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IMDbPro

The Fever

  • 2004
  • Not Rated
  • 1h 23min
PUNTUACIÓN EN IMDb
5,6/10
1,4 mil
TU PUNTUACIÓN
The Fever (2004)
Drama

Añade un argumento en tu idiomaTells the story of a woman who gets involved in politics with no previous contact with world events.Tells the story of a woman who gets involved in politics with no previous contact with world events.Tells the story of a woman who gets involved in politics with no previous contact with world events.

  • Director/a
    • Carlo Gabriel Nero
  • Guionistas
    • Carlo Gabriel Nero
    • Wallace Shawn
  • Estrellas
    • Vanessa Redgrave
    • Maxim Vengerov
    • Vag Papian
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,6/10
    1,4 mil
    TU PUNTUACIÓN
    • Director/a
      • Carlo Gabriel Nero
    • Guionistas
      • Carlo Gabriel Nero
      • Wallace Shawn
    • Estrellas
      • Vanessa Redgrave
      • Maxim Vengerov
      • Vag Papian
    • 17Reseñas de usuarios
    • 7Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
    • Premios
      • 2 nominaciones en total

    Imágenes16

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    Reparto Principal39

    Editar
    Vanessa Redgrave
    Vanessa Redgrave
    • Woman
    Maxim Vengerov
    • Violinist
    Vag Papian
    • Piano Player
    Joely Richardson
    Joely Richardson
    • Woman at 30
    Marinko Prga
    Marinko Prga
    • Woman's Husband-30 Years Ago
    Lea Spisic
    • The children
    Raphael Sparanero
    • The children
    Tonka Simurina
    • The children
    Georg Stanciu
    • Ballet Dancer
    Jelena Helena Knezevic
    • Ballet Dancer
    • (as Helena Knezevic)
    Nicola Redmond
    Nicola Redmond
    • Woman at Art Gallery
    Franjo Dijak
    • Thin Young Man
    Mia Begovic
    • Woman's Friend
    Malcolm Tierney
    Malcolm Tierney
    • The Bitter Man
    Souad Faress
    Souad Faress
    • The Seamstress
    Roberta Evans
    • The Woman in the Metro
    Jennifer Wiltsie
    • The Young Woman at the Bus Stop
    Rade Serbedzija
    Rade Serbedzija
    • The Diplomat
    • Director/a
      • Carlo Gabriel Nero
    • Guionistas
      • Carlo Gabriel Nero
      • Wallace Shawn
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios17

    5,61.4K
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    Reseñas destacadas

    8rock_rishab

    Hard to swallow

    This is a tough concept to take in, but yes somewhere down the line we all are guilty. We may not know it, but we are. But then again that's how this chaos called world runs.

    For some this movie is just too much over their heads, for some its gold, some its an awakening and to some just a movie. Well it all depends what we wanna see and what we have seen, in our life. Its not only whites or some other people who are the ones to be blamed or said to be the evil. But its a cycle. After all if one person is eating a meal that means, there is someone in this world who is going with out a meal. If you get a job then others don't. If you succeed then others fail, etc etc. But this is a thoughtful film, don't take it as an insult or disrespect just because you are rich or white or any one who feels offended for what reason god knows. You were just lucky nothing else, that you have the time to see and be repulsed by this movie. Some don't get enough time to even breath properly.

    Hell is not somewhere we'll go when we die. Its a constant revisiting place, that we visit each time we come back to reality from a few moments of piece and or love. Blessed ones enjoy and for those who don't get it now, don't bother, because if you could then this movie wouldn't have been made. And don't look for solutions in this movie, its just a movie about realization not solutions.... If you think there is then look closer.
    10lee_eisenberg

    there is no such thing as a revolution

    When I read a description of "The Fever" and saw that it stars Vanessa Redgrave and Michael Moore, I knew that I was in for something politically charged. But I didn't realize how politically charged. Redgrave plays an anonymous rich woman who takes a trip to an economically depressed country with no identified name or geographic location (although it looks kind of like they combined Latin America with Eastern Europe). Coming down with a fever there, she now has to reassess how and why she lives a privileged life, and whether or not she even deserves it.

    I wholeheartedly recommend this movie, not least as a study of the class system dominating the world. Not only do they look at that, but also at the oft failed aim of revolutions (the leaders quickly become as corrupt as they thugs whom they overthrew). But it certainly sides with the pro-democracy movement over the oligarchy; after all, democracy is the worst form of government except all the others.

    Anyway, this is one that you have to see. It's no surprise that Wallace Shawn wrote this, given the great work that he's done in the past. Also starring Angelina Jolie, and directed by Carlo Nero (Vanessa Redgrave's son whom she had with "Camelot" co-star Franco Nero).
    10Louisville88

    A wonderful film

    I saw this at the Virginia film festival and it was wonderful. Could have used better direction, but Vanessa Redgrave was marvelous nonetheless. As an added note, she did not get her son this film. He got it on his own and had her star in it. I thought it was a brilliant piece of work that could have been better but got its message across. It Was Wonderful And deserves much, much more Also, this film was a HUGE HIT at the festival. They had to add another day to screen it because it was sold out on its regular schedule and there was so much demand. So to those who don't like it, I say that the general public (At least those in Virginia) love it.
    8mharah

