Hitch Hike to Hell

Well, no doubt about it that the fans of '70's exploitation will still really enjoy this movie. I know I did but I of course still can't call this a very good movie really.

Everyhing about this movie is making it obvious that it had a very low budget. It's one of those movies that seemed to be shoot with only one camera, who every now and then switched positions to capture the other character's responses. The movie also being filled with some needlessly overlong sequences which just drag on. It also has some simple editing, simple directing and some simple acting. It's fair to say that this movie is not really very surprising in any way. Of course besides the movie has a pretty simple story in it, that relies purely on it's principal concept.

It's a movie about a killer who picks up hitchhiking runaways and then goes completely berserk once he discovers that they had run away from home and do not love their mother. This is something that happened as well to the movie it's poor main characters. His sister had run away from home and his poor old mother, which he loves very much, has never got over this. As a sort of revenge for his mother this man kills these runaways.

The concept itself isn't too bad really and I guess this is the only reason why the movie still works out within its genre. The movie is being pretty silly and lame at times, which also gets really due to its dialog and the actors performing. Most actors had very little experience before appearing in this movie and most actors had not appeared in very much ever since.

Really for the genre fans only.

4/10

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Wow, talk about a pleasant surprise! I was expecting to see a terrible, bottom-of-the-barrel exploitation fodder from the seventies, but I ended up seeing a spirited cult gem that really makes the most of its minimal budget. The story introduces Howard Martin; an introvert and rather nerdy young man who lives alone with his mother since his sister ran away from home. This event somewhat messed up Howard's brain, since he now picks up hitch-hikers in his laundry van and savagely strangles them if it turns out they're runaways from their moms. The subject matter certainly isn't original, since it's an ordinary serial killer on the road premise and the culprit is once again an oppressed mommy's boy ("Psycho", anyone?). Still, the screenplay of "Hitch Hike to Hell" is well thought out and features some really clever ideas that immediately gained my respect. The setting, for example, is a middle-sized town that serves as a junction for the state's most important highways, which makes it extra difficult for the police to keep an eye on all the hitch-hikers. The drama-element of the story surprisingly isn't an obstacle and actually rather captivating. This is all very nice so far, but what REALLY sold me to this movie is the dared ending that you can't possibly see coming! The image of what might happen will briefly cross your mind, probably, but there's no way you expect the film to actually execute it! Watch and see! There are some some dull moments and odd padding scenes to struggle yourself through, but the acting performances are quite good and the music is adorably kitschy. I really don't understand why some people write such harsh things about "Hitch Hike to Hell"...Definitely recommended if you're into rare cult stuff.

A clean-cut Mama's Boy (Robert Gribbin) works as a delivery man for a dry cleaner, and has a tendency to pick up young people hitch hiking along his daily route on the highway. When he finds out that they're running away from home and they despise their mothers, he twitches and turns into a maniac who goes berserk and slaughters them. This actually plays unintentionally funny in many places, and it's hilarious watching gray-haired Russell Johnson (the professor from "Gilligan's Island") portraying a frazzled police captain who has to deliver horrible dialogue with a concerned face. But there are also some gruesome moments too. I watched this with a couple of friends and while it's certainly not a good movie, my friends and I had a good time with it, MST3K-style. There's also a delightfully silly redneck theme song for the credits... "therrrrre's no way you can teellllll when you Heeetch Hiiike to Heelllll". If you get a chance to see the narrated trailer, it's also a riot ("He doesn't drink anything stronger than root beer!"). **1/2 out of ****

Hitch Hike to Hell certainly can't be considered a 'great' slice of seventies exploitation, and while this type of film has been a lot better; there are far worse examples to choose from also. The film's influences are wide and largely obvious, with Alfred Hitchcock's Psycho and, of course, Wes Craven's The Last House on the Left standing out the most. It's also obvious that the film didn't have the greatest scriptwriter on board, as while the tacky dialogue can easily be ignored, the numerous coincidences and obvious plot devices stick out too much, and lowered my enjoyment of the film. For example, just how many runaway girls can one man run across? Anyway, the plot focuses on Howard Martin, a weird shy man that drives a laundry truck. Beneath his harmless exterior, the man is a raving lunatic who is obsessed with his mother and can't stand to hear that a young girl is running away from hers. This leads him to begin killing the runaways by strangulation, but it's not long before the police catch on and begin hunting for the mysterious stranger murdering women on the highway.

Hitch-hiking is a common theme within horror cinema, and has lead to some of the greatest genre movies of all time. The main problem with this movie, however, is that it gets a bit monotonous after a while. Basically, the central psycho picks up a woman, she tells him that she's run away from home - and then he kills her. It's clear that the film was shot on a low budget, and indeed; it looks very, very cheap. But despite that, director Irvin Berwick manages to create a great country atmosphere, which is built up by the spacious locations and a relaxed soundtrack. There's not a great deal of violence in the film, and the style of the movie is such that we never really get the impression that the lead character is a bad man. He commits acts of violence, and then in the next scene everything seems OK. It's a rather odd tone for a movie like this, but the mean spirit comes in at the end with a climax that really is quite shocking, as well as being unexpected given what we've seen of the character earlier. Overall, I can't give this film a high recommendation as it really isn't all that good; but in spite of that, it's worth seeing for the exploitation fan.

A warped and demented mother's boy, Howard (Robert Gribbin) makes a habit of raping & killing various women hitchhikers. When the bodies mount up it's up to Captian Shaw of the Crescent P.D. (played by Russell Johnson, better known as the Proffesor from Gilligan's Island) to try to catch this deviant. The film is a tad on the tedious side (Howard picks up hitchhiker, rapes, kills, back to momma's for dinner, has flask backs to the murders, rinse & repeat) Of course interspersed with the Professor hamming it up.Their IS however one scene that deviates from the standard path that the movie sets up, it has a stereotypical flamboyant gay guy (aptly listed in the credits as 'gay boy') whom Howard picks up and is obviously used for misplaced comedic effect. Oh and a pregnancy sub-plot that comes out of nowhere and feels like it should be in a different movie completely, in this one it just felt like painful melodramatic filler. Given the subject matter and the fact that this is a low-budget exploitation movie, it's pretty tame going. For all it's faults (and there are a great many of them) the film isn't as bad as it is made out to be and i've seen worse. Russell Johnson himself makes the film watchable. If you lack a pretty high tolerance for these kind of low-budget films though I'd recommend that you steer clear.

My Grade: C-

Something Weird DVD Extras: 3 shorts: "the Hitch-Hiker", "Dangerous Strangers" & "the Cautious Twins"; A 27 minute tour of Box office International with Harry Novak circa 1992; Gallery of exploitation art with accompanying soundtrack (5 minutes, 19 seconds); Theatrical trailer; and 2 trailers for the other film on the DVD "Kidnapped Coeds" (one under it's alternative title of "Kidnapped Lover")

Eye Candy: Jacqueline Poseley gets topless; Jane Ratliff shows brief nipple