Reseñas de Metacritic

The result is mainstream moviemaking at its highest, most satisfying level.

Inspiring and largely unsentimental, this is as much a love story as a tale of courage.

Though the role might seem a real stretch for an actor who just won an Oscar for his Charlton Heston turn as Maximus in "Gladiator," he and the movie ace the test.

The film makes more apparent than ever that Howard is quite underrated as a filmmaker, possibly because he's been hidden in full view in the mainstream for so long.

Crowe sometimes summons up one of the most powerful depictions of mental illness I have ever seen with barely an eyelid flicker separating manifestations of sickness from utterly sane displays of creative concentration.

As Nash gets closer to Crowe's own age (and level of dissipation), the performance settles down and becomes first credible and then overwhelming. This is a stupendous piece of acting.

What began as a bold and thrilling story descends into Hollywood cliché. But Crowe and Connelly's work rises above the mush. They make A Beautiful Mind go.

Howard, and the screenwriter, Akiva Goldsman, have used the book as nothing more than their jumping-off point for an erratic work of fiction that's part mystery thriller and part Hollywood schmaltz.

Instead of an originally conceived movie that reflects Nash's troubled but brilliant mind, we have one of those formulaically rendered Important Subject movies -- the kind that seem exclusively designed for Best Picture nominations.

While it's a splendidly acted film, A Beautiful Mind is also a wasted opportunity.