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Lugares comunes

  • 2002
  • A
  • 1h 52min
PUNTUACIÓN EN IMDb
7,6/10
2,2 mil
TU PUNTUACIÓN
Federico Luppi and Mercedes Sampietro in Lugares comunes (2002)
españolaDrama

Fernando Robles, porteño, ya ha cumplido los sesenta y es profesor de pedagogía en la universidad. Lleva toda la vida casado con Liliana Rovira, española, que trabaja como asistenta social e... Leer todoFernando Robles, porteño, ya ha cumplido los sesenta y es profesor de pedagogía en la universidad. Lleva toda la vida casado con Liliana Rovira, española, que trabaja como asistenta social en barrios marginales de Buenos Aires.Fernando Robles, porteño, ya ha cumplido los sesenta y es profesor de pedagogía en la universidad. Lleva toda la vida casado con Liliana Rovira, española, que trabaja como asistenta social en barrios marginales de Buenos Aires.

  • Director/a
    • Adolfo Aristarain
  • Guionistas
    • Adolfo Aristarain
    • Lorenzo F. Aristarain
    • Kathy Saavedra
  • Estrellas
    • Federico Luppi
    • Mercedes Sampietro
    • Arturo Puig
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,6/10
    2,2 mil
    TU PUNTUACIÓN
    • Director/a
      • Adolfo Aristarain
    • Guionistas
      • Adolfo Aristarain
      • Lorenzo F. Aristarain
      • Kathy Saavedra
    • Estrellas
      • Federico Luppi
      • Mercedes Sampietro
      • Arturo Puig
    • 14Reseñas de usuarios
    • 3Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
    • Premios
      • 13 premios y 13 nominaciones en total

    Imágenes5

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    Reparto Principal18

    Editar
    Federico Luppi
    Federico Luppi
    • Fernando Robles
    Mercedes Sampietro
    Mercedes Sampietro
    • Liliana Rovira
    Arturo Puig
    Arturo Puig
    • Carlos Solla
    Carlos Santamaría
    • Pedro Robles
    Valentina Bassi
    Valentina Bassi
    • Natacha
    Claudio Rissi
    Claudio Rissi
    • Demedio
    Osvaldo Santoro
    José Luis Alfonzo
    Yael Barnatán
    • Fabiana
    Graciela Tenenbaum
    María Fiorentino
    María Fiorentino
    • Tutti Tudela
    Pepe Soriano
    Pepe Soriano
    Florencia Merlo
    • Esposa de Demedio
    Patricia Pan
    • Hija de Demedio
    Micaela González
    • Hija de Demedio
    Lucas Ligorría
    • Hijo de Demedio
    Javier Ortiz
    • Hijo de Carlos
    Guillermo Ayuso
    • Hijo de Carlos
    • Director/a
      • Adolfo Aristarain
    • Guionistas
      • Adolfo Aristarain
      • Lorenzo F. Aristarain
      • Kathy Saavedra
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios14

    7,62.1K
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    7
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    10

    Reseñas destacadas

    8gradyharp

    Aging: The Hardships and the Rewards

    LUGARES COMUNES (Common Ground) is yet another sensitive Argentinean film that has the courage to deal with the bumpy political life of Argentina as well as the equally rocky road to aging. Based on the novel by Lorenzo F. Aristarain and directed by Adolfo Aristarain this is a film of sunlight and shadows - and those clouds that promise to unveil the sun despite passing darkness.

    Fernando Robles (Federico Luppi) is a writer and university professor in Buenos Aires who is informed before his planned trip to Madrid to visit his son Pedro (Carlos Santamaría) and daughter-in-law Natacha (Valentina Bassi) that he is being placed in early retirement: the crumbling government of Argentina cannot support such things as education! After an exquisite farewell of sage advice to his students on what is important in the role of a teacher, he goes home to his loving wife of many years Liliana (Mercedes Sampietro) to prepare for their journey to Madrid. At the airport Liliana senses sadness in Fernando and he confesses that he has been 'fired', that they have little money to live on in Buenos Aires: he covers his sadness by buying Liliana perfumes she loves. This couple is bonded so beautifully it makes us weep.

    In Madrid the couple is forced to stay with the son and daughter but the closeness of this familial proximity is intolerable when Fernando informs his son of his financial situation. Pedro is cold and harsh and is in life for money and refuses to assist his parents. The couple leaves, returning to Argentina where they under advice from lawyer Carlos (Arturo Puig) sell their home and move to the country where they plan to grow grapes - a return to the purity of the land. But fate intervenes and the story ends in a manner that leaves the viewer sad but wiser.

