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Réquiem por un sueño

Título original: Requiem for a Dream
  • 2000
  • 18
  • 1h 42min
PUNTUACIÓN EN IMDb
8,3/10
948 mil
TU PUNTUACIÓN
POPULARIDAD
232
22
Jennifer Connelly in Réquiem por un sueño (2000)
Theatrical Trailer from Artisan
Reproducir trailer1:34
4 vídeos
99+ imágenes
Drama psicológicoTragediaDrama

Las utopías inducidas por las drogas de cuatro personas de Coney Island se vuelven añicos cuando su adicción les domina.Las utopías inducidas por las drogas de cuatro personas de Coney Island se vuelven añicos cuando su adicción les domina.Las utopías inducidas por las drogas de cuatro personas de Coney Island se vuelven añicos cuando su adicción les domina.

  • Dirección
    • Darren Aronofsky
  • Guión
    • Hubert Selby Jr.
    • Darren Aronofsky
  • Reparto principal
    • Ellen Burstyn
    • Jared Leto
    • Jennifer Connelly
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    8,3/10
    948 mil
    TU PUNTUACIÓN
    POPULARIDAD
    232
    22
    • Dirección
      • Darren Aronofsky
    • Guión
      • Hubert Selby Jr.
      • Darren Aronofsky
    • Reparto principal
      • Ellen Burstyn
      • Jared Leto
      • Jennifer Connelly
    • 2.5KReseñas de usuarios
    • 204Reseñas de críticos
    • 71Metapuntuación
  • Ver la información de la producción en IMDbPro
  • Película mejor puntuada #91
    • Nominado para 1 premio Óscar
      • 37 premios y 69 nominaciones en total

    Vídeos4

    Requiem for a Dream
    Trailer 1:34
    Requiem for a Dream
    Requiem for a Dream
    Trailer 1:20
    Requiem for a Dream
    Requiem for a Dream
    Trailer 1:20
    Requiem for a Dream
    Requiem for a Dream | Anniversary Mashup
    Clip 1:18
    Requiem for a Dream | Anniversary Mashup
    What Roles Has Jennifer Connelly Turned Down?
    Clip 3:18
    What Roles Has Jennifer Connelly Turned Down?

    Imágenes330

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    + 324
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    Reparto principal79

    Editar
    Ellen Burstyn
    Ellen Burstyn
    • Sara Goldfarb
    Jared Leto
    Jared Leto
    • Harry Goldfarb
    Jennifer Connelly
    Jennifer Connelly
    • Marion Silver
    Marlon Wayans
    Marlon Wayans
    • Tyrone C. Love
    Christopher McDonald
    Christopher McDonald
    • Tappy Tibbons
    Louise Lasser
    Louise Lasser
    • Ada
    Marcia Jean Kurtz
    Marcia Jean Kurtz
    • Rae
    Janet Sarno
    • Mrs. Pearlman
    Suzanne Shepherd
    Suzanne Shepherd
    • Mrs. Scarlini
    Joanne Gordon
    • Mrs. Ovadia
    Charlotte Aronofsky
    • Mrs. Miles
    Mark Margolis
    Mark Margolis
    • Mr. Rabinowitz
    Michael Kaycheck
    Michael Kaycheck
    • Donut Cop
    • (as Mike Kaycheck)
    Jack O'Connell
    Jack O'Connell
    • Corn Dog Stand Boss
    Chas Mastin
    • Lyle Russel
    Ajay Naidu
    Ajay Naidu
    • Mailman
    Sean Gullette
    Sean Gullette
    • Arnold The Shrink
    Samia Shoaib
    Samia Shoaib
    • Nurse Mall
    • Dirección
      • Darren Aronofsky
    • Guión
      • Hubert Selby Jr.
      • Darren Aronofsky
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios2.5K

    8,3948.4K
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    Resumen

    Reviewers say 'Requiem for a Dream' is a powerful film exploring drug addiction's harsh realities. Burstyn, Leto, Connelly, and Wayans deliver compelling performances. Aronofsky's direction, with split-screen shots and rapid editing, is innovative yet divisive. The haunting score and cinematography enhance emotional impact, though some find the stylization excessive. Despite mixed views on its approach, the film is noted for its strong emotional reactions and unflinching portrayal of addiction's consequences.
    Generado por IA a partir del texto de las opiniones de los usuarios

    Reseñas destacadas

    10Picklelover-19091

    Disgusting

    This movie is the most disgustingly beautiful and horrifying movie.
    10tdao360

