Insomnio

One doesn't expect to feel claustrophobic in Alaska, but that's exactly the effect when watching "Insomnia". The primary story is about the police investigation of the murder of a high-school girl in a small Alaskan town. Through the pull of old acquaintances and political necessity, two LA homicide detectives (Pacino and Martin Donovan) are dispatched to the scene to help the locals. The political necessity concerns a graft investigation in which the two LA detectives are key suspects. One is thinking of copping a plea, so they are spirited out of LA to avoid the investigative light. Then they find themselves in the 24-hour day of the Alaskan summer where the two plot lines collide; the murder investigation and the graft. And what a collision it is.

The insomnia of the title is suffered by the Pacino character, who can't sleep during the movie's 7-day span. And each day his eyes are more sunken, he's groggier, less focused. This parallels his descent into guilt, remorse, and desperation. But to provide any more details would be to give away key plot elements. "Insomnia" is gripping and it's best to see the movie cold.

The acting, especially Robin Williams as the key suspect in the child slaying, is top notch. Williams is made for these roles, he should kiss the suck-up feel-good stuff goodbye for good. The photography is excellent, Alaska never looked so ominous, and the direction delivers the goods. Highly recommended.

Al Pacino's character looked tired when he arrived in the Alaskan town. As he attempts to reconcile a serious mistake, he grows wearier and wearier. Enter Robin Williams, a sociopath who plays a cat and mouse game with Pacino. Balance that against the perceptive and admiring Hillary Swank and a lot of baggage from Pacino, and you have the ingredients for a terrific thrill a minute film. I found myself rooting for the Pacino character even though there is a level of dishonesty that will be hard to reconcile. He must cover some huge tracks. There are some issues with Williams' ability to know things that are a little far fetched. Many villains fall into that gap, but that's OK. We take him for what he is. It's an engaging movie.

INSOMNIA is not only the third film of acclaimed director Christopher Nolan (his first two were FOLLOWINGS and MEMENTO), but also a film that is able to intertwine the acting talents of three Academy Award winners. Al Pacino plays a celebrated cop who is asked to work on the case of a murdered girl in Alaska. Hilary Swank plays the local law enforcement who has her eyes on making a big case. Robin Williams plays a troubled Alaskan writer. Without giving anything away, INSOMNIA is definitely worth it. Some may see it, and be disappointed. One way to steer away from this failure is think of INSOMNIA as a psychological thriller rather than a "Shoot 'em up" thriller. INSOMNIA is story about loyalty and human emotion. Don't get me wrong, the movie is thrill-packed, but let's just say--You don't need blood and gore to make the audience members be on the edge of their seats (which I was). INSOMNIA hits all of its points including acting, directing, screenwriting, and cinematography. It's a first class thriller with great characters. On a side note...Pacino is worthy of an Oscar for his performance, Williams is equally excellent, and Swank also deserves recognition for complete scope of acting. A job well done by these three actors, and especially the man behind the curtain, Christopher Nolan!

First off, Christopher Nolan is one of my biggest influences when it comes to film and screen writing. With films such as Following and Memento, both of which reached cult following levels, he is well on his way to a successful Hollywood career. Then, today came, his 3rd film was released, Insomnia. Based on a 1997 Norwegian film written by Nikolaj Frobenius and Erik Skjoldbjærg, Insomnia is a true work of art in the world of film.

Christopher Nolan takes all that was the 1997 film, and brings it to the next level, using his own style of directing, a musical score with shades of Memento, and an all star cast. Al Pacino and Robin Williams pulls out the greatest performances of their careers in the past decade, if not in their ENTIRE careers in my eyes.

Pacino once again excels in the role of master dective, while Williams takes this chance to show his "dark side", and he does it so well. I can only hope that this is a rebirth of Robin Williams, and as it stands with his upcoming film One Hour Photo (which he once again plays a dark, psychotic role), it seems to be just that! Hilary Swank also pulls out what is the greatest role of her career.

Insomnia brings you in as an audience, with it's perfectly woven plot, with a film noir feel to it, just as Nolan's first two films. It is a rollercoster ride of drama and suspense as you watch Al Pacino from the very beginning unravel, and the rest of the story and his past catches up with him. I can not say much more about it, as I do not wish to spoil anything about if for you, but I do want to say this... ...go see it, right now, and enjoy. If you love crime/mystery/drama films with that wonderful Film Noir feel to it, you will love this film. If that isn't your thing, then the performances of the three main actors are worth the price of a ticket in itself.

Finally I just want to say, that Insomnia proves once and for all that Christopher Nolan will indeed be a force to reckoned with in Hollywood. I've said it before, and I'll say it again... ...Christopher Nolan is well on his way to becoming the Hollywood legend which he proves he is capable of becoming.

As said in my reviews for his masterpiece 'Memento' and the fascinating 'The Prestige', Christopher Nolan has always struck me as a very talented film-maker, and most of his films are ones that have impressed me a lot. Even weaker efforts, where his ambition can get in the way, have a good deal to admire. His films are all impeccably crafted technically, and often entertaining and thought-provoking, also knowing how to get good performances out of talented casts.

'Insomnia' is not one of Nolan's best films, but not his worst. For me it's somewhere in the middle if ranking his films, 'Memento' being his best and, while with a lot of impressive elements, 'Interstellar' being the one that impressed least. It shows fidelity to the Norwegian original, but doesn't go so far that it's a pale retread, in a way that is summed up very well by Roger Ebert.

Nolan directs with impeccable style and sense of atmosphere, as well as an ability to tell a potentially convoluted story with clarity without resorting to excess and over-ambition. Much of 'Insomnia' is exceptionally well made, while beautiful Alaska has rarely been more oppressive as well while the cinematography has grit and class. David Julyan's music score is not quite as complex as that for 'Memento', but has a very effective eeriness.

The script is tight and thoughtful, and the story, filled with neat twists and turns, is hugely compelling and atmospheric, never being too simple but complex enough to still be understandable and be respectful to the viewer. The cat and mouse stuff could have been predictable and convoluted but executed in masterly hair-raising but also quiet tension.

Performances are all strong across the board. While underused somewhat, Martin Donovan and especially Hilary Swank are great here. It is however Al Pacino and Robin Williams who are even better. Pacino gives perhaps his best performance since 'Heat' and he has to me definitely not been on this amount of blistering form as he is in 'Insomnia'. Williams is cast against type, and he plays a genuinely terrifying character with menace but also dignity and restraint.

Flaws are only a couple, with the film ending too conveniently and some of the editing being a touch too jumpy.

All in all, a gripping film and hardly a sleeper. 8/10 Bethany Cox