PUNTUACIÓN EN IMDb
5,4/10
72 mil
TU PUNTUACIÓN
Una prestigiosa ejecutiva tiene que abandonar su trabajo. Se muda con su familia a una comunidad aparentemente perfecta que esconde un secreto perturbador.Una prestigiosa ejecutiva tiene que abandonar su trabajo. Se muda con su familia a una comunidad aparentemente perfecta que esconde un secreto perturbador.Una prestigiosa ejecutiva tiene que abandonar su trabajo. Se muda con su familia a una comunidad aparentemente perfecta que esconde un secreto perturbador.
- Dirección
- Guión
- Reparto principal
- Premios
- 3 premios en total
Reseñas destacadas
First off if you are going in to see this based on the original movie or the book than you will definitely give this little to zero stars.
Thus I think is why the rating on it is so low. Everyone is basing it upon the edge-of-your-seat thriller that came out so many years before it.
But - if you come to see it with an open mind as a very silly science fiction movie and parody, definitely a comedy, then you're going to come away with a greater peace of mind and a chuckle in your chest.
It stars major characters such as Nicole Kidman, Matthew Broderick, Bette Midler, Glenn Close, Christopher Walken, Jon Lovitz, Faith Hill, and Larry King just to name a few. And it's fun and funny.
It is =NOT= a serious film like the first one was. The first one was epic, a real mystery, a real slow burn, a must watch film. And if you haven't seen it yet, don't spoil yourself by watching this first. No, go to see THAT one first, then this one as a very sweet after dinner dessert.
For this particular incarnation is like a sugar coated Easter egg with a bite already taken out of it, dripping with gooey sweetness to show you how silly and completely off the wall it is. It is not in the least bit scary.
Place this more along the lines of PLEASANTVILLE and you have a more accurate picture on the theme, plot, and general and overall feeling of the film. --dw817 (11-13-19)
Thus I think is why the rating on it is so low. Everyone is basing it upon the edge-of-your-seat thriller that came out so many years before it.
But - if you come to see it with an open mind as a very silly science fiction movie and parody, definitely a comedy, then you're going to come away with a greater peace of mind and a chuckle in your chest.
It stars major characters such as Nicole Kidman, Matthew Broderick, Bette Midler, Glenn Close, Christopher Walken, Jon Lovitz, Faith Hill, and Larry King just to name a few. And it's fun and funny.
It is =NOT= a serious film like the first one was. The first one was epic, a real mystery, a real slow burn, a must watch film. And if you haven't seen it yet, don't spoil yourself by watching this first. No, go to see THAT one first, then this one as a very sweet after dinner dessert.
For this particular incarnation is like a sugar coated Easter egg with a bite already taken out of it, dripping with gooey sweetness to show you how silly and completely off the wall it is. It is not in the least bit scary.
Place this more along the lines of PLEASANTVILLE and you have a more accurate picture on the theme, plot, and general and overall feeling of the film. --dw817 (11-13-19)
I wasn't expecting too much from this movie, given the reviews it got. But how bad could a movie be with this cast? As it turns out, VERY bad. But I have to think that some plot and character development was lost on the cutting room floor.
The opening credit sequence is absolutely brilliant, with witty use of vintage '50s clips of housewives in their "miracle kitchens of the future" and that sort of thing. Deliberately choppy editing and occasionally speeded up action lend the sequence a mechanical feel on top of its satirical air. Too bad nothing else in the movie measures up to it.
I did think there were a couple of decent laughs, mainly when Glenn Close was on screen. Roger Bart, playing a gay stereotype we've seen too many times in recent movies, milks it for all its worth and earns some chuckles, too. But Nicole Kidman and Matthew Broderick often seem lost. Christopher Walken, Bette Midler and Jon Lovitz are all mostly boring here, hard as it is to believe.
I haven't seen the '70s version in ages, but I remember thinking it was OK but campier than it was meant to be. Upping the camp level was not a bad idea for the remake, but I don't know what happened with the screenplay. Paul Rudnick is no genius, but he's done far better.
I get the feeling that major scenes must have been cut out for some reason, as the plot development felt awkward especially in the early scenes. It might be worth renting the DVD for the deleted scenes.
Also, as others have stated, the movie is totally inconsistent on the point of whether the women are robots or have simply had their brains altered. It's as if they figured we wouldn't really be playing close attention, so what difference did it make?
My bottom line advice -- if you get a chance to see it without paying, watch the opening credits and then change the channel.
The opening credit sequence is absolutely brilliant, with witty use of vintage '50s clips of housewives in their "miracle kitchens of the future" and that sort of thing. Deliberately choppy editing and occasionally speeded up action lend the sequence a mechanical feel on top of its satirical air. Too bad nothing else in the movie measures up to it.
I did think there were a couple of decent laughs, mainly when Glenn Close was on screen. Roger Bart, playing a gay stereotype we've seen too many times in recent movies, milks it for all its worth and earns some chuckles, too. But Nicole Kidman and Matthew Broderick often seem lost. Christopher Walken, Bette Midler and Jon Lovitz are all mostly boring here, hard as it is to believe.
I haven't seen the '70s version in ages, but I remember thinking it was OK but campier than it was meant to be. Upping the camp level was not a bad idea for the remake, but I don't know what happened with the screenplay. Paul Rudnick is no genius, but he's done far better.
I get the feeling that major scenes must have been cut out for some reason, as the plot development felt awkward especially in the early scenes. It might be worth renting the DVD for the deleted scenes.
