Taxi: Derrape total

TAXI is the American remake of the quirky 1998 Luc Besson comedy. While the core of the film is still oriented around fast cars, hot chicks and zany humour, the film's light-hearted French comedic ambiance has been replaced with a dirtier, more strident, and somewhat more serious American action-comedy feel, which, although it tries hard, doesn't quite translate as it should. Queen Latifah leads as Belle Williams, a taxi driver who runs a souped-up Ford around the meaner streets of the city. Jimmy Fallon plays the unco New York cop who lands in her cab one day in pursuit of a bunch of foxy Brazilian bank robbers. Together, they muddle through car-crashes, shoot-outs and weirdly-decorated apartments to bring crooks to justice. While the plot sounds like a good premise for a decent comedy, the film is sorely lacking in script composition. The one-liners are crap, the jokes feel forced, and the script, which alternates between taking itself too seriously and sheer stupidity, does no justice whatsoever to the energetic and talented cast. A major disappointment from what looked to be a brilliant film. Someone should remake it in six more years - with a little more skill, I hope.

A stupid detective that is not a good driver uses a terrific taxi driver, who dreams to be a pilot of racing car, to chase four bank robbers in a BMW. With this simple story line, "Taxi" is a very silly movie, but I laughed a lot. The greatest attraction for me was certainly the debut of the Brazilian top model Gisele Bündchen as "actress". But indeed Queen Latifah and Jimmy Fallon carry this dumb, ridiculous and absurd story in a very funny way. Another funny situation for the Brazilian viewers is to hear Ana Cristina de Oliveira speaking Portuguese with a strong accent from Portugal as if she were Brazilian. I laughed a lot with her pronunciation in Portuguese, which sounds very funny for us. I totally disagree with comments like "the worst movie ever made", probably made by persons without sense of humor as commented by another IMDb user. "Austin Powers" movies, just as an example, are dumber and less funny than "Taxi". If the viewer does not have much expectation about this film, he or she may probably have a good time. My vote is six.

Title (Brazil): "Taxi"

A foul-mouthed cabbie called Belle (a humorous Queen Latifa) join forces with a botcher , bungler cop called Andy (a newcomer Jimmy Fallon). She's the fastest taxi-woman with a perfect boyfriend (Henry Simmons). He's a complete inept behind the car and under skirts his alcoholic mother (a sympathetic Anne-Margret). They pursue a band of gorgeous Brazilian models robbers of banks led by Vanessa (Gisele Bundchen, ex-girlfriend of Leonardo DeCaprio), an explosive and leggy gal. When they are on the heels of the gang , the crook girls drive a speed demon pursued by the taxi in a fast and furious car race .

The film displays action ,comedy , intrigue , tongue-in-cheek and results to be quite entertaining . There are chases galore with impressive velocities . Almost all shots in which you see the taxi or other cars in the street, or car stunts performed in the streets, were really filmed in Los Angeles, not New York . It's a run-of-the-mill action-comedy film because from the beginning to the final the fast movement and amusement is nonstop . The laughters and chuckles are varied and giggles are based about diverse characters and differences among protagonists , but they are unlikeliest pals . The film is exciting and humorous at times but is also ridiculous and embarrassing . However , sometimes is fresh and diverting and on a couple of memorable occasions is hilarious . Lively and atmospheric music adjusted to action by Christophe Beck and colorful cinematography by Burberry . The movie was lavishly produced by Luc Besson (producer of the French Taxi I,II ,III..). The motion picture was regularly directed by Tin Story , though Kevin Bray was originally set to direct, but dropped out . It's a fun ride that will appeal to Queen Lafitah fans and action-comedy buffs . Rating : Below average .

Washburn is an undercover cop who, after yet another job ending in a crashed car, has his license taken away and put back on the street. Meanwhile cycle courier Belle has finally gotten her taxi license and is preparing her souped up vehicle for the New York City streets. When a bank robbery in progress is called in, Washburn commandeers Belle's cab and gets involved in a high-speed chase with a group of Brazilian supermodels in a red BMW. Thrown off the case by the FBI, Washburn wants to catch the gang to get his job back, while Belle agrees to help so that she can get her taxi out of lockup.

