Idiot

I did not expect to actually enjoy this. I had heard it was well done, so I thought I ought to force myself to watch at least some of it. Well, I've seen the first three episodes and can't wait to watch the rest. The acting is incredible, the cinematography imaginative, the pacing very good, and the dialog, since it is pure Dostoyevsky, is, of course, stellar. I've read the book (in English) a couple of times, but this movie brings the characters to life for me in a way the book never did. Perhaps the translation I read was not too great, but I think the biggest difference is the wonderful acting and directing in this mini-series. Eye contact, pauses, changes--or lack thereof--in tone of voice, all make such a big difference.

The DVD I am watching, from the Russian company CP Digital, has reasonably good-quality images, but terrible subtitles. For instance, one character told another, "You shouldn't miss this opportunity (to marry a very rich man)," but the subtitle said something like, "Isn't that interesting!" I know enough Russian to be able to tell when the subtitles are inaccurate, but unfortunately, not enough to watch it without subtitles. Perhaps the second or third time through I'll watch with subtitles turned off.

If only we could all have even a drop of Prince Myshkin's humility, compassion, love, honesty, candor.

The director's daring quest to film a script as close as possible to the book is also the movie's greatest weakness. The second half of the book, and hence of the movie, is emotionally much less active than the first half, so the contrast is naturally emphasized due the movie time format. The result is that the second half of the movie is plain boring.

Everything else is a success - photography, music, cast ( a brilliant cast, except an overly hysteric and non-charming Nastasya ), costumes, the very atmosphere of the dark and psychotic Petersburg of Dostoyevsky are meticulously combined into a theatrical, even intimate, show. The Prince's protagonist Parfion gives energetic, raw-power perfomance ( too bad he wears same black suit through the whole movie, a bit pathetic ). The Prince's best parts are his thralling monologues, when one can almost physically sense how the others' cynicism is extinguished by his naive sincerity.

The movie should appeal to the fans of 'psychological' genre, as special effects and action are obviously absent here.

It is just not fair to make films like that. The director discovered hidden visual dynamite in the bottomless text of the dark genius of Dostoevsky. The best actors of the world's oldest acting school perform like there is no tomorrow. Together, they crash on your senses with an impact of a natural disasters rather then a human-made entertainment.

Every episode goes at amazing pace, rich in events, and crafted brilliantly. It never fails to captivate. Every scene has action, intensity, emotion and impact. TV drama format suits it perfectly - viewers need these breaks.

Although the language is a problem for general English-speaking public, the film is strongly recommended to industry professionals and academics. It has material for 10 years of research and following.

P.S. I am not associated with anyone in that film in any way.

This is the first time ever that after reading a book, I see the film adaptation and (almost) everything is just as I imagined while reading the book! Absolutely amazing!!! The casting is just perfect (excepting one character), the atmosphere, just everything is wonderfully caught on film. The way Evgeny Mironov plays Prince Miushkin, and Olga Budina's acting... just superb!!! Not forgetting Vladimir Mashkov (Rogojin), Inna Churikova (Elizaveta Epanchina) and nearly all the rest of the cast!

Just a few minor points:

• Nastasia Philipovna was not as spectacular as I imagined. Somehow I expected more of her beauty and acting. - The film should have started at the train scene, just as in the book!!! I can't explain why, but I felt like this was essential for the beginning of the story.

But altogether, a wonderful job on this one, thank you Mr. Bortko!

This is so extraordinary that each episode is absorbing and exhausting. It is also cathartic and draining. It has an intensity unknown in almost all TV. This is emotionally intense and almost deranged in the craziness of the characters as they purge each other, destroy the facades of each other, and continue to live as desolate souls.

This is not easy to watch and it follows the book closely. The acting is superb, the direction and overall production style is rather like those films of the 1970s that Bertolucci made in that era, but the intensity is turned up to absolute maximum.

This is really the most powerful piece of TV or film in a long time and shows how the writer shapes the final experiences because this story is utterly wild. It digs deep into the soul and does not relent.