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En América

Título original: In America
  • 2002
  • 7
  • 1h 45min
PUNTUACIÓN EN IMDb
7,6/10
45 mil
TU PUNTUACIÓN
En América (2002)
Home Video Trailer from 20th Century Fox Home Entertainment
Reproducir trailer2:01
3 vídeos
29 imágenes
Historias de iniciación y madurezDrama

Una familia de inmigrantes irlandeses se adapta a la vida en las calles mientras también lloran la muerte de un niño.Una familia de inmigrantes irlandeses se adapta a la vida en las calles mientras también lloran la muerte de un niño.Una familia de inmigrantes irlandeses se adapta a la vida en las calles mientras también lloran la muerte de un niño.

  • Director/a
    • Jim Sheridan
  • Guionistas
    • Jim Sheridan
    • Naomi Sheridan
    • Kirsten Sheridan
  • Estrellas
    • Paddy Considine
    • Samantha Morton
    • Djimon Hounsou
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,6/10
    45 mil
    TU PUNTUACIÓN
    • Director/a
      • Jim Sheridan
    • Guionistas
      • Jim Sheridan
      • Naomi Sheridan
      • Kirsten Sheridan
    • Estrellas
      • Paddy Considine
      • Samantha Morton
      • Djimon Hounsou
    • 292Reseñas de usuarios
    • 96Reseñas de críticos
    • 76Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Nominado para 3 premios Óscar
      • 26 premios y 66 nominaciones en total

    Vídeos3

    In America
    Trailer 2:01
    In America
    In America
    Trailer 2:30
    In America
    In America
    Trailer 2:30
    In America
    In America
    Trailer 0:35
    In America

    Imágenes29

    Ver cartel
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    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    + 23
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    Reparto Principal38

    Editar
    Paddy Considine
    Paddy Considine
    • Johnny
    Samantha Morton
    Samantha Morton
    • Sarah
    Djimon Hounsou
    Djimon Hounsou
    • Mateo
    Sarah Bolger
    Sarah Bolger
    • Christy
    Emma Bolger
    Emma Bolger
    • Ariel
    Neal Jones
    Neal Jones
    • Immigration Officer #1
    Randall Carlton
    Randall Carlton
    • Immigration Officer #2
    Ciaran Cronin
    • Frankie
    Juan Carlos Hernández
    Juan Carlos Hernández
    • Papo
    • (as Juan Hernandez)
    Nye Heron
    • Blind Man
    Jason Salkey
    Jason Salkey
    • Tony
    Rene Millan
    Rene Millan
    • Steve
    Sara James
    • Papo's Girlfriend
    Bob Gallico
    • Theatre Director
    Jason Killalee
    • Assistant Theatre Director
    Chary O'Dea
    • Mexican Woman with Child
    Adrian Martinez
    Adrian Martinez
    • Shopkeeper
    Merrina Millsapp
    • Marina
    • Director/a
      • Jim Sheridan
    • Guionistas
      • Jim Sheridan
      • Naomi Sheridan
      • Kirsten Sheridan
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios292

    7,645.2K
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    10

    Reseñas destacadas

    bob the moo

    A lot of strengths but they cannot over come the sentimental melodrama at the heart of the film

    Although they tell border control that they are on holiday, Johnny, Sarah and their two daughters have immigrated illegally into the US in the early 1980's. They move to New York into a block full of junkies and down-and-outs. With little money and no friends the family face all manner of stresses and strains in their present and from their past – stresses that threaten the family unit and their future together.

    The names in this project attracted me to it and I did have high hopes for it. The film itself though is a strange, rather frustratingly mixed affair that is really good in some regards but annoyingly soapy in others. The plot is not really a plot in the traditional sense but more the recollections of moving into the new world told from the perspective of elder daughter Christy. I was fine with this approach and hoped that it would be convincing, engaging, moving and so on. Although you can see everyone working against it, the film cannot avoid the spirit of sentimentality and soapy-drama seeping into the majority of the scenes. This takes away from the grit and reality of the drama and does make it harder to get into because it doesn't engage in the way that the same events may have if they had been delivered with more grit and less of the soapy-inspirational quality.

    It is a shame that the film cannot shake this off but it is not the fault of the cast who are roundly really good. Considine yet again gives me good reason to respect him as an actor, likewise Morton who works well with him as well as individually. They are really well supported by two very natural and engaging performances from the Bolger sisters; they are "cute kids" but not in a way that is cloying or annoying. Hounsou has a strong presence in the film and to his credit he delivers this despite the material handed him – not because of it. The cast doesn't really have a weakness and one can only imagine what this film would have been if Sheridan had been given people capable of a lot less.

    Overall then this is a mixed affair. The performances and direction makes it better than it could otherwise have been, but these cannot shake off the sentimentality and soapy feel that much of it has. The end result is a film that has great moments and a story that I really wanted to lose myself in but ultimately was just too melodramatic at its core for all the strengths to totally overcome.
    RealScience

    One of the most authentically felt films I've ever seen.

    I'm not really big on this kind of film, but this one won me over in a big way. Jim Sheridan has such a sure hand as a director that even as the story meanders along, and you're not quite sure where things are going, you know HE knows and you end up trusting him and going along for whatever ride he wants to take you on. The characters and the actors portraying them are so winning, you don't want the movie to end. You just want to stay with them forever.

