PUNTUACIÓN EN IMDb
6,5/10
5,6 mil
TU PUNTUACIÓN
Pig y Runt, nacidos el mismo día, en el mismo hospital, con momentos de diferencia. Gemelos, salvo por la sangre.Pig y Runt, nacidos el mismo día, en el mismo hospital, con momentos de diferencia. Gemelos, salvo por la sangre.Pig y Runt, nacidos el mismo día, en el mismo hospital, con momentos de diferencia. Gemelos, salvo por la sangre.
- Premios
- 6 premios y 7 nominaciones en total
Charles Bark
- 5 Year Old Pig
- (as Charles Bark-Frisby)
Brían F. O'Byrne
- Runt's Dad
- (as Brian O'Byrne)
- Director/a
- Guionista
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
6,55.5K
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Reseñas destacadas
A film that doesn't have enough words to describe its greatness
Two 16-year-olds share a birthday, a love, a language of their own and a uniquely violent world view. Disco Pigs is an electric, disturbing and violent sprint through the unique world of Pig and Runt, two 17 year old kids who were born with a special, almost psychic affinity for one another.
It's a gentle and tender story about a pure, innocent love between two inseparable people who 'want for something different' out of life, lashing out at 'the sameness of it all'. When this invisible thread between Pig and Runt is stretched to breaking point, the inseparable are about to separate and which one will survive depends on which one can break free.
I'll stick my neck out here and say that Disco Pigs has a real Clockwork Orange feel about it - its use of a lyrical communication between our two leads - a combination of baby talk and Shakespeare monologue gave me that strong impression. The lead roles also exist in their own world, oblivious and unbound by the rules that govern us all.
Pig and Runt are two kids that really don't want to grow up, but despite their enforced isolation from common reality the pressures bear upon them to change. Pig wants the relationship to move to the 'next level', but innocent Runt either doesn't understand or doesn't want that right now. She seems more interested in experiencing other boys - finding a local bartender particularly intriguing. He is frustrated that their relationship, while deep, is not deeper, and she is perhaps seeing the blinkers removed from her eyes a bit, allowing the outside world a peek in.
I've made mention of the language that is used throughout the film used by Pig and Runt; the dialogue between the two is at times heart breakingly beautiful; witness Pig's love expressed in words as he talks to himself about the beautiful passion they would both share when they would make love for the first time. It nearly made this hardened critic cry.
Disco Pigs is nothing short of a masterpiece. It is unconventional, yes, but that is the stuff of greatness. The incredible soundtrack complements the visuals perfectly and is nearly a character in its own right. My only gripe is `REMOVE THE SUBTITLES!'
If this film gets a local Australian distribution, see it. It's that simple. 10 out of 10.
It's a gentle and tender story about a pure, innocent love between two inseparable people who 'want for something different' out of life, lashing out at 'the sameness of it all'. When this invisible thread between Pig and Runt is stretched to breaking point, the inseparable are about to separate and which one will survive depends on which one can break free.
I'll stick my neck out here and say that Disco Pigs has a real Clockwork Orange feel about it - its use of a lyrical communication between our two leads - a combination of baby talk and Shakespeare monologue gave me that strong impression. The lead roles also exist in their own world, oblivious and unbound by the rules that govern us all.
Pig and Runt are two kids that really don't want to grow up, but despite their enforced isolation from common reality the pressures bear upon them to change. Pig wants the relationship to move to the 'next level', but innocent Runt either doesn't understand or doesn't want that right now. She seems more interested in experiencing other boys - finding a local bartender particularly intriguing. He is frustrated that their relationship, while deep, is not deeper, and she is perhaps seeing the blinkers removed from her eyes a bit, allowing the outside world a peek in.
I've made mention of the language that is used throughout the film used by Pig and Runt; the dialogue between the two is at times heart breakingly beautiful; witness Pig's love expressed in words as he talks to himself about the beautiful passion they would both share when they would make love for the first time. It nearly made this hardened critic cry.
Disco Pigs is nothing short of a masterpiece. It is unconventional, yes, but that is the stuff of greatness. The incredible soundtrack complements the visuals perfectly and is nearly a character in its own right. My only gripe is `REMOVE THE SUBTITLES!'
If this film gets a local Australian distribution, see it. It's that simple. 10 out of 10.
the future of irish film
Its amazing how some of the comments here have completely missed the point of this film. If you haven't seen it yet, I should warn that these comments may give away some plot points.
The facile answers that one user suggest this film offers to the question of "what is love?" don't really deserve aknowledgement. But lets do so anyway.
It would be hard to find a more poignant and complex depiction of the strive for 'pure' love in the face of an ever intruding reality. Pig's love for Runt is the one thing that is whole and real in his life. Yet life, and the fact of their growing up, is slowly taking her away from him. Without her, he himself has no real existence. Therefore his love takes on a growing desperation as he feels her slip away from him.
A commenter questions why runt never "takes to" Pig. Why she is attracted to the bartender.
The point of the film is that she can live in and relate to an outer world beyond her relationship with Pig, while Pig cannot. This world is represented by the barman she dances with, by the roomate she slowly begins to open up to. It is this ability that enables her to survive whilst Pig is spiralling into an ever more violent self-destruction. She loves Pig but realises that the insulated world thay have cocooned themselves within must fall apart. She ultimately saves him from a world that he cannot live in and that she knows he must.
The real triumph of this film is how it completely trancends its stage bound roots. The action is opened out and incorporates a range of characters which, if never fully rounded, likewise are never mere cliches. There is in fact only one speech lifted directly from the play, where Pig expresses his growing frustration as sexuality begins to enter their relationship. The ending soliloquay which one commenter feels betrayed the stage origins was in fact completely new to the film, and indeed the ending itself is completely rewritten.
