PUNTUACIÓN EN IMDb
7,5/10
14 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA mysterious young girl wanders a desolate, otherworldly landscape, carrying a large egg.A mysterious young girl wanders a desolate, otherworldly landscape, carrying a large egg.A mysterious young girl wanders a desolate, otherworldly landscape, carrying a large egg.
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10zenamako
This film is not live-action, nor is it a short. What it is is the quintessential Mamoru Oshii (Ghost in the Shell) film, a haunting, ethereal drama more concerned with imagery and mood than with plot or characterization. A young girl (lavishly designed by animator-turned-fine artist Yoshitaka Amano) wanders the desolate streets of a dark, nightmarish world; her fragile faith rests in the form of a gigantic egg, which she hopes to protect. Eventually, she meets an enigmatic stranger bearing a crucifix and a decidedly pragmatic worldview ("You have to break an egg if you are to know what's inside," he tells her). This is Oshii at his most obtuse, and even he claims to not know the true meaning of this film. The film is a pure work of art, however, free from all commercial baggage. For this reason, it should be viewed by everyone with a genuine interest in the art of animation. Note: Beware the Roger Corman film "In the Aftermath," which takes some footage from this film and places it in a different context.
This is an original work of Mamoru Oshii and Yoshitaka Amano who are two very known people.
There is nearly no story in this anime, a little girl is guarding a mysterious egg and meet a man who seems to be interested about this egg. Not much script in this film, 5mn of talking for a 75 min movie.
So, why this film is so excellent ? First of all, the drawings are exceptional as they are made by Amano, we are moved by the colors and the atmosphere of this dark world even if we know nearly nothing about it. Some would not like this film as there is "no message" within it. Sometimes, you need to think by yourself, as no message is given, it is your duty to create one, to seek what this film means to you.
One more time this is clearly a visual work which drives us to unknown arts territories, I personally see a link with David Lynch's films.
There is nearly no story in this anime, a little girl is guarding a mysterious egg and meet a man who seems to be interested about this egg. Not much script in this film, 5mn of talking for a 75 min movie.
So, why this film is so excellent ? First of all, the drawings are exceptional as they are made by Amano, we are moved by the colors and the atmosphere of this dark world even if we know nearly nothing about it. Some would not like this film as there is "no message" within it. Sometimes, you need to think by yourself, as no message is given, it is your duty to create one, to seek what this film means to you.
One more time this is clearly a visual work which drives us to unknown arts territories, I personally see a link with David Lynch's films.
This movie requires more work than most people are willing to put in, and ultimately is a useful tool to gauge one's own film expectations.
Where some complain of pace, I was content to listen to the glorious music (as even the characters on screen did) and allow it to tell me the story.
Only after I was forced to view a still image for an interminable amount of time, and feel the anger rise up in me as I imagined the creators of the film laughing at me, did I notice that it created the necessary tension for what was the climax of the film.
I enjoyed having to pay attention to the details of the film, such as how loud the running water was, and what happened when that volume changed; such as whose perspective was I looking from at a particular moment and why; such as why the image persisted but the sound did not, or vice versa; such as why the floor in the beginning looks like a chess board, and who seemed to win at the end.
The less you enjoy thinking about these things, the less you will enjoy this film about shattered innocence, life, death, birth, dreams, causality, and memory.
Where some complain of pace, I was content to listen to the glorious music (as even the characters on screen did) and allow it to tell me the story.
Only after I was forced to view a still image for an interminable amount of time, and feel the anger rise up in me as I imagined the creators of the film laughing at me, did I notice that it created the necessary tension for what was the climax of the film.
I enjoyed having to pay attention to the details of the film, such as how loud the running water was, and what happened when that volume changed; such as whose perspective was I looking from at a particular moment and why; such as why the image persisted but the sound did not, or vice versa; such as why the floor in the beginning looks like a chess board, and who seemed to win at the end.
The less you enjoy thinking about these things, the less you will enjoy this film about shattered innocence, life, death, birth, dreams, causality, and memory.
10tilppa
This masterpiece by Mamoru Oshii (Character designs by the great Yoshitaka Amano) is really one of a kind, thought provoking, artistic almost in a style of Dali and other great artists. The dark atmosphere and the inexplicable happenings bring Kubrick's 2001: A Space Odyssey to my mind. There isn't much dialogue in the film, which is in my opinion a great decision. If you're into anime, especially the Mamoru Oshii stylish "slow and atmospheric" anime, this is a must see. I might even say this is one of the great classics in the history of anime although this title might be quite unknown to all. Really recommended!
Tenshi no Tamago - Angel's Egg - is a very rare type of movie. It is a movie that does not spell the plot out in big bold type. Instead the meaning of the story is told in symbolic imagery and left to the viewer to interpret and understand. Some believe it tells of the director's own loss of faith in religion, and society's blind devotion to belief in mythical and imaginary things.
The film's visuals are utterly beautiful, with designs from Yoshitaka Amano, and with Mamoru Oshii's breath-taking direction in full force. The soundtrack too is sublime, composed by Yoshihiro Kanno and one of only a few he ever composed for movies.
Films as meaningful, thoughtful, and beautiful as this should never be missed. If you value the art form of cinema, then watch Angel's Egg and be amazed. If you prefer wall to wall explosions then look elsewhere.
The film's visuals are utterly beautiful, with designs from Yoshitaka Amano, and with Mamoru Oshii's breath-taking direction in full force. The soundtrack too is sublime, composed by Yoshihiro Kanno and one of only a few he ever composed for movies.
Films as meaningful, thoughtful, and beautiful as this should never be missed. If you value the art form of cinema, then watch Angel's Egg and be amazed. If you prefer wall to wall explosions then look elsewhere.
¿Sabías que...?
- CuriosidadesWas released in Australia in an edited form under the title "In the aftermath: Angels never sleep" with some obscure live-action footage included.
- Citas
Boy: I've seen a tree like this somewere... When was it? So long ago that I've forgotten... Under a sky where the clouds made sound as they moved. The black horizon swelled and from it grew a huge tree. It sucked the life from the ground... And it's pulsing branches reached up, as if to grasp something...
- Versiones alternativasIn the North Korean release, the names of the Japanese cast and crew names are written in Korean characters.
- ConexionesEdited into In the Aftermath: La pesadilla del mañana (1988)
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Taquilla
- Recaudación en todo el mundo
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