Shall We Dance? (¿Bailamos?)

I do not remember when was the last time I left the movie theater with such positive feelings and in such a good mood as after seeing this movie. Having not seen the Japanese original and having known only that the movie did not perform extremely well in the US, I did not know what to expect when I went in. I was very pleasantly surprised. The movie is very entertaining, sweet and kind in commenting on people's little quirks. Emotionally there is not a single false moment. And there a couple of genuinely funny moments (none better than the Gere-Tucci moment in the men's room). It does help, I guess, if you are over forty (like myself) to understand the yearning of the main character (Gere) who has no reason NOT to be happy in his life, yet he cannot help but missing "something". I loved all the little stories of the supporting characters and I loved the fact that the movie took the time to wrap up all the stories in the end. I guess the movie underperformed because it was seen as a star vehicle whereas it is more an ensemble piece. That is not to say that Gere, Sarandon or Lopez are miscast. Not at all, in fact now that I have seen the movie twice, it is difficult to imagine a different cast, they all seem to be perfectly chosen for their parts. But it is really the supporting cast which really makes the movie work. It is difficult to chose just one, but Stanley Tucci is quite exquisite in his role. Though the movie is rather light in its tone, Sarandon character's observations on the reason why people get married is rather interesting and stays with you after leaving the theater. I hope Peter Chelsom will continue making movies like „Serendipity" and this one: there are definitely not enough movies of this kind around anymore. This is a movie I will return to each time I will be feeling down. And a special mention goes to the soundtrack. Chelsom seems to really have a hand for picking the right tunes (Serendipity soundtrack is one of the best movie soundtracks ever) and here the choice of the music really helps to define the emotional core of the movie.

18 October 2004. This much funnier version of Shall We Dance, is a delicious, romantic comedy that doesn't require magical, unbelievable script devices to make this movie work. This movie is compelling for those who believe in second chances and first chances for those who have never taken chances. This movie comes at a good time in American life when our lifestyles are such that we may be coming to that age that for everything we have, we still are empty. I don't imagine that this movie will dazzle any male ego and will probably be restricted to females who can only wish their partners might somehow be so interested. A good date movie for the emotionally sensitive and artistically inclined. This new version based on the Japanese original explores the comic motif well, doesn't take a lot of liberties on the sexual romance angle that so often befalls American movies, and ends up with a definitely American tie off but with a much more realistic and hopefully plausible note than most gushy romance movies. Eight out of Ten Stars.

This was a decent movie. It will never be as good as the original but it was effective and made you feel good in the end. This is the third Chelsom film I have seen. I didn't see the British movies that brought him the most acclaim but only Town and Country, Serendipity and now this one. The first was clearly a disaster. The latter two should not have worked but they do. Chelsom depends very much on the charisma of his actors to pull off his movies combined with the whimsy he adds with his direction.

With that being said, Gere is very effective in his role. It is his character's likability that sells this movie combined with the colorful supporting actors that show up in Chelsom's movies that provide the final sell for the movie. I predict this movie will spawn an increase in dancing lessons. Like the movie Serendipity, people will leave this movie feeling there is magic in the air and seek out ways to find the magic in their own lives...

After watching the movie Shall We Dance, I could say its fair enough to compare it to Billy Elliot in the sense that John and Billy were both afraid to tell people they were taking dance lessons. This movie was considered to be a romantic comedy where a bored, overworked Estate Lawyer, upon first sight of a beautiful instructor, signs up for ballroom dancing lessons.

The main character John Clark seems to be having a great relationship with his wife. But he feels like he can not tell his wife about him taking lessons. The reasoning behind this is unclear, but it seems like he will cheat on his wife with the dance instructor. Of course after watching the movie you see he doesn't commit such an act. In the scene where he travels home everyday on the train and passes the dance studio is very affective. We are uncertain if he will follow through and end up taking the lessons.

When John finally starts dance lessons he really isn't that great. He hides it from everyone at home and work. His family starts to see strange behaviors in him, such as peeking in on him in his room and he is dancing around by himself. They are curious to know what he has been up to; his wife goes on and hires a private investigator to see if he is cheating on her. He then follows John and sees he goes to dance classes.

The best scene in the movie is when John has to perform in the dance competition. He realizes he is really good at something and debates sharing it with his family. When his wife and daughter found out, they went to his dance competition. He messed up when he saw them and his daughter yelled "yeah dad." His family then walked out on him and his performance. From that moment he decided he didn't want to dance anymore. His wife wouldn't let him do that because she saw how good he was!

I should start by admitting that it was quite a while ago (New Years Day 1997, to be exact) that I watched the Japanese original, 'Shall We Dansu' (which, incidentally, IS THE ORIGINAL; the Astaire/Rogers 1937 flick, which happens to have the same name, IS NOT). However, although I don't remember every single detail, the essential feelings as well as some of the vivid images still seem fresh in my mind, particularly the glittering performance of Koji Yakusyo and Tamiyo Kusakari.

The Hollywood remake, while not as good as the Japanese original, is at least passing grade, in capturing the essence of the film, 'a man seeking not so much a woman as an answer to his question. Why is she sad? What is she thinking' (Ebert, on 'Shall We Dansu', NOT 'Shall We Dance'), as well as everybody's passion for ballroom dancing.

Richard Gere continues to exude his charm on the female audience. Jennifer Lopez, following Maid in Manhattan, continues to get more comfortable with more matured roles. Oscar best actress (and 5 times nominee) Susan Sarandon is dependable as ever. I'm trying very hard to think of a movie in which I can't find Stanley Tucci and …… darn it, the more I watch the guy, the more I like him!