Por fin en Genovia, la princesa Mia se enfrenta a una nueva revelación: se le ha preparado un matrimonio de conveniencia con un joven inglés.Por fin en Genovia, la princesa Mia se enfrenta a una nueva revelación: se le ha preparado un matrimonio de conveniencia con un joven inglés.Por fin en Genovia, la princesa Mia se enfrenta a una nueva revelación: se le ha preparado un matrimonio de conveniencia con un joven inglés.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 2 nominaciones en total
Raven-Symoné
- Asana
- (as Raven)
Elizabeth Gudenrath
- Princeton College Girl Anna
- (as Beth Anne Garrison)
Reseñas destacadas
The sequel to a quite charming predecessor, isn't too bad, but like the predecessor it does have a number of failings that let the film down considerably. I will say that there are