Also, as others have stated, the movie is totally inconsistent on the point of whether the women are robots or have simply had their brains altered. It's as if they figured we wouldn't really be playing close attention, so what difference did it make?
My bottom line advice -- if you get a chance to see it without paying, watch the opening credits and then change the channel.
The original STEPFORD WIVES was a creepy movie with subtle touches of humor. That subtlety allowed the suspense and the sense of danger to build slowly, leading up to a rather disturbing finale. In this version, there is no subtlety or building up. Rather, the tone shifts are as jarring as jump cuts. It's a satire! It's a "campy" comedy! It's a suspense thriller! Look out! Here comes a happy ending! Not to mention the inconsistencies regarding the "Stepfordization" of the wives (discussed in other user comments). It's as if Frank Oz and company threw a bunch of unrelated scenes together and hoped no one would notice.
As for the cast, it's a disappointment to see such interesting actors and actresses assembled in such a weak film. Blame Paul Rudnick, whose campy-queeny- faggy humor is really wearing thin. (And I can write that because I'm gay!)
Didn't Bette Midler learn her lesson after ISN'T SHE GREAT????
I encourage everyone out there to run to the video store and rent the original.
As for the cast, it's a disappointment to see such interesting actors and actresses assembled in such a weak film. Blame Paul Rudnick, whose campy-queeny- faggy humor is really wearing thin. (And I can write that because I'm gay!)
Didn't Bette Midler learn her lesson after ISN'T SHE GREAT????
I encourage everyone out there to run to the video store and rent the original.
Standing alongside The Wicker Man as the worst remake ever this really is a pile of utter nonsense. The original had a good story to tell but this one is just a joke.
Nicole Kidman would seem to be the perfect choice for a robotic woman, I've never seen her show any emotions whatsoever. You can't really blame the cast, the script is so poor that even the best actor would struggle to convey any meaning in their lines.
The studio weren't too happy with the downbeat ending so ordered a change, and then another, and then another. This ensured that this movie has a happy smiley ending and the fact that it makes NO SENSE whatsoever didn't seem to worry them because in their minds we the viewers are basically vegetables that just need to be exposed to some flickering images for about an hour and a half.
An entire army of producers cut this one up and made an absolute mess of it, it's barely even a proper film let alone a coherent story. You know what's really frightening though? It still gets a 5 star rating (at the time of writing) so most people think this trash is average.
Even for bad movie fans there's just nothing to enjoy, the whole film is atrocious and the fact that it is a remake of a good film just plunges the knife in deeper. Deserves a spot in the bottom 100.
Nicole Kidman would seem to be the perfect choice for a robotic woman, I've never seen her show any emotions whatsoever. You can't really blame the cast, the script is so poor that even the best actor would struggle to convey any meaning in their lines.
The studio weren't too happy with the downbeat ending so ordered a change, and then another, and then another. This ensured that this movie has a happy smiley ending and the fact that it makes NO SENSE whatsoever didn't seem to worry them because in their minds we the viewers are basically vegetables that just need to be exposed to some flickering images for about an hour and a half.
An entire army of producers cut this one up and made an absolute mess of it, it's barely even a proper film let alone a coherent story. You know what's really frightening though? It still gets a 5 star rating (at the time of writing) so most people think this trash is average.
Even for bad movie fans there's just nothing to enjoy, the whole film is atrocious and the fact that it is a remake of a good film just plunges the knife in deeper. Deserves a spot in the bottom 100.
I have read plenty of reviews where people are comparing this to 1975's, I don't think that's fair, as the interpretation of the novel is very different. The original film was very much a horror, this is a comedy with virtually no horror at all, but a definite vibe of political correctness.
It is obviously too sweet and syrupy for many, but it does have good points. It's loaded with irony, it's not laugh out loud humour, it's more tongue in cheek, with some good humour, mainly at the expense of little men. I liked the performances, Glenn Close and Bette Midler especially. It wasn't Kidman's finest hour, although she wasn't bad, just didn't get the best material to work with.
On the debit side, Matthew Broderick doesn't exactly shine, but worst of all is the lack of any horror vibe, it doesn't really have any suspenseful moments of any note.
It's a nice vanilla comedy, those looking for horror must avoid. The original movie is way better. 6/10
It is obviously too sweet and syrupy for many, but it does have good points. It's loaded with irony, it's not laugh out loud humour, it's more tongue in cheek, with some good humour, mainly at the expense of little men. I liked the performances, Glenn Close and Bette Midler especially. It wasn't Kidman's finest hour, although she wasn't bad, just didn't get the best material to work with.
On the debit side, Matthew Broderick doesn't exactly shine, but worst of all is the lack of any horror vibe, it doesn't really have any suspenseful moments of any note.
It's a nice vanilla comedy, those looking for horror must avoid. The original movie is way better. 6/10
¿Sabías que...?
- CuriosidadesThe location used for the rotunda of the Men's Club was the same one used in the original film.
- PifiasWhen the family is driving to Stepford, Pete says "But why are we moving?". Kimberly can be clearly seen mouthing his line before saying "to Conneticut?"
- Citas
Claire Wellington: I asked myself, "Where would people never notice a town full of robots?"
[gasps]
Claire Wellington: Connecticut.
- Créditos adicionalesThe opening titles are shown alongside various vintage clips from the 1950s of women operating high-tech (for the time) appliances.
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
- How long is The Stepford Wives?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Les dones perfectes
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 90.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 59.484.742 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 21.406.781 US$
- 13 jun 2004
- Recaudación en todo el mundo
- 103.370.281 US$
- Duración
- 1h 33min(93 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta