Historias mínimas

An excellent movie from the most spectacular end of the world, Patagonia, which tells in a slow pace short, unspectacular but very humane stories of every day life: the ways of four protagonists - Don Justo is the most touching old man seen on the screen in a long time - cross in Puerto San Julian, the province capital, which is still just a handful of wind-shaken houses on the scenic coast. Poetic landscape, impressing actors, human touch - a must-see, not only for Patagonia fans.

Three people set off on different journeys through Patagonia to the distant town of San Julian. There's an old man with failing eyesight hitchhiking to find his lost dog Badface, an obsessive traveling salesman trying to win a young widow with a birthday cake for his son which he keeps changing to make more perfect, and a simple impoverished woman traveling to find out if she can bring home a prize from a television game show. The minutely observed characters, mostly non-professional actors, are endearing, honest and fascinating with their Argentinean reserve and kindness that bridge the vast Patagonian landscape. Probably the weirdest road movie since the Straight Story and with a feelgood factor that is genuine and unpretentious. It tells of the importance of small events in lives very removed from our own.

In few films the title fits the content so well: Minimal Stories is exactly about that, small stories in which practically nothing that happens takes place outside the people who live them, tiny pieces of their lives where everything that occurs could be told in two or three lines. This movie is not about important events, nothing that could be called big. It is precisely that: a story of the small. The people that appear in it live in a village in South Patagonia surrounded by impressive extensions of flat land, of dust and nothing, as if to sharpen the feeling that nothing being told can be shot by the camera. To me, this is a merit of the film: to make me feel the camera is placed inside the people I see instead of outside. What it comes to show is the wonderful picture of the loneliness of the landscape impressed on them.

"Historias Minimas" is a simple yet delightful tale, which follows three different people at different stages of their life (young mother Maria, middle-aged salesman Roberto and elderly shopowner Justo) who each doggedly pursue a dream, in a journey that will take them all to the same place.

The film, comparable to David Lynch's "The Straight Story", is a joy from start to finish. The cinematography is astounding, perfectly illustrating the barren beauty of the Patagonian plains, whereas the lead actors (particularly Roberto and Justo) give phenomenally realistic and warm performances. Most of the actors are non-professionals, and the discomfort of some of the actors in smaller roles is obvious, but this just adds to the film's overall charm.

Most importantly, however, I loved this film as it is a completely uncynical testament to the warmth of the human spirit. In it, our trio are helped along the way by complete strangers who ask for nothing in return. If only it were like that all the time...

A must-see.

I respect films that are not intended to be masterpieces. I consider pretentiousness to be the worst sin of all; but this is not the case. We face a small, charming film in which tiny stories are told about small town heroes. These stories are told in such a crafty, elaborate and detailed way that the audience gives in to emotion at once. The old man (Don Justo) giving a praise- worthy performance, the beautiful landscapes of the Patagonia, the slow paced life of people in these arid regions: they all sum up to render a lovely film concerning lovely people. There´s laughter and tears involved. Wim Wenders loved it, I loved it, maybe you should give it a chance. It will not change your life, but it will certainly make you feel warm,least for an hour and a half.