Bliss

this show , although predictable, and barely shows nudity, does something that even movies have barely done nowadays.....stimulate the imagination.....if you want a stimulating program, this is your show....

I stumbled upon this series by accident while channel surfing. As the Oxygen Network plays it on late Sunday nights, I don't always get the opportunity to watch. The series is entertaining, even though there are times it strains credibility. Most of the stories are shallow, in spite of the occasional attempts at character development, and they're not that hard to predict. Though the series is supposed to be for a female audience, men will certainly enjoy it. The episode regarding a lesbian historical boutique owner and her butch younger girlfriend entertained me, but I don't know if straight women would enjoy such a thing. On the whole, "Bliss" is a fun time-filler for hard-up insomniacs.

Probably the best episode is "Six Days", in which the beautiful yet authentic Anna (Michelle Duquet), an unhappily married farmer's wife is left alone on the farm after her annoying bore of a husband Jake (Paul Stewart) suffers an accident that temporarily incapacitates him. So she finds someone to help her keep up the farm while he recovers. Of course, Mike (Callum Keith Rennie), the man who volunteers to work for her, is nice-looking and virile. And it's obvious what they'll do once they've been alone for a few days. Yet the story works just the same. We see the alienated wife and the loner farm hand connect as people, not just genders or bodies. It's clear that both are not trusting people. He has moved from place to place since leaving home, while she's never been out of her hometown even though she's never liked living there, yet they're both drawn to each other for the same reasons. So when they smile and laugh together, there's a real sense of release and fulfillment. It's almost as much about the effects of loneliness as it as about sex. The actors get much of the credit, yet they work with the story. The only weakness of the story is, why did Anna marry Jake in the first place, not only because he's so much older than her, but because he's such an exasperating personality? But in the end, it doesn't matter.

I thought the story was okay. It didn't really thrill me. This woman goes into a hotel to get help because the taxi drove away with her bag and briefcase. She slowly realizes the hotel is a pick up place for men and women. The good looking British man makes a move on her, and for some reason, she follows him into a hotel room. They have hot sex. The stranger pays the woman some money and they have a weekly "date" in the same hotel. To the woman's surprise, she meets this man in her office, he is actually a client of her firm! They meet again and the man tells her that he's actually in love with his wife, but just that he needs something more, such as a sexual forbidden thrill on the side. He wants to leave the relationship with this woman, but the woman stops him. She said she will "pay" for his services from now on. As the story ends, the audience knows that this man and this woman are going to continue meeting at the hotel.

Can a woman and a man just have casual sex without feeling anything else for the relationship? According to the show, yes, they can. Do we really believe that? I don't know. It's a nice fantasy. It's even nicer when the handsome British man is played by Peter Wingfield! Never thought he'd look so damn good in the nude! Mr. Wingfield, if you ever read this, you have nothing to be ashamed of, your body is terrific and your sex scenes add alot to a rather threadbare story.

Anyone who is a Peter Wingfield hardcore fan will really like this episode. This is the most sensual Peter Wingfield I've ever seen!

I give the story a "C" and all the actors an "A".

After viewing the 1st season of this series, I say, "Bravo to Brave "Bliss"! for: a) giving female producers, writers and directors the rare opportunity to create a series from a female point of view b) for bravely navigating through the volatile territory of female erotic fantasy to create six, well crafted short films (beautiful production design & lensing, deft directing). What I find most powerful about the series is it's indisputably provocative ability to raise questions about the complex themes of attraction, seduction, desire, love, commitment, betrayal, loss, sexual identity -- regardless of whether a viewer may find the characters sympathetic or not, situations relatable, or not, the sex titillating/teasing or displeasing to the senses -- all of which is a purely subjective response - a series that can elicit powerful response, I believe is successful. Here Bliss has succeeded. I found each story to be compellingly unique - as a richly layered unfolding in a sense of unpredictable mystery. I much appreciated the moments of motivational ambiguity, emotional tentativeness, which served to heighten the humanness of the characters in terms of how fragile and brave it can be to move from desire into action/seduction. How important it is, to allow women to give voice to their explorations of sexual desire and fantasy. Bravo Bliss, for doing so. I look forward to the next season.

I don't usually bother to contribute comments like this, but I have to say that I disagree with most of the user comments about this show. Like many others, I tuned in to "Bliss" because I was intrigued by the prospect of erotica by, for, and about women. And, much to my delight, it totally delivers. I've now seen all of the second season and most of the first, including "Guys and Dolls," which is a beautiful episode, both cinematically and plot-wise. For those who enjoy the vibe of "Guys and Dolls," keep an eye out for "Three," which is part of the second season. It's my favourite episode so far and it's directed by the same woman who did "Guys and Dolls." In all, this is smart, beautifully done series. There should be more like it.