Añade un argumento en tu idiomaRaising the subtext of "Fight Club'' into text, "Shiner'' depicts a pair of amateur boxers gratified by punching each others' lights out. Theirs is among a trio of twisted love stories in th... Leer todoRaising the subtext of "Fight Club'' into text, "Shiner'' depicts a pair of amateur boxers gratified by punching each others' lights out. Theirs is among a trio of twisted love stories in the narrative feature by 29-year-old Los Angeles director Christian Calson. There's also a w... Leer todoRaising the subtext of "Fight Club'' into text, "Shiner'' depicts a pair of amateur boxers gratified by punching each others' lights out. Theirs is among a trio of twisted love stories in the narrative feature by 29-year-old Los Angeles director Christian Calson. There's also a woman literally fighting her male lover's affections and another boxer who stalks his own s... Leer todo
- Dirección
- Guión
- Reparto principal
- Tony
- (as Scott Stepp)
- Young Guy
- (sin acreditar)
- Guy in Bar
- (sin acreditar)
- Bartender
- (sin acreditar)
Reseñas destacadas
A few weeks later, I picked up the film and had a similar experience. I was confused; in the queer movement were taught so much about power dynamics and organize ourselves to fight violence, but here was a dramatically different take on the subject. What ended my confusion was the interview with writer/director Christian Calson on the DVD. The line of his that grabbed me the most: "I didn't want to make another gay romantic comedy." Things suddenly made sense to me. So many queer, I mean, gay films (ahem) are merely homo-remakes of mainstream romantic comedies. As queers, our message got lost as we sought inclusion in a particular medium. So, in what might be the most post-modern move of a writer/director in film history, Christian Calson sought to queer gay cinema. (Yes, I'm using queer as a verb.) He later supports this argument by talking about a form of "post-gay liberation" in which gay leaders shouted "We're doctors! We're lawyers! We're teachers!" to the point our difference and diversity became invisible. "We're just like you" led to us becoming nothing, in a sense.
While the movie is disturbing at times, it's thoroughly engaging. The audience member feels like a voyeur, peeping into the lives of these three "couples." And through that voyeurism, we come to a closer understanding of the elements of violence and how it relates to queerness. From self-loathing to internalized homophobia, from bitter rage to being just plain f'ed up, "Shiner" takes us through a mini-gamut of how violence affects us all, in ways no PSA or "the More You Know" segment could ever hope to address.
I highly suggest that you pick up the DVD of the film and watch the special features, including the Calson interview and the commentary, which is a noteworthy production in its own right.
As for me and those of you who appreciate a work where you truly have no idea what will happen next, that stimulates you without seeking to manipulate you with some political agenda, or that dares to exist, true-to-itself without apology & without catering to mainstream tastes (i.e. ART), then you're in luck. "Shiner" falls into this category.
It is proof that in quiet, dark ways, true, artistic cinema, long overshadowed by the business of sure-fire hits & their copycats, exists.
Argumento
¿Sabías que...?
- CuriosidadesMany of the blurry, unfocused moments in the film, as well as "problems" with angles and sounds, were done intentionally.
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Desire Is Relentless
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 29 minutos
- Color
- Relación de aspecto
- 1.85 : 1