    A very good effort for what it intended to do

    This film is not meant to be a denunciation of capitalism or an embrace of Marxism, only an examination of the intrusion of one upon the other. It does well reflect Vanessa Redgrave's own personal conflict between her own privileged existence and the less fortunate (by her standards) in the Third World. This is the eternal dichotomy facing so many (though not all) First World liberals. They fail to see that capitalism developed as a result of peasants informing themselves, working together and rising up to replace the hegemony which has dominated them. Historically, it has been a slow process, often taking centuries, even millenniums. First World liberals want to see it happen rapidly, but the Third World isn't ready for it. Those countries and their people must go through the process of education that will bring them to the point where they can successfully undertake "the revolution." It may not initially succeed, not because the cause isn't righteous but because the people aren't sufficiently steeled to survive it. The reviewers of this film, for the most part, only see the perceived injustice - capitalism is the oppressor, because of its success. But that is only because they see the Third World peoples aspiring to be the First World's definition of success. There is no indication that this is true. Rather, it would seem that the so-called "poor people" just want life to be a bit better. Over the long run this will work its way to great success. The process cannot be rushed; historically, that has never worked. There are many capitalists who see their mission as helping to make lives a little bit better, in small steps which can assimilated, not upheaval which can't be encompassed in such a large dose. That is why one cannot impose democracy on a country which is still living in a society rooted in the way of life of centuries ago. In my view, the film acknowledges this while still encouraging us to accept the challenge of reaching out. The reviewers, mostly, missed it.
    8awall

    Food for Thought

    This movie completely took me by surprise. I was a bit taken aback by a commenter here who found it odd that the main character had not been out in the "world". Until recently when the US government made it mandatory for citizens who carry a passport when visiting our neighbors Canada and Mexico, only 20% of Americans had passports. I.e, only 20% of Americans have a clue as to how hated we are in the world. But, I digress.

    For every issue one can imagine, there are always two sides of the proverbial coin.

    The character that Vanessa Redgrave plays is one who becomes aware that there are people in the world that work just as hard as she had in her lifetime who have less. Far less. And this is a message that for Americans (I cannot speak for anyone else in the world and do not presume to speak for all Americans) this is a difficult concept. For here anyone born into any circumstance has the possibility of making anything out of oneself with hard work and dedication. It is hard to conceive of countries where that is not a possibility.

    In a foreign country and in the midst of a fever, a woman examines her upbringing, her circumstances, and her shock that not everyone who works hard attains prosperity. Her torment is merely what each and everyone of us should examine in our own lives, especially at a time when immigration is such an issue in the US, a country born to welcome the downtrodden from other countries. When her fever ends, she longs for her soft cotton sheets and other comforts of her home and that with which she is familiar. Yet she is changed. For she is awakened.

    I think this film is one that everyone should see. And now that HBO has begun to air it, there is no excuse not to see it. It is not black and white. There are no clear cut villains or heroes. There are issues of entitlement but entitlement is an ongoing issue to any thinking person. It is something men take for granted that women will never know. It is something whites takes for granted that people of color will never know. Entitlement is often so subtle that it takes intense examination to truly understand what it is. And this is something "The Fever" undertakes. Everyone works hard. Why does it have pay offs for some and not for all? Don't disregard this film as just another "liberal" film. Let it seep into your soul and give it some real thought. For it is truly food for thought. It is food for the soul.

    The scene with Micheal Moore and the conversation about the delicious ice cream is a powerful scene. It is one that can be applied daily here in the US (obviously not as milk). One can use the milk to make ice cream to increase tourism to a country and thus prosper the country. Or, it can be used to feed all the children (and thus prosper the country in a different manner).

    Metaphysically this movie pits the concept of limitation against the concept of limitlessness. Methaphorically speaking, is there really only enough milk for one or the other? Does this movie perpetuate the illusion of the responsibility of fairness in the world when not only is that concept subjective but obviously (if only noted of birth circumstances) to be a falsehood? Or does this movie inspire us to strive to make the world a better place for all? Should one feel guilt when one realizes that ones hard work does not justify ones comfort, when in reality all work hard but are not all comfortable? And what steps should we take when that realization is made?

    See this movie, if for no other reason than . . . to think. It deserves your thought.

    What I thought of was that song, "he ain't heavy. He's my brother."

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    Drama

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      The director Carlo Gabriel Nero is the son of Vanessa Redgrave (Woman) and the half-brother of Joely Richardson (Woman at 30).
    • Citas

      Woman: Where do all these objects come from?... How does it happen that these things are made and not others? Of course, there are only a limited number of workers in the world. And each day they do a limited number of things: some things and not other things. Who tells them what they ought to do? The holders of money. They bid their money for the things they want and each bit of money determines some fraction of the day's activities. So the people who have a little determine a little and the people who have a *lot* determine a *lot*, and the people who have nothing determine... nothing.

    • Conexiones
      Featured in 14th Annual Screen Actors Guild Awards (2008)

    Selecciones populares

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    Preguntas frecuentes15

    • How long is The Fever?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 24 de septiembre de 2004 (España)
    • Países de origen
      • Estados Unidos
      • Reino Unido
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • 熾烈心靈
    • Localizaciones del rodaje
      • Londres, Inglaterra, Reino Unido
    • Empresas productoras
      • HBO Films
      • Home Box Office (HBO)
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 23min(83 min)
    • Color
      • Color
    • Mezcla de sonido
      • Stereo
    • Relación de aspecto
      • 1.78 : 1

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