Equilibrium

First of all, a extremly tought provoking film!

Definitely a great film that really captures the essence of what makes us human. And how we need to protect freedom, democracy and culture forever.

I really think it manages to capture the human mind and the human experience of life and society.

Christian Bale fits perfectly for this role capturing his classic performances and abilitys as a actor during these "cold" roles he usually does.

Soundtrack is amazing!

Amazing script and filming aswell!

What makes my rating abit lower, from being a stable 8 or 9 is the exaggerated actionscenes that takes too much space.

Otherwise then that, its a movie that everyone should watch to understand how dangerous power could be and that we need to fight for freedom every day.

I've seen this movie 5 times (it's the nature of satellite TV) within the past week and it's true...you catch something you've missed or see something new with every successive viewing. This movie is way ahead of its time, and much better than the over-rated Matrix. Bale is always exceptional, and so is his "Metroland" co-star, Emily Watson. Maybe it's the Anglophile or Brit-flick fan in me, but I must say that the added presence of Sean Bean and Angus MacFadyen all but confirms the pre-eminence of UK acting in quality films. Accompanied by very appropriate techno-musik, the action sequences are fast and Euro-flashy, heavily influenced by Jan De Bont--different from the weird, drawn-out, "suspended/string puppet" thing that apparently passes for martial arts these days. (I miss Bruce Lee)

Anyway, if you haven't seen it, give this a shot. If you already have & weren't impressed, take a look at it again. It will grow on you. See if you're inclined to show up to work the next day looking and acting very much a "Cleric" who missed a Prozium dose.

If there is one complaint about the Hollywood system that rings true, it is that Hollywood seems quite bereft of ideas. Then films like Equilibrium come out and remind us that it's not that we're out of ideas so much as we're just not trying hard enough. Not that Equilibrium is inherently new - it borrows a fair few plot concepts from Farenheit 451 and Nineteen Eighty-Four, to name the most prominent examples. It is the way in which the old ideas are combined with the new that makes Equilibrium a fun and underrated experience.

The premise is simple enough. In a kneejerk reaction to the horrors of World War Three, the survivors outlaw what they blame the chaos upon. Their own emotions, in other words. As the lead character has a series of revelations, we begin to understand that in so doing, they have also outlawed much of what gives our existence a point. In the bland, lifeless world that the law-abiding citizens inhabit, everything that the audience takes for granted to make their lives worthwhile is being systematically destroyed. Shades of the America of today, the whole principle of throwing the baby out with the bathwater, are shown in a stark horror show.

I've read people comparing this film to The Matrix or its sequels. Where The Matrix series' fights were overlong, and often with no payoff, Equilibrium's fights are short and to the point. The difference this makes is, needless to say, as uplifting as Preston's fight to regain the humanity he stripped so many others of. Instead of having fights with no emotional connection to the characters, the story is given sufficient development to make the audience care what happens.

The film is not entirely without flaws. The Prozium element seems to have been written with no regard for the facts about psychiatric medicines. Their purpose is not to suppress emotion at all, but to balance the chemical system of the brain in order to give the patient better control of them. Sure, they're not without problems of their own, but exaggerating them like this does not do the portion of the community that needs them any favours. That aside, however, the on-camera struggle is one of the most intriguing I've viewed for some time. Ergo, this minor plot problem is made up for. The only other real complaint I have is that the film could have done with a little more footage to give some characters more of a chance to develop.

I gave Equilibrium an eight out of ten. It's not the best negative science fiction you'll ever see, but it is enough of a breath of fresh air that this won't entirely matter. If the MPAA made more films like this, it wouldn't be suffering the constant financial dire straits that it so loves to blame everyone else for.

Receiving a lukewarm at best response from critics on release and faring even worse at the worldwide box office when it was unleashed at the tail end of 2002, earning less than $5 million dollars at the international ticket booths, Kurt Wimmer's dystopian sci-fi Equilibrium has slowly but steadily gained a significant genre following in the near 20 years on from its initial release.

Taking liberally from George Orwell's revered 1984 and other similar films, Equilibrium's narrative focuses around a world ravaged by global warfare that has decided the best way forward for the human race is to squash the very instinct to feel or show emotion, as its society is policed by a gun-fu (you can only understand it once you see it) savvy police force and dictated by a mysterious leader who rules with pharmaceutical drugs designed specifically to ensure an obedient and predictable population.

It's a loaded subject matter and one with ample potential to explore and examine and it's fair to say Wimmer doesn't delve too much into the finer details of his concept as he instead keeps his film relatively narrow in scope as it centres around Christian Bale's long serving and dedicated government agent John Preston who finds himself beginning to look at life with a different set of eyes that could indeed begin to unleash his natural feelings and thoughts that have long been curtailed by the world he lives and serves in.

For such a unique concept, much of Equilibrium is fairly predictable, with Wimmer following a well trodden path towards his end game with it disappointing that the film doesn't explore much of its ideas in too much depth with the idea of the resistance force building against this new way of life or even Preston's backstory/family life not getting a lot of time to grow or make us feel much in the way of genuine emotion but there's still a fun time too be had with the film we end up getting.

The type of film that would've nowadays gotten a fair amount of airplay in the modern streaming climate, this is absolutely the type of material Netflix would overpay for the rights too, Equilibrium's lack of storytelling smarts or inability to grow much from its initial conception doesn't stop it from being an enjoyable dystopian detour that harbors within it an idea and concepts that someone would be wise to explore further if given the chance too.

Final Say -

A sci-fi that borrows plenty from previous genre entries but also creates a raft of nifty if slightly underdeveloped ideas of its own, Equilibrium is an initially dismissed feature that has understandably managed to find its growing audience in the years since its release, despite it never once threatening to be regarded as top class fare.

3 burned paintings out of 5

For more reviews check out Jordan and Eddie (The Movie Guys)

I really enjoy this movie, it's not perfect, but its enjoyable and is a good package considering its low budget. Christian Bale's acting style compliments the cool emotionless feel to the movie, plus there's a bit of heart in there to. It is a bit gimmicky, yes, but it packs a punch, with simplistic costumes that look realistic, to the brutalistic architecture style. I really recommend this movie for a fun scifi movie night, but don't be overly serious or you will look like a emotionless dictator.