The direction of this film is lively and interesting. Veering between the hyper-kinetic disco scenes and the peaceful fairy tale world of Pig and Runt's fantasies without jarring. It manages to take Pig on a road trip without ever losing pace and leaves us with a truly heartwrenching scene of sacrifice and beauty.
This is the future of Irish cinema; fresh, exciting directors and a depiction of Ireland that manages to be both free from stereotypical depictions of Irishness whilst maintaining a distinct storytelling style. Go see it.
The facile answers that one user suggest this film offers to the question of "what is love?" don't really deserve aknowledgement. But lets do so anyway.
It would be hard to find a more poignant and complex depiction of the strive for 'pure' love in the face of an ever intruding reality. Pig's love for Runt is the one thing that is whole and real in his life. Yet life, and the fact of their growing up, is slowly taking her away from him. Without her, he himself has no real existence. Therefore his love takes on a growing desperation as he feels her slip away from him.
A commenter questions why runt never "takes to" Pig. Why she is attracted to the bartender.
The point of the film is that she can live in and relate to an outer world beyond her relationship with Pig, while Pig cannot. This world is represented by the barman she dances with, by the roomate she slowly begins to open up to. It is this ability that enables her to survive whilst Pig is spiralling into an ever more violent self-destruction. She loves Pig but realises that the insulated world thay have cocooned themselves within must fall apart. She ultimately saves him from a world that he cannot live in and that she knows he must.
The real triumph of this film is how it completely trancends its stage bound roots. The action is opened out and incorporates a range of characters which, if never fully rounded, likewise are never mere cliches. There is in fact only one speech lifted directly from the play, where Pig expresses his growing frustration as sexuality begins to enter their relationship. The ending soliloquay which one commenter feels betrayed the stage origins was in fact completely new to the film, and indeed the ending itself is completely rewritten.
The direction of this film is lively and interesting. Veering between the hyper-kinetic disco scenes and the peaceful fairy tale world of Pig and Runt's fantasies without jarring. It manages to take Pig on a road trip without ever losing pace and leaves us with a truly heartwrenching scene of sacrifice and beauty.
This is the future of Irish cinema; fresh, exciting directors and a depiction of Ireland that manages to be both free from stereotypical depictions of Irishness whilst maintaining a distinct storytelling style. Go see it.
bizarre and brilliant
A film that creates a fine line between sweet and scary, 'Disco Pigs' takes you on a strange journey into a private little fairy tale world of two people who've never been separated who create chaos for everyone around them where ever they go until they're separated by their parents and school. However when reunited they find themselves drifting apart as one's behavior moves from the playfully anti-social to the dangerously psychotic.
Great performances by some of Irelands great new talents.
This films an interesting watch, as it seems to create a new genre: Romantic Thriller.
7.5/10
Great performances by some of Irelands great new talents.
This films an interesting watch, as it seems to create a new genre: Romantic Thriller.
7.5/10
Why was it so bad?
Personally, I don't understand why people have said this movie is so bad. It is fair to say that maybe sometimes the things Pig (Cillian Murphy) says are a bit much and put a downside on the movie but I've heard much worse in other, highly rated, movies. The storyline itself is a simple yet interesting and well thought out one which has a fantastic ending. If you do begin to watch this movie and dislike it it is still worth watching to the end and may perhaps change your view of it a little. This is the kind of movie people will usually either love or hate. Some will find it horrible and others will find it somewhat romantic and very good. Rather than reading comments that slate it and taking that view yourself you should definitely watch it and make your own mind up.
Exceptional but tragic
This film was absolutely spectacular. It was well acted, shot and wrote and the mix of innocence and anger were well represented.
This film was one that i had eagerly anticipated watching and i was not disappointed by it. At times it was painful to watch but was compelling all the same as it really drew the audience in. Cillian Murphy was excellent as the mentally challenged Pig as even in his madness you are drawn to him and his obvious similarity to a confused child. Elaine Cassidy was equally well cast as the introverted Runt.
I would recommend this film although admittedly it will not be to everyones tastes.
This film was one that i had eagerly anticipated watching and i was not disappointed by it. At times it was painful to watch but was compelling all the same as it really drew the audience in. Cillian Murphy was excellent as the mentally challenged Pig as even in his madness you are drawn to him and his obvious similarity to a confused child. Elaine Cassidy was equally well cast as the introverted Runt.
I would recommend this film although admittedly it will not be to everyones tastes.
¿Sabías que...?
- CuriosidadesThe second song played during the credits called "So New" was written and performed by Cillian Murphy, who played Pig.
- PifiasDuring the flashback to Sinéad being spanked by her father Ger Canning can be heard commentating on a hurling game between Cork and Kilkenny, mentioning the names of DJ Carey, Henry Shefflin, Charlie Carter and Diarmuid O' Sullivan, who would only played with and against each other in 1999 at the earliest. The flashback was obviously intended to have been set long before then.
- Citas
Runt: [sitting on Cross Haven beach] I want to walk into the sea and never come back. I want the tide to take me out of me and give me someone else. Maybe for a half hour or so. That would be good, wouldn't it, Pig?
Pig: Say again.
Runt: Just for a try, you know.
Pig: Jesus, Runt, that would be impossible. "A half hour or so" fuck.
- ConexionesFeatures The Clangers: Flying (1969)
- Banda sonoraSlip Into Something More Comfortable
Written by Julius Waters, Mark Blackburn, Frederick & Karger and Robert Wells
Performed by Kinobe
Courtesy of Zomba Records Ltd.
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- How long is Disco Pigs?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- 妄亂青春
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración
- 1h 33min(93 min)
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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