Vaastav: The Reality

Plot:Story Off A Normal Man Get's Dragged Into Crime Life And Pay With Life

Cast:Sanjay Dutt As Raghunath "Raghu" Namdev Shivalkhar Namrata Shirodkar As Sonia Sanjay Narvekar As Dedh Foootya Mohnish Bahl As Vijaykanth Namdev Shivalkhar, Raghu's brother Shivaji Satam As Namdev, Raghu's father Reema Lagoo As Shanta, Raghu's mother Deepak Tijori As sub-inspector Kishore Kadam Paresh Rawal As Sulemaan Bhai (Mandavali Badshah) Mohan Joshi As Home Minister Babban Rao Ashish Vidyarthi As Vitthal Kaanya

Performances:Cast Performances Is Great But Sanjay Dutt Steal Movie With Easily One Of Most Powerful Performance Ever Seen In Bollywood And Taking Home Is First Filmfare Best Actor Award Plus Award for Artistic Excellence And 2000 Screen Weekly Awards

Though almost everyone is just bragging about Sanjay Dutt's acting performance, the storyline itself made him important one. all actresses & actors did their role perfectly. beyond that, why it is mirror of the Reality ? That is important part of this movie. let it, Raghu's forced start in crime world to the ending words of wisdom through his Mother about 'having a choice' are grim reality unveiled by script. the direction was influencing in such a way that, it pushes us to really look for other side common people don't want to see. though it affects all. Also the way it approached issues of sex workers, sold out police at the same time vulnerable police in front of politicians. All in all a milestone in Indian cinemas. the ending was quite disturbing but sensible & insightful where mother herself shoots the son from all distress of being tired. Truly, Hats off.

Vaastav review :

A film which brought the down and out Sanjay Dutt back in the reckoning; Vaastav was director Mahesh Manjrekar's first Hindi release and his most memorable movie till date. The film not only re-established Sanju Baba as a top actor but also joined the ranks of the finest underworld dramas made in Bollywood alongside Parinda (1989), Satya (1998) and Company (2002).

Sanju played a street smart Marathi lad Raghu who is engulfed in to vortex of crime after committing an unintentional murder. He grows up the ranks to become a hitman for the local politician (Mohan Joshi) but oversteps his limits which leads to his sordid end.

Vaastav belonged to Sanju Baba and the role of a vulnerable yet tough gangster suited him to the T. Manjrekar cast many Marathi theatre actors like Sanjay Narvekar, Bharat Jadhav and Makarand Anaspure who later became big names in Marathi cinema. Namrata Shirodkar was mighty impressive as the prostitute turned Sanju Baba's wife. Reema Lagoo as the mother, who ends up being 'Mother India' in the climax, was effective as ever.

At the box office, Vaastav became an instant hit in Maharashtra particularly Mumbai where its plot was based but took time to pick up in rest of India. It was declared a super hit in terms of return on investment and Sanju Baba got such a massive hit only after Subhash Ghai's Khalnayak (1993). Manjrekar opened his innings in Bollywood with a hit.

A sequel titled Hathyar (2002) was directed by Manjrekar which featured Sanjay Dutt again as Raghu as well as his son Rohit. Deepak Tijori and Reema reprised their roles from the original while the sexy Shilpa Shetty was the new addition to the cast as Rohit's wife. Sadly, Hathyar appeared to be a leftover edit of Vaastav with practically the same plot and bombed badly at the box office.

Regards, Sumeet Nadkarni.

Im not your average bollywood fan, in fact quite the opposite, i despise most productions that come out of the Indian film industry. However, this movie is compelling from the first scene to the last, and although it has elements of the stereotypical bollywood film, the film itself illustrates a story that is gripping and intriguing. Sanjay Dutt takes the lead role of Raghunat Namdev Shivalkar, and fulfills it to a frighteningly captivating effect. Dutt who has had a life of controversy and turbulence himself, was perhaps best equipped to play this role like nobody else could. The film traces the life of a young, exuberant man, who is struggling to find direction in his life. The transformation from this depiction, to the character of 'Raghu Bhai' is achieved with pure brilliance, by both the script and performers. Essentially Vaastav is an intelligent movie, revealing the infamously corrupt nature of the Indian political system, as well as the functioning of society itself. These factors are shown to work simultaneously to create a character that is forever embedded in the history of Indian cinema. This is bollywood at its rare finest, and it will not fail in living up to the trademark of the movie itself 'The Reality'. Sanjay Dutt at his pure deadliest.

The talented Mahesh Manjrekar directs his second feature which centres around the character of a simple guy whose attempts to lead a normal life fail and as a result he becomes a merciless underworld don. Manjrekar's direction is excellent and he successfully depicts the dark tone of the crime world. He offers a grim look at the underworld and not even once does he try to glorify it or show it in a positive light. On the contrary, through the main character he shows how restless those who get involved in it are. The film, though a bit unevenly executed at places, generally remains steadily focused, and the proceedings are raw and serious, without useless attempts at comedy and unnecessary subplots one gets to see so much in Hindi films. Many of the film's scenes are extremely moving.

For the demanding role of Raghunath, Manjrekar casts Sanjay Dutt, one of the industry's most respected and loved stars, yet one of its most underrated actors. Dutt is simply exceptional, portraying every shade of his character with sheer conviction. He actually becomes Raghunath and manages to create a real new screen persona with his line delivery, body language and his often frighteningly serene attitude. This is one of his absolute best. Other cast members do a very good job, with Reema Lagoo delivering the most memorable performance of the lot as Raghu's tormented yet loving mother. Sanjay Narvekar is quite effective as his best friend, while Namrata Shirodkar does a fine job as Sonu, a young prostitute with whom he falls in love.

Vaastav is not without its flaws. I, for one, found Raghunath's transformation far too quick to be completely believable. The film, though generally gritty, intense and matter-of-fact, gets at times a bit too emotional and consequently the level of its authenticity is thus reduced by a iota. Nonetheless, the film's final scenes are powerful and riveting and the very last scene is fantastic. Do watch Vaastav, mainly to see Sanjay Dutt's performance.