a weak sign in a movie] and not letting us figure his motives out on our own, but if you watch closely, Bale shows us Bateman's vulnerablity through every minute of every day of his life. The movie is at times hysterical, as his character uses dominant Alpha Monkey behavior around the opposite sex. But again, it's all for good reason.

    If not for Bale's performance, see it for the knife twisting satire of the '80's -- from the clothes, to the hairdos, to the music [I'll never be able to hear Phil Collins in the same way again!] The production value is rich in '80's nostalgia from the "Black and White" set designs to the enormous cellphones [how could we forget those?].

    This is a movie that major studios are too afraid to touch. This is film making. Remember film making? When films took you on a ride in someone's life and you would walk away with a piece of their mind? American Psycho doesn't have any real morals or answers, but it shows the deep psychological insecurities some men suffer everyday. Oh yeah, and it was directed by a woman, so all you feminists shut up!
    9albertodr07

    Christian Bale the new Peter Cushing

    Now it all makes sense. Christian Bale was born to play horror characters. I couldn't understand why I was so , so, afraid of him even in films like "Velvet Goldmine" He is a poster boy for putrid souls in elegant wrapping. In "American Psycho" - a film that deserves much more attention than it's got - he is absolutely terrific. Totally believable. I could sense his delight in playing a monster of this kind. Interestingly enough this manicured monster seems to be asking for sympathy, imagine the nerve! But Christian Bale succeeds in showing us a face we (I) hadn't quite seen before and yet we (I) accept without question. He should have gotten an Oscar nomination but, fortunately, he didn't.
    10atzimo

    You can always look thinner

    'American Psycho' is NOT a slasher movie. It is a depiction, a fantasy if you will, of the life of modern man and his place in society.

    Nothing is enough. Money, sex, social stature, there is always someone else who has more and everyone else expect from you to try harder for even more.

    This movie is about eliminating competition the easy way. By killing your opponents. By eating your sexual partners. By destroying everyone around you.

    'American Psycho' retains the balance between this psychotic state, a chilling thriller and a very funny movie.

    The scenes that show Patrick playing music for his guests are absolutely hilarious, as he comments very seriously on records by artists such as Whitney Houston, Phil Collins and Huey Lewis & the News. The funny thing is that he chooses the most commercial or sold out records of these artists, to explain how much better they are compared to their previous, more artistic work. Another message of the state of the receivers of commercial art.

    You can analyze 'American Psycho' for hours. It can be perceived both as a deep and a fun movie. Even if you don't like the story, you will love Christian Bale's excellent performance.

    Enjoy.

    10/10
    9DanielStephens1988

    American Psycho is not a story about murder

    The film looks to examine our own distorted points of view or detachments from reality. Like Patrick Bateman, we may be trapped craving the approval of others and denying ourselves the ability to distinguish fantasies from our reality. People are obsessed with how the others perceive them likewise in American Psycho Bateman achieves no catharsis, he's trapped in his own personal hell because he requires the recognition of the other yuppies to confirm his identity as a murderer. The irony is that Feynman's real crimes may as well be fantasy. The lack of acknowledging his reality drives Bateman further into madness and existential despair

    It's about yuppie culture, the melding of identity, and the craving to stand out from a superficial homogenized society. Bateman's interpretation of the world is skewed by his inflated ego and his evident psychosis as well as presumably multiple mental illnesses. Bateman is a killer, but still, he's not the killer he thinks he is, as he goes insane he can't distinguish reality from fantasy. His over the top chainsaw massacre style killings may be an aestheticized elaboration on partial truths, ultimately the film doesn't care. The more significant point of the movies absurdity is that within his society Batemans not the psycho at all he's just one more normal guy amidst a horde of uncaring detached from reality, secretly discontented American psychos. Bateman is surrounded by like-minded superficial people obsessed with all the wrong things like making impossible reservations at Dorsia and the tasteful thickness of their business cards. Within the homogenized upper-class elite identities blur as everyone strives after a generic yet highly specific image of success.

