Hércules, el invencible

Son of the great man - Argolese (Vadis) - saves heiress Telca (Rozin) from the clutches of a fearsome bear and is granted her hand in marriage by her father the king (Sasso). Before they can marry, Argolese must recover the tooth from a dragon - which he duly does, but discovers on his return that the kingdom has been overrun by bandits and his wife-to-be, kidnapped and enslaved by the evil Queen Ella (Brown). Argolese must overcome not only the Queen, but her trusted right hand man (Clark) and his scheming daughter (Fiore) who has designs on the throne.

Vadis is a behemoth (and looks like he's just performed a thousand hack squats before each take), although not as anatomically gifted as Steve Reeves or Reg Park, he still towers above the rest, dispatching men, horses, bears, boulders - he is apparently impervious to just about anything (except a pair of elephants trained to tear his limbs off). Rozin is innocent and sweet, whereas Fiore is the smouldering siren, but with a megalomaniacal streak that makes her both feisty and attractive. Me thinks Argolese, the great chastity-breaker, should re-consider his choice of damsel.

If you're accustomed to the peplum genre, then this "Son of Hercules" tale will be no more, no less what you'd expect with another amiable muscleman, scantily-clad babes and the ubiquitous comedian covering all the bases adequately.

I suppose we must allow a certain degree of cinematic licence here as the chunky Dan Vadis - our eponymous hero - has to combat a dragon (not one of his labours, methinks) after he has rescued a beautiful princess ("Teica" - Spela Rozin) from a couple of hungry lions. He had been promised the princess's hand in marriage after this but when he returns from his quest, he discovers that the kingdom is under new management - "the Demelus" - who live deep inside a mountain. It now falls to "Hercules" to rescue his girl, free their enslaved people and not to get torn limb from limb by some elephants. If you are expecting high cinema drama here, then you will certainly be disappointed. It's just your usual sword and sandals sort of effort with plenty of fights, sloppy editing and budget special effects - but it is still quite an entertaining piece of Peplum that doesn't ever hang about. There is plenty of adventure to occupy the wooden actors, the stolid script and - of course, there are plenty of glamorous ladies upon whom one might feast the eyes... It is by no means the worst of this genre, but no - it isn't very good.

Right off the bat I have to say this is not about Hercules but about the SON OF Hercules Ercole/Argolese. Most likely "son of" refers to a follower of Hercules. Like father, like son - Argolese is like his "father" so I guess it is a Hercules movie in a way.

This one does have some light comedy in it - including the man in the bear suit scenes. Babar gives us some comical lines and looks - the real comic relief of the film.

Not only does this peplum action-adventure "Hercules" film give us some light comedy, it is a fantasy film since we have a witch and a dragon. It does feel like a Dungeons and Dragons movie in it's way. And it has all the makings for a film that I enjoy. This one might be my favorite "Hercules" film from the 60s series.

6/10

The soundtrack truly has beauty this movie almost doesn't deserve. This flick has Ercole fighting against a lion (to save the princess) and a bear, who follows the buffo for the honey the bad guys have smeared on his face before they tried to sacrifice him. There's also a scene where Vadis has to withstand 4 (!) elephants who try to tear him apart. The dragon-fight is taken as footage from the movie "Le fatiche d'Ercole", and the dancing scenes are also obviously "stolen" from another Italian masterpiece. You see Vadis running around in the caves of the cruel subterranean people (who love to sacrifice kids in order to gain their youth and women for their beauty) and beating up their soldiers, a cowardly comic relief character at his side who presents a contrast to Herc's unfailing braveness. The complete second half of the movie plays in the caves and becomes a little tiresome after a while. The opening sequence of the film is perfect though...in its own way.

Hercules the Invincible finds Dan Vadis cast as the demigod son of Zeus who saves the life of a princess by slaying a couple of lions. Her father is ever so grateful, but asks him if he could do just one more little job for him, slay a dragon and yank out a back tooth which is said to be charmed. Hercules takes the contract and the dragon is summarily dispatched.

But while the dragon is being slain, some nasty dudes carry off the king, the daughter, and all other able bodied folks as slaves for their queen who lives inside a hollow volcanic mountain with her subjects. All they leave behind is John Simons who then becomes Hercules's companion.

Simons is about as useful to Hercules as Pancho was to the Cisco Kid. But the reason he was left behind is he's hardly a valiant types. The men of the kingdom eat the hearts of the valiant in the belief it will increase their courage. This guy will put it in the negative.

The rest of the film is concerned with the rescue with Hercules battling a bear, two elephants, and the volcano itself. He proves to be quite invincible.

Simons provides some nice comic relief for the audience. The big guy is stoic throughout Simons's cowardly goofiness.

Peplum fans should like this one.