    Brutal, honest, and a must see movie

    This ranks up there as one of the three most powerful movies I have ever seen in my lifetime (Full Metal Jacket and Grave of The Fireflies being the other two). This movie shows the brutal honest side of addiction and over-indulgence. Not just drugs, although it heavily shows drug addiction. Also shows how one addiction can lead to another and how damaging it can be for you. I watched this alone, and felt so stunned afterwards, I had to call a friend just to calm my nerves. Seriously, this is a brutal (one more time) BRUTAL film. The acting is wonderful - Ellyn Burnstyn and Jenniffer Connely are just wonderful in this movie, and Marlon Wayons was such a shocker in a serious role. Everyone must watch it, for it's entertainment value, and more importantly, it's educational value. But it leaves chills down your spine for it's honesty and unforgiving lessons.
    eric226

    Awful and Essential

    I'm not going to waste space with a synopsis, as every second or third review provides one. A good indication of a challenging and original film is the number of 1/10 and 10/10 reviews, where the 1/10 reviews consist of just a few lines. A pretty sure sign that those folks weren't able or willing to watch with an open mind. Which is a good sign for casual viewers to give this film a wide berth.

    I wish everyone I care about would see Requiem for a Dream. Not because they will like it, or that it will teach them something they did not already know, but that it's a rare piece of work that will challenge and probably change them. It's a film that has never been made before, with nothing to compare to it - a rarity these days. I often find myself recommending films to people that I am unable to briefly describe. These are usually the most involving and affecting ones. I'd like my family to see this, but can't *recommend* it to them. I've recommended it to two friends, and they both had the same reaction: I am glad I watched it, but I doubt I'll be in the frame of mind to watch it again, knowing what you feel.

    As I sat watching the credits roll, I began crying, but I'm still not sure why. Partly in reaction to the devastatingly tragic ending, partly the beauty (yes) of the film, partly my gratitude for good things in my life. I watched it again the same night with my girlfriend, not because I wanted to upset her, but I felt that I had to share it. After the credits rolled, we both were silent for a good ten minutes. I found that I had thoughts I wanted to express, but could find no words. This is one of the few films that are painful to experience, but I feel compelled to share with people I care about. Some others in that short list include The Thin Red Line, Happiness, River's Edge,and The Deer Hunter.

    These films all share a quality that's difficult to name. No one likes feeling disturbed or shattered by a film, a work of art, a piece of music, but I feel experiencing these emotions and being asked to think, not just be entertained, is important now and then.

    "Favorite" does not apply to this for me - this isn't about entertainment. One of the most devastating and beautiful experiences I've had watching a film. One of the top five films I've ever seen.
    8bshsfo

    Punishing and Unforgettable

    I respect and admire this movie, even though (and perhaps because) it is complex, occasionally irritating and often very hard to take. Frankly, I avoided seeing it for a long time, but now am glad I did. To complain that the film fails as a realistic portrayal of addiction is, I think, to miss the point. Far from being the mere depiction of a collective downward spiral fueled by drugs, the movie is in fact a meditation on loneliness, greed, corruption, desperation, and the pervasiveness/banality of media, among many other things.

    The subtleties of the text are communicated, first and foremost, by superb acting. The performances of Ellen Burstyn, Jared Leto, Jennifer Connelly, and Marlon Wayans are all revelatory. In particular, I was knocked out by Burstyn, who is almost comically pathetic in the beginning, but who manages by the end to convey her character's utter devastation in the truest, most heartbreaking manner imaginable. The others are absolutely perfect as well; I was simply astonished by Leto and especially Wayans (may he eschew "scary movies" forevermore). Connelly has perhaps the most difficult role in the film, with opportunity and motivation galore to go over the top, and she delivers not a single false note throughout.

    My only real quibbles with the movie have to do with certain instances of the split-screen and jump-cut techniques, which struck me as somewhat gimmicky and repetitious, respectively. That being said, overall the style of the film is impressive and appropriate. The cinematography is beautifully conceived and executed, and the score is every bit as haunting as the performances (thanks largely to the work of the Kronos Quartet).