    Everyone we see in Bateman's company appears to be the same person. It's no wonder that identity is mistaken continuously and swapped throughout the film. The lawyer has mistaken Paul Allen or perhaps Batman has killed the wrong person becomes not only plausible but also an expression of the general confusion resulting from the loss of individual identity.

    Meanwhile, although Batman tries like the rest to fit in, the emptiness of his lifestyle also fuels a craving to stand out. To escape the conformity that he on some level despises Batman leads a second life as a killer, where he's unfettered from the bounds of society. Although he actually wants to be seen as a murderer as someone different from the rest of society Bateman is denied even the satisfaction by every self-absorbed yuppie he meets. When he's seen stuffing a body into the trunk of a car, the witness is only interested in the bag.

    This is a great movie. Look for the subtext under the dialogue.
    darth_sidious

    Interesting, always interesting!

    By the end, I didn't know what to make of it, but now I understand the film much better. This film is must viewing, it brings out the truth about today's world - Nothing but material values matter, we live empty lives, we think empty thoughts, we are empty people, life is boring.

    Christian Bale is awesome, quality acting! Willem Dafoe was underused, I didn't think the support cast had the same quality material as Bale.

    The photography is stylish, very 80s gloss!

    The direction is terrific, wonderful camera work.

    Overall, see it, it's satire, black comedy, social commentary and more!

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Looking for a way to create the character of Patrick Bateman, Christian Bale stumbled onto a Tom Cruise appearance on the Late Show with David Letterman (1992). According to co-writer and director Mary Harron, Bale saw in Cruise "this very intense friendliness with nothing behind the eyes," and Bale subsequently based the character of Bateman on that. Interestingly, Tom Cruise is actually featured in the novel. He lives in the same apartment complex as Bateman, who meets him in an elevator and gets the name of Cocktail (1988) wrong, calling it "Bartender."
    • Pifias
      (at around 1h 21 mins) During Patrick's killing spree towards the end of the movie, when he is running between the two nearly-identical buildings, a Canadian flag is intermittently visible flapping out from behind the building on the left, revealing that this scene was shot in the Toronto-Dominion Plaza, not in New York.
    • Citas

      [Recurring line]

      Patrick Bateman: I have to return some videotapes.

    • Créditos adicionales
      The opening credits are accompanied by what appear to be drops of blood, but these become portions of sauce.
    • Versiones alternativas
      For the US theatrical release, director Mary Harron had to edit the following two scenes (which are available on the unrated edition) in order to receive an R-rating from the MPAA:
      • The word "asshole" in the line, "Christy, get down on your knees so Sabrina can see your asshole" was changed to just "ass".
      • The threesome during the same scene was trimmed several seconds.
      The uncut version played theatrically in Canada and Europe and was later released unrated on home media in the United States.
    • Conexiones
      Featured in Siskel & Ebert & the Movies: The Beach/Snow Day/Holy Smoke (2000)
    • Banda sonora
      True Faith
      Written by Peter Hook, Stephen Hague, Gillian Gilbert, Bernard Sumner & Stephen Morris

      Performed by New Order

      Courtesy of Warner Music U.K. Ltd.

      By Arrangement with Warner Special Products, Universal Music Publishing and Warner/Chappell Music,

      Inc.

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    Preguntas frecuentes47

    • How long is American Psycho?Con tecnología de Alexa
    • What are the differences between the novel and film.
    • What mental illness does Patrick Bateman have?
    • Is there any explicit violence toward animals shown in this movie?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 29 de septiembre de 2000 (España)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Filmymen
      • Official Facebook
    • Idiomas
      • Inglés
      • Español
      • Cantonés
    • Títulos en diferentes países
      • American psycho
    • Localizaciones del rodaje
      • Phoenix Concert Theater - 410 Sherbourne Street, Toronto, Ontario, Canadá
    • Empresas productoras
      • Am Psycho Productions
      • Lionsgate
      • Muse Productions
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 7.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 15.070.285 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 4.961.015 US$
      • 16 abr 2000
    • Recaudación en todo el mundo
      • 34.268.438 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 42min(102 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
      • Dolby Atmos
    • Relación de aspecto
      • 2.35 : 1

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