En el futuro, una raza alienígena utiliza androides como bombas para atacar la Tierra. Un especialista en armamento del Gobierno es acusado de ser uno de esos androides y se propone demostra... Leer todoEn el futuro, una raza alienígena utiliza androides como bombas para atacar la Tierra. Un especialista en armamento del Gobierno es acusado de ser uno de esos androides y se propone demostrar su inocencia.En el futuro, una raza alienígena utiliza androides como bombas para atacar la Tierra. Un especialista en armamento del Gobierno es acusado de ser uno de esos androides y se propone demostrar su inocencia.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
- Midwife
- (as Elizabeth Pena)
Reseñas destacadas
Resume:
First watch: 2003 / How many: 3 / Source: Cable TV-DVD / Rating: 7.5
Impostor was the first of 2002's futuristic thrillers (the other two being Minority Report and the Equilibrium) and it's also easily the weakest, which is no surprise when you consider this is essentially nothing more than a blown-up short film. Not surprisingly, critics were harsh on this one, and while many of the complaints are valid, Impostor is still a bit better than its reputation.
The film's concept, that of a seemingly normal man accused of being a replicant, is a fascinating one, but it's unfortunately drowned by director Gary Fleder's obsession with shaky camera movements and quick cuts. The script, written by a committee (or at least a group of people who had a hand in it), suffers from too many logical flaws to fully work as the cerebral sci-fi it obviously aspires to be. Most importantly, the question of identity and what it means to be human is never fully addressed and only touched upon briefly.
But flawed as the film is, the cast is solid, with Sinise delivering yet again another terrific performance, and the special effects are actually convincing (the cityscapes are genuinely awe-inspiring). The movie's fast pace ensures it's never dull and there are even a few exciting action sequences (most notably the hospital fight/chase). But best of all is the climactic plot twist, a no-holds barred surprise that boosts the film up a notch. As a whole, the movie is mostly middling, but there are enough inspired moments to make this an enjoyable viewing.
Gary Sinise plays Spencer Olham, a doctor along with his wife, Maya, played by Madeleine Stowe. Spencer wakes up and goes to work the next morning to find that he is a wanted man. It appears that the military and the U.S. Defense department think that he is actually a cyborg with a bomb placed in it's heart, with a mission to kill the Chancellor! Pretty far out stuff. The visuals explaining this were pretty cool, too.
Spencer manages to escape but always has the military hot on his trail. This is where the mystery comes in. The viewer is forced to wonder whether or not Spencer is actually himself, or the cyborg programmed to be Spencer. The movie does an excellent job of placing doubt in the minds of those watching, no matter which way they are leaning. If they think Spencer is really himself, it still makes you wonder. Major Hathaway, played by Vincent D'Onofrio, claims that the cyborg is merely programmed to act human, as if it really wants to live.
The special effects here are pretty good as well. At the beginning, I thought we would have another Starship Troopers (visually) on our hands. Since the story takes place in the year 2079, it would not be a good science fiction without the cool household gadgets and such. We see plenty of that here, especially in the beginning. Parts of the movie reminded me of I, Robot, Demolition Man and at times, even Star Wars. This comes recommended for science fiction fans.
¿Sabías que...?
- CuriosidadesYoung Spencer Olham is played by Mac Sinise, Gary Sinise's son.
- PifiasThe bullet holes in Spencer's ESA jacket move around.
- Citas
Spencer Olham: [recounting the history of the atomic bomb] Oppenheimer sees the madness and urges the U.N. to gain control of thermonuclear development. The government turns around and calls him a Communist sympathizer. And when it was all over, Einstein said, "Only two things are infinite: the universe and human stupidity; and I'm not sure about the universe."
- Versiones alternativasThe movie faced several release dates that were changed many times and one of those times resulting in editing and some reshoots. This was done to edit it down to PG-13 from a previous R rating.
- ConexionesFeatured in The Impostor Files: The Making of 'Impostor' (2002)
- Banda sonoraBoy from Ipanema
Written by Antonio Carlos Jobim / Norman Gimbel / Vinicius de Moraes
Published by Universal Duchess Music Corporation (BMI)
And New Thunder Music, Inc. (BMI)
Performed by Crystal Waters
Courtesy of The Island Def Jam Music Group
Under License from Universal Music Enterprises
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Impostor
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 30.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 6.285.176 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 3.022.523 US$
- 6 ene 2002
- Recaudación en todo el mundo
- 8.694.320 US$
- Duración
- 1h 35min(95 min)
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1