    In sum, regardless of whether or not the subject matter itself shocks you, this movie will put the viewer through the proverbial wringer. Give it a chance, and you will connect with the characters and then witness their destruction (spiritual and otherwise). It is a punishing but unforgettable experience. I'm not sure whether I'd necessarily recommend it or not; it all depends on your personal tolerance level with regard to an unflinching portrayal of human nature and behavior at their most extreme and, ultimately, tragic. For my part, while I don't expect to watch this film very often in the future, I'm sure glad it'll be on the shelf.
    dropthehammer2000

    Disturbing, Graphic and Great

    I went to this movie hearing plenty of buzz about how graphic the content was. Over the course of the movie you see just how Aronofsky wants to send his message to the audience. The characters start off with somewhat mild addictions and then next thing you know the four main characters are living in hell. I couldn't believe how low they all fell. This movie may be the greatest anti-drug message of all time. I dare anybody to watch this and to not be touched and frightened by these characters. Before the movie started I noticed the audience was quite loud and garrulous, but as it ended and the credits rolled the whole place was stone cold silent. It was amazing.

    As a whole I felt the movie was excellent. The visuals were well done and the editing was outstanding. The actors really put themselves into their roles. Jared Leto and Jennifer Connelly had very good chemistry, while Marlon Wayans showed he is a talented actor and not just a talented comic. Ellen Burstyn. Wow! She was amazing. I can't believe an older woman would allow herself to be filmed like that. She has some serious guts. Hands down the best female performance I've watched this year, not even close. I was totally amazed by her.

    All in all, I would say Requiem For a Dream is a great movie. It had a profound impact on me and I haven't been able to stop thinking about it since I watched it on opening night. I definitely recommend this movie to anyone. This is a movie everyone should see, but unfortunately not enough will.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      (at around 44 mins) During Ellen Burstyn's impassioned monologue about how it feels to be old, cinematographer Matthew Libatique accidentally let the camera drift off-target. When director Darren Aronofsky called "cut" and confronted him about it, he realized the reason Libatique had let the camera drift was because he had been crying during the take and fogged up the camera's eyepiece. This was the take used in the final print.
    • Pifias
      When the characters take Heroin, either injected or snorted, the sequence showing their eyes dilating is inaccurate. Opiates produce a constricting of the pupil. However, the dilating is correct when the characters are using Ecstasy and Cocaine.
    • Citas

      Sara Goldfarb: I'm somebody now, Harry. Everybody likes me. Soon, millions of people will see me and they'll all like me. I'll tell them about you, and your father, how good he was to us. Remember? It's a reason to get up in the morning. It's a reason to lose weight, to fit in the red dress. It's a reason to smile. It makes tomorrow all right. What have I got Harry, hm? Why should I even make the bed, or wash the dishes? I do them, but why should I? I'm alone. Your father's gone, you're gone. I got no one to care for. What have I got, Harry? I'm lonely. I'm old.

      Harry Goldfarb: You got friends, Ma.

      Sara Goldfarb: Ah, it's not the same. They don't need me. I like the way I feel. I like thinking about the red dress and the television and you and your father. Now when I get the sun, I smile.

    • Créditos adicionales
      The man on the train who says "You're whacked" to Sara when she tells him that she's going to be on TV is credited as "You're Whacked".
    • Versiones alternativas
      Available in both the uncut, unrated theatrical version and an edited, R-rated version (mainly for conservative rental stores like Blockbuster.)
    • Conexiones
      Featured in Siskel & Ebert & the Movies: Remember the Titans/The Exorcist: The Version You've Never Seen/Under Suspicion (2000)
    • Banda sonora
      Bialy & Lox Conga
      Performed by The Moonrats

      Marcel Reginatto - Saxophone, Vocals

      Brian Emrich - Bass Guitar, Vocals

      Oscar Oñoz - Trumpet, Vocals

      Theodore Birkey - Keyboards, Vocals

      Tico Torres (as Hector Torres) - Percussion, Vocals

      Darren Aronofsky - Vocals

      Engineered, Programmed and Mixed by James Murphy for DFA at Plantain Recording House NYC

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    Preguntas frecuentes23

    • How long is Requiem for a Dream?Con tecnología de Alexa
    • What are some interesting facts about drugs?
    • Is this movie adapted from a novel?
    • What are the differences between the R-Rated version and the original NC-17 version?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de marzo de 2001 (España)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Rèquiem per un somni
    • Localizaciones del rodaje
      • Coney Island, Brooklyn, Nueva York, Nueva York, Estados Unidos
    • Empresas productoras
      • Artisan Entertainment
      • Thousand Words
      • Sibling Productions
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 4.500.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 3.635.482 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 64.770 US$
      • 8 oct 2000
    • Recaudación en todo el mundo
      • 7.391.471 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 42min(102 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Surround 7.1
      • Dolby Digital
      • Dolby Atmos
    • Relación de aspecto
      • 1.85 : 1

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