I quite liked the original for what it was so I decided to give this film a try to see if it could manage to be fun. I'll be honest and say that the trailer attracted me because it had car chases, a bit of a laugh and some faux-lesbian teasing – there, gone are my 'art-house' credentials! I hoped that these elements could be kept fun and that the film could have a spark to it in some area that would raise it above the genre and actually make it fun to watch. Sadly I was wrong and my worries about the effort put into this film were realized in the first few minutes of the film where a skinny person on a bike is revealed to be Belle – even though their body shapes could not be more different! With this lack of attention to detail I did not have high hopes but I figured I was being picky and tried to get past it. However from here on in everything is exactly as you would expect – lacking imagination and effort in almost every regard.

The plot is nonsense but to pick on that is to be too demanding because none of us expected anything too cohesive or logical but suffice to say that attempts to build stories around the characters are all flat and uninteresting. However what I did need from the film was action, excitement, comedy and spark. The action is OK but nothing special – the use of CGI cars to make impossible stunts really takes away from the impact of the action, while the limitations of the busy streets means that the car chases are very tightly cut and never feel real and impressive. This reduces how excited the audience can feel and me and the other 15 people in the cinema sat rather impassive for most of the action scenes. With this OK, then the comedy needed to match it to produce an OK film, but it didn't. Not at all. The comedy is partly based on that wonderful comic device – that black people are cool and sassy while white people are geeky and uptight. Oh, how I never tire of seeing racial stereotypes enforced in the name of comedy. With this old chestnut wheeled out again, the rest of the comedy falls into line and I never really laughed more than once. The button pushing and lack of imagination continues with the robbers themselves who are nothing more than legs and skin who are there to attract an idiotic and salivating male audience (ie – me) on the promise of titillation. They don't deliver this very well at all and the scenes where they try to feel cheap, tacky and exploitative instead of sexy and fresh.

The cast are lumbered with the material but they don't do as much as perhaps they could have done to make it better. Fallon is annoying and geeky – simply filling the 'white' cliché in the 'cool black/geeky white' combo. Latifah continues to just play the easy ethnic cliché stuff for every penny.

I don't know if she is like this in real life but I must admit that I do find her ethnic cliché to be lazy and rather offensive – her smart-mouth, impatience and speed to violence has been in many of her last few roles and I don't think it is the best use of her position, but then again if you put money in front of me then I'd probably do the same. Esposito is pretty wasted in a thankless role before being used as a piece of meat for the sake of selling the film to the male audience (yes, yes, I admit it). The models are nothing but eye candy and I didn't think they did it very well.

Overall this is not a terrible film because it will appeal to boys and young teenagers with its noisy mix of unattainable leggy women, fast cars, basic humour and racial stereotyping; the target audience for this is shown even in the cut – which removes a use of the MF word so that it can get to a younger audience. For me though I found it lacking any sort of imagination, spark or wit and instead just took the easy line of cliché, stereotype and noise. It will appeal to some, but not to me, and it was an effort to get to the end.

Slick, flashy film, a semi-remake of Luc Besson's "Taxi" from 1998, here Americanized as an urban action-comedy. Queen Latifah plays smart-mouthed cabbie with a souped-up vehicle in New York City who inadvertently partners with stumble bum cop Jimmy Fallon to crack a major crime case. Film should have relied more on Latifah's natural sass and less on Fallon's white-bread, dim-witted act (race is a constant punchline in the script, and Fallon is just there as Exhibit A). Jennifer Esposito is wonderful as a no-nonsense police lieutenant, Ann-Margret is a stitch as Fallon's tippling mother, and John Sierros (Broadway actor shamefully credited as 'Fat Cop') shines as a bamboozled police officer, but what happened to Queen Latifah? She gets a few good cracks in, but there's no character here for her to play; she sticks to her sarcastic persona and puts everyone down, but her role is depressingly one-dimensional. Comedy has a fast pace, impressive cinematography (although the swooping crane shots in traffic get repetitive) and some good car chases, but the screenplay needed an overhaul. ** from ****