    The cast is sterling and the direction is first rate. This is one of those films that should be required viewing for many reasons, but especially for people who are approaching the time of retirement and the fear that holds. Highly recommended for a large viewing audience. In Spanish with English subtitles. Grady Harp
    howard.schumann

    An honest film that celebrates the strength of family

    Fernando (Federico Luppi), a Professor of Literature in his sixties in Buenos Aires and his wife Lili (Mercedes Sampietro), a social worker are respected in the community and loving partners. Their world is turned upside down however when Fernando receives notice that he is being asked to retire early. The enforced retirement, a result of the economic crisis in Argentina, comes as a complete shock and he and his wife are forced to make drastic decisions that threaten the foundations of their comfortable life. Based on the novel "The Renaissance" by Lorenzo F. Aristariain, Common Ground, the new film by Argentine director Adolfo Aristarain (A Place in the World, Martin), is a story about love, getting older, and discovering what is important in life. It is also an acid social comment on the current state of life in Argentina where thousands of Argentinans have had to face a similar end to their secure middle class existence.

    Fernando and Lili have a son Pedro (Pablo Rago) who lives comfortably in Spain with his wife and two children. A leftist man of strong convictions, Fernando tells his son about his meager pension left to him by the university but refuses his assistance. Instead he berates him for abandoning his country and selling out to make money. When the couple returns to Argentina, they are forced to sell their apartment in the city, purchase a farm and bravely set out on a new style of living. Their adjustment to rural life has its moments of sadness but their striving to live out their lives with dignity and purpose is profoundly human. Though Common Ground does not reach the heights of Aristarain's A Place in the World, it is an honest film and one that celebrates the strength of a loving family.
    9Yorsh

    The common places where lives go

    How to start again when all the hopes are over? How to keep loving the same woman during all your life? How to change without loosing your ideals? How to get old and feel as the first day of your youth?

    Basic questions, with basic answers that not everybody is willing to hear. Common places where most of us try not to go.

    This film is poetry into a movie. One of the best scripts contents of the Latin American cinema. Aristarain shows one more time to be one of the best ever Argentinean directors.

    Take your time to enjoy it.
    9jlmartiferriol

    Must see it

    "Lugares Comunes" is an excellent film. No doubt the IMDb rates it with a 8,2 (this is clearly above the average grades I have seen, and I have been exploring this database extensively).

    You probably have to come from Spain or Argentina to really pick up all the subtleties conveyed in the movie. However, the feelings and emotions the film explores are universal.

    I really like Fernando Luppi (he has been involved in many many good films, like "Martín H", or "Nadie hablará de nosotras hasta que hayamos muerto"), but please note Mercedes Sampietro (still the President of the "Academia del Cine" in Spain), who plays the role of her life (so far) in this movie. What she does is something similar as to what Halle Berry shows in Monsters' Ball. Just watch the last minutes of the film, she doesn't speak, she doesn't need to...
    10kinolieber

    One of the best

    After seeing Martin (Hache), I was looking forward to seeing another film by this director. I was not disappointed. This film is every bit as good as Martin, and that is saying a lot. What a wonderful, touching, wise, and inspiring film! There are moments of such emotional intensity, I was often overwhelmed. Particularly in the scene where he meets Tutti, the writing and performances are so beautiful I found myself sobbing. And such marvelous, loving humor often accents the serious topics that the film touches on. And unexpected moments that make you smile after you gasp. It is such a shame that these films are not available in the U.S. I would so much like to see this one again and share it with friends.

    Más del estilo

    Un lugar en el mundo
    7,7
    Un lugar en el mundo
    Martín (Hache)
    7,6
    Martín (Hache)
    Tiempo de revancha
    7,8
    Tiempo de revancha
    Historias mínimas
    7,4
    Historias mínimas
    Roma
    7,4
    Roma
    Hombre mirando al sudeste
    7,6
    Hombre mirando al sudeste
    Garage Olimpo (Desaparecidos)
    7,3
    Garage Olimpo (Desaparecidos)
    La Patagonia rebelde
    7,6
    La Patagonia rebelde
    El lado oscuro del corazón
    7,3
    El lado oscuro del corazón
    Últimos días de la víctima
    7,4
    Últimos días de la víctima
    Rosaura a las 10
    7,7
    Rosaura a las 10
    Últimas imágenes del naufragio
    7,0
    Últimas imágenes del naufragio

    Intereses relacionados

    Ana Torrent in El espíritu de la colmena (1973)
    española
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight (2016)
    Drama

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Citas

      Fernando Robles: Don't value your students based on their answers. Answers are not true, they seek a truth that will be only relative.

    • Banda sonora
      Amor de mis amores
      Written by Agustín Lara (as Agustín Lara Aguirre)

      Performed by Agustín Lara

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 4 de octubre de 2002 (España)
    • Países de origen
      • España
      • Argentina
    • Idioma
      • Español
    • Títulos en diferentes países
      • Common Ground
    • Localizaciones del rodaje
      • Córdoba, Argentina
    • Empresas productoras
      • Adolfo Aristarain
      • Instituto Nacional de Cine y Artes Audiovisuales (INCAA)
      • Instituto de Crédito Oficial (ICO)
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en todo el mundo
      • 2.108.596 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 52min(112 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital

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