Karu süda

It has some beautiful landscape shots and really good cinematography but it ends up being dull and sluggish. The best part of the movie contains the bear scenes, which were truly impressive considering that they used a real animal in these scenes. It is a big movie for east European standards. But stays short of an epic, which it had a potential to be. Overall slightly disappointing experience.

This movie is based on autobiographic novel "Bear's heart" written by Nikolai Baturin. It is a movie about an Estonian man Niika who travels to north, where nganasans live. He becomes a hunter. The story explains how Niika learns from ancient nature and people who are shaped by the ways of this nature the principles of life and death. He tries to become (a real) human ("nganasan" means human in Nganasanish). The movie tells a story how the hunter journey is really an inner journey, to find peace and inner tranquility, all this is done by mythical cognition.

It is a real pearl in Estonian literature as well as in filmography. The scenery is pure (authentic) and meditative. It contains scenes that may be shockingly hmmm.... natural. The part is played very well by Rain Simmul who performs flawlessly. It is needless to say that the movie includes quite many best Estonian actors and actresses. The two-hour long feature film only uses part of the text and there are some factual differences e.g. the events take place in 80-s in a book, but 90-s in a movie. In any case the timing has no meaning in a place where time has stood still for centuries. The movie is definitely very beautiful (as it was the most expensive movie in Estonia at the time it was released), but it has an inner side which gives us a glimpse of personal journey of a hunter. The movie is rich of ancient finno-ugric elements e.g. the bear is considered to be Estonian ancestor. The author of the screenplay is considered to be a real word artist that has changed Estonian literature forever. The movie is absolutely enjoyable even to usual western people who are indifferent to nature. In that way we can say that the movie is very "exotical".

Arvo Iho is my Art of Documentary professor in my university, film department. The only thing that I can say - a great person and a great expert in the field of film. A real professional, who has studied at the Moscow film institute.

This was a very meaningful movie to me. The raw beauty of the landscape (astonishingly similar to some of my own country's), combined with the almost surreal, harsh, yet melancholic storyline has counted this amongst my personal favourites.

The symbolism is everywhere, the journey of self-discovery here is presented in a way that it never has been on-screen before.

I feel very lucky to have seen this movie when it came as part of a Baltic film series at our best theatre. As soon as I read the preview for it, I felt compelled to see it, as if by instinct, and am now yearning to see it again soon. But will it ever come back? Or be put onto a format which I can play here at home? I have tried contacting the Distributor and the Estonian Film Commission but have not received a response.

I can only echo the comments of others here, especially ise-2's review. This may well become one of the great hidden treasures of cinematic history.

The acting is so superb and sincere, it is as if they are not actors. The landscapes are truly wild and you can almost feel the dampness yet inexplicable warmth of the northern forest.

Some may find it slow and plodding, as I've heard. Pervasive underlying themes and sweeping journeys across the landscape aren't often readily accepted by a majority of movie-goers.

This is far ahead of any other movie about self-discovery. If there ever was a film that could leave a lasting impression on me this is it. And I don't even know Estonian!

The cinematography is beautiful in this mess of a film. I heard the director speak somewhere and he mentioned that the film was originally intended to be a ten-part miniseries for Estonian TV. That is apparent when you watch the film jump from one moment to the next completely unrelated moment and feel utterly confused. It's a mythological tale and it seems that the director and editor use the genre to justify it's lack of continuity. Unfortunately, it is irritating. It sometimes feels like a vanity piece for lead actor, Rein Kotov who does a good job in the role of a man haunted by "the heart of the bear". It's a very stange film that's seems torn between being an art film and being mainstream. If you see it, see it for the cinematography and to see something in the Estonian language, which is interesting enough.