El lenguaje de los sueños

This was an excellent film and brought back a lot of memories of my time with the Iban people in Sarawak. The costumes, the people, the scenery...these would all be worth watching the movie even without a good plot. There are some priceless moments in it including a conversation with the cook about drunkenness and wages and the relationship between the young Englishman and the Iban people he is supposed to be governing. The Iban have a well developed sense of humor. Overall the plot is enjoyable. I'm not a fan of romances, but this was well done and gave a unique glimpse into a people who are still very much the same to this day (minus the actual head hunting).

If you have ever dreamed of an adventure in Borneo, watch this first...it will convince you of the beauty and the need to go.

It seems to me that anyone who saw the film and said that Jessica Alba didn't look like a native, hasn't been paying a lot of attention to the film (probably they only had eyes for the lovely Jessica). Because in the film it's explained that her father is English, therefore she doesn't have to look like a native. It surprises me that nobody seems to remember this important fact, and I have serious questions about the IQ of those people. For me this movie was near perfect, except there could be a bit more character development. Jessica Alba was gorgeous and very believable. To me she was the best actor/actress in the movie. But she can still improve. It's good that she works on her acting in these smaller projects, so that in a few years time she'll be ready for the bigger work, and make her big breakthrough. I give the movie a solid 7 (out of 10).

This movie was breathtaking to me. I figured it went straight to video since I never saw any previews for it. Jessica Alba is a favorite of mine anyway, so I have a bias I suppose. The movie was beautifully shot and the music was in great taste. I had never heard of sleeping dictionaries, so it was an interesting lesson. At first, Jessica didn't seem to fit the look of the other natives, but it made sense when she was mixed and I could see where her complexion played in. Her accent was surprisingly believable. Hugh was adorable as the sheepish "leader" of the community. It made all the sense in the world that they would fall for each other. I liked the angle of the British hypocrisy. It was alright to sleep with the people the ruled or "civilized", but not good enough to marry them or acknowledge the children they had with these people. It resonated with me because the same thing happened with slavery in America. I thought that angle was well played out. I do agree with some other users that they fell in love too quickly and they weren't together enough for the audience to see that dynamic. They spent far too much of the movie apart for it to be so dramatic and "love at all costs" type of love. It was weird that he left his wife who was pregnant for Selima, but I guess Cecil knew he wouldn't be happy with their little "family". I identified with her struggle to please her husband and hold onto him. Imagine that many wives of the colonialism era probably felt that way when their husbands desired not just another woman, but a woman they felt was inferior. It was a great movie. Watch it.

While overseas, I had heard the concept of the movie and the fact the appealing Jessica Alba was featured but had little chance to check on the actual film. When I returned to the USA late last year, I found the film had gone directly to video with limited availability (couldn't get it at Blockbuster, for instance). I am glad that I wound up buying a copy (although I found a 'used' DVD for half the new asking price).

It is a shame the film never appeared in theaters as the visuals of Sarawak would have been great on the large screen and the audio and music are well done and would have benefited from a theatrical environment.

BELOW IS DISCUSSION OF PLOT ELEMENTS WHICH MIGHT SPOIL IT FOR THOSE WHO HAVEN'T SEEN THE FILM.

While overall the plot line was reasonable and avoided cliche, there were a number of disconnects as far as I was concerned.

Truscott's dilemma with Bullard after the miners' slaughter arrives too abruptly and presumes some sort of offscreen confession. Since it is a central conflict in the drama, it really deserves more explanation.

Similarly, the "one year later" leap to Truscott's marrying Cecil Bullard lacked sincerity. Why would Truscutt marry the daughter of those who wedged him away from his true love? While one can imagine various possibilities, the lack of on screen justification left me unfulfilled.

Finally, even after conversion by Sarawak and its people, Truscutt is still too much of a proper Englishman to credibly leave a pregnant wife. Some of the sympathy I'd built up for the forbidden lovers was undercut by the way this was handled. It would have been far better for Cecil to push a reluctant Truscutt away.

Still, these plot issues are relatively small in comparison to a film, cast and cinematography that rose well above the small budget and unheralded distribution. I rarely buy videos or DVDs because I find I seldom go back to play them, but this one I will enjoy owning.

My wife and I watched this film not knowing anything about it except a two sentence introduction on a movie-card. We were impressed by all aspects of it-particularly the substance of the script-it was a brave script-a script that should have made people uncomfortable because of the swipes taken at British colonialism and what that evil did on a personal level to everybody concerned. Living as I do in Western Australia, the dark legacy of European colonialism is just below the surface and I have seen firsthand the outlines of the story presented in "The Sleeping Dictionary"-not of course the same geography or the same details but once colonialism left its tread on the floor of world history it matters little the particulars.

The enormity of the personal tragedy of that period is something not to be derisively dismissed as one commentator remarked-as a film fit for screening at the old folks home on a Saturday afternoon. Unfortunately the world is still dealing with that evil period of recent history.

I was moved by all the decisions that the characters faced throughout the film. Brenda Blethyn's character as the wife of Hoskin's colonial official was as much a victim as anybody in the film. Although she emerges as the "baddie" she must try, with little background, to stitch together a semblance of what she feels is an acceptable canvas in order to paint her English life-such of it as there is in Sarawak. And what of Hoskin's torn character-a man who can only fall back on "duty" to country in order to find reason for the completion of duties that he recognizes as damaging to all involved.

A brave film-look for it!