Casi famosos

Elaine (Frances McDormand) is an all-controlling weirdness mother in San Diego, and her daughter Anita (Zooey Deschanel) rebels running away. Elaine even lies to her son William Miller (Patrick Fugit) about his age skipping grades. Anita leaves behind her collection of records for him. Then forward to 1973, William is a 15 year old high school music geek who has written a few things for magazines. Lester Bangs (Philip Seymour Hoffman) is his all-talk mentor. While trying to interview Black Sabbath, he befriends Band-aid Penny Lane (Kate Hudson). Then he meets Russell Hammond (Billy Crudup) and the band Stillwater. A few praises and he's in with the band. Then Rolling Stone magazine calls.

This is based on director Cameron Crowe's life as a young Rolling Stone reporter. As such, it has an air of truth in this fictional account. It hits all the correct notes. It is fun, poignant, and heart warming in all the right places. Kate Hudson is an instant star. The music is wonderful. It won the Oscar for best writing, but I would pick this over any of the best picture nominees. It is simply better than the best of that year.

There was a time in the US rock circuit before music videos and online marketing. That was the time when several little-known bands toured all over the country... accompanied mostly by drugs and groupies. Writer-director Cameron Crowe takes us to that infamous scene of sex, drugs and rock n' roll in the 1970's with this semi-autobiographical work, which is not only equipped with his brilliant direction and screenplay, but also by decent performances by some relatively lesser-known actors.

Here the introduction of a not-too-famous band, an imaginary one called Stillwater, was important. In that sense, Stillwater is a perfect work by Crowe... with a volatile relationship between the vocalist and the guitarist, with a noncompetent manager and everything that comes with. There were also the groupies, who became a matter of substance in Crowe's point of view. But the most extraordinary thing that Crowe did is the image of himself as a 15-year-old writing prodigy, rock journalist William Miller. The viewers watch the movie through Miller's eyes. The character is extremely well-designed and reserved by Crowe. Miller's the one who becomes able to attach all the parts into a complete movie alone.

Billy Crudup was probably the best among the actors as guitarist Russell Hammond. It's true his role was not a tough one, but he's the one who made it look so easy. Young Kate Hudson, as Penny Lane, is perfect and very adorable. She showed her potentials in this movie which seemed even better than her mother, Goldie Hawn. All she needs are decent roles in future. The other actors, namely Jason Lee as vocalist Jeff, Frances McDormand as Williams's over-protective mother and the other band-aids (with Oscar-winner Anna Paquin) performed also quite well. And newcomer Patrick Fugit, as Miller himself, is really brilliant. Gaining more screen time than anyone else, it was a tough test for Fugit and it is all praises for him.

The soundtrack was very good with some fine original songs. There may be some minor flaws in the movie, like some unnecessary sequences, but all over this is a quite masterful work... a feast for the mind and soul, both for a hard rock n' roll fan and for casual viewers.

Young Patrick Fugit, a talented juvenile writer, gets a once in a lifetime opportunity, to travel with a mid level rock band as a journalist. If the piece is good, Rolling Stone may pick it up and his career is made. Trying to pin the band down for an interview, especially the deliberately elusive leader, Billy Crudup is harder than you would think. These guys in the band Stillwater are Almost Famous, they're just a step away, but it's hard step to take.

Billy Crudup is one of the best players around today and it's his portrayal of Russell Hammond, lead singer of Stillwater on which the film pivots. It's a very complex role and we see all sides of Russell Hammond, talented, charismatic, loyal, self indulgent, hedonistic, it's all there and whole lot more. Just how honest can young Mr. Fugit be and where does being a fan stop and being a journalist start. Fugit may not know, but the band members keep asking the question.

Kate Hudson is around and does very well as the girl 'Penny Lane' who follows Stillwater. She's not a groupie, the term she prefers is Band Aide. And Frances McDormand is around as Fugit's mom who is constantly checking in on her son to see that he doesn't enjoy too much of the good life on the rock scene.

Almost Famous is a very graphic picture of the rock scene of the mid Seventies. Director Cameron Crowe did a great job capturing the mood of the times as well as good performances from the cast. Still it's Billy Crudup's picture and this is a must for his fans.

The casting of Almost Famous is perfection. The music is sublime; Would one expect anything less with Nancy Wilson at the helm of the soundtrack? The cost of syncing some of the most iconic classic rock songs must have cost investors a pretty penny - it was money well-spent, as the film thrives on one of the best soundtrack syncs in movie history.

Almost Famous is classic Cameron Crowe - a semi-autobiographical film that pulls from his own experiences as a young journalist with Rolling Stone magazine in its glory daze of the early 1970's. Yes, most of the events in the movie (including the airplane scene) really DID happen with Crowe there to witness (albeit being an amalgam of different bands and circumstances Cameron covered as a rock journalist).

You care about the characters who are developed and illuminated throughout the film. Crowe's spot-on casting and "actors' director" prowess serves as a catalyst for the actors, inspiring the cast to draw out the intimate feelings and thoughts of each character without crossing into melodrama - The result is an acting ensemble tour de force.

Almost Famous is a must-see for both classic-rock fans and movie lovers at large.

You get to witness several breakout early-career performances including Kate Hudson, Zooey Deschannel, Billy Crudup, and yes, even Jimmy Fallon.

Philip Seymour Hoffman and Francis McDormand are as usual, nearly flawless.

Get a back-stage pass to this fabulous movie - a loving ode to the early 70's twilight days of the classic rock era.

Finally, a movie worth the full price of a ticket! Almost Famous is Cameron Crowe's semi-autobigraphical story of an aspiring rock journalist who goes on tour with a band in the 1970's. If it sounds familiar, it's probably because the story is hardly new. There have been dozens of movies made about the rock and roll lifestyle: the drugs, the sex, the fights, and all the bumps on the road to success.

So what sets Almost Famous apart? The acting, for one. Frances McDormand was brilliant as William's (newcomer Patrick Fugit) well-meaning but overbearing mother. Fugit, for his part, had a convincing performance as the shy, awkward teenager struggling to be a journalist but at the same time aching to belong. Kate Hudson, in her breakout role as groupie "Penny Lane", gave her character depth beyond what might have been a limiting role. And Billy Crudup, as band Stillwater's charismatic lead guitarist, shines. Jason Lee is always good, and as Stillwater's lead singer, this role is no exception. And I can't review this film without giving a shout-out to the chronically and criminally-underrated Philip Seymour Hoffman, who steals every scene he's in with his portrayal of legendary rock journalist Lester Bangs.

The writing in the film also contributes to its effect. Many of the great lines belong to McDormand but there are plenty of others to go around. In addition, the music of the era can't be beat. Everything from Simon and Garfunkle to Alvin and the Chipmunks shows up at some point in the movie's extensive musical score.

The plot may not be particularly original, but it rings true. I of course am approaching this review as a music fan and someone interested in the industry. Nonetheless, I believe that even people who couldn't care less about rock music will enjoy this movie, since it's not so much about the music as it is about life. A central theme is the conflict of William: Should he remain a detached but lonely outsider so as to be an impartial journalist, or allow himself to make friends with these people and feel like he belongs? Aside from bringing up questions of journalistic ethics, this dilemma mirrors much of what people in all wakes of life deal with daily.

Almost Famous is realistic, funny, touching, and one of those rare movies that makes you feel like you've gained something just for having seen it. It's too bad that they say rock and roll is dead, cause we could sure use more movies like this one!