    Every role, right down to the two border guards and the hospital administrator are perfectly cast and performed. The two sisters playing the daughters are amazing. But the acting in the film really belongs to Samantha Morton. It really is a high wire act. In lesser hands this character might have been completely unbelievable. But her love for her husband and children is so palpable, you completely buy everything she has to go through with them.

    There were so many chances for cheap sentiment here, but the movie never went there. Really beautiful.
    olgabill

    Simply the finest film I've seen this year. What a thrilling experience.

    As a film director I attend many screenings. As a film lover I have been going to films all my life since I was a "kid" in the Bronx. This film, "In America" is one for the ages. Not one false note or as we say in the "biz"--not one hiccup. Jim Sheridan has been a extraordinary film-maker since "My Left Foot"--but this film is simply beyond words!
    7grantss

    Sweet and emotional though incomplete-feeling movie

    Johnny, Sarah and their young daughters Christy and Ariel move to New York from Ireland. With barely any money they find an apartment in a run-down building that is overrun with drug addicts. Johnny, an actor, struggles to get a role and the family eke out an existence. Also hanging over them is the death of their son, Frankie. Then one day the little girls meet and befriend the mysterious, solitary neighbour, Mateo.

    Written and directed by Jim Sheridan (My Left Foot, In The Name Of The Father), the movie is a bitter-sweet experience. The trials and tribulations of an immigrant family struggling to make ends meet, mixed with the recent tragedy in their history and the complexity of the Mateo situation make for an emotional journey. The daughters also provide a sweet, innocent perspective to proceedings.

    Yet it all feels underdone. The family's situation is not as grittily shown as we imagine it should be. The basic summary of this movie reminded me of another Irish movie, Angela's Ashes, and that was a harrowing journey, where no positive outcomes are assured, making for an incredibly interesting and engaging experience. This movie is too neat and non-confrontational to feel like there are any really negative plot developments ahead.

    In addition, certain key aspects are not developed very well. We never really get to know Mateo well enough to feel totally engaged by his character. Even the Frankie story, possibly the most emotional aspect to the movie, feels it is in there to demand our emotional energy rather than earn it, and the conclusion to that feels a bit clumsy.

    Can't fault the performances though. Paddy Considine and Samantha Morton put in solid performances as Johnny and Sarah, as does Djimon Hounsou as Mateo and Sarah and Emma Bolger steal the show as Christy and Ariel.

    Overall: an interesting, emotional movie but far from perfect.
    9Xstal

    Loss, Love, Redemption...

    If you're of a sensitive caring disposition, are empathetic, loving and genuinely see the best in people then this is a film for you. No leaps of faith needed here as Paddy Considine and Samantha Morton share with us the plight of those less well off than most. After suffering a traumatic family event we find them in a new country, a new city, with all its cultural variations and contradictions to overcome - a landscape of limited opportunity. Join them on their journey but be warned, their daughters Christy and Ariel will steal your heart, break you in two, stream tears from your soul. Join them on their journey and let it remind you what it means to be alive.

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    Intereses relacionados

    Elsie Fisher in Eighth Grade (2018)
    Historias de iniciación y madurez
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight (2016)
    Drama

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Originally written to take place in 1982 when E.T. El extraterrestre (1982) first came out, but budget cuts obligated it to be set in 2002 when it was made. Coincidentally, the 20th anniversary edition of E.T. played in many cinemas in 2002, so that plot point didn't have to be changed.
    • Pifias
      The early scenes, when the family first arrive in New York, are set in summertime, yet they drive through Midtown at night past people dressed in winter clothing, a Christmas-season Target billboard, and the Radio City Music Hall Christmas tree.
    • Citas

      Johnny: Are you okay little girl?

      Christy: Don't "little girl" me. I've been carrying this family on my back for over a year, ever since Frankie died. He was my brother too. It's not my fault that he's dead. It's not my fault that I'm still alive.

      Johnny: Ah, Christy.

      Christy: Mom was always crying because he was her son. But he was my brother too. I cried too... when no one was looking. I talked to him every night.

      Ariel: She did, Dad.

      Christy: I talked to him every night, until...

      Johnny: ...until when?

      Christy: Until I realized I was talking to myself.

    • Conexiones
      Featured in Siskel & Ebert & the Movies: The Cat in the Hat/The Cooler/In America/The Last Samurai (2003)
    • Banda sonora
      Ezee Does It
      Written by Robert Besdesky (as Beast) and Michael Wallace (as Michael Dwane Wallace)

      Published by Extreme Music Library PLC

      Courtesy of Extreme Music Library PLC

    Selecciones populares

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    Preguntas frecuentes20

    • How long is In America?Con tecnología de Alexa
    • When is this film set?
    • Is the film based on a true story?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 5 de diciembre de 2003 (España)
    • Países de origen
      • Irlanda
      • Reino Unido
      • Estados Unidos
    • Idiomas
      • Inglés
      • Español
      • Gaélico irlandés
    • Títulos en diferentes países
      • Tierra de sueños
    • Localizaciones del rodaje
      • Irlanda
    • Empresas productoras
      • Hell's Kitchen Films
      • East of Harlem (UK) Ltd.
      • Irish Film Industry
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 15.539.656 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 205.229 US$
      • 30 nov 2003
    • Recaudación en todo el mundo
      • 25.382.911 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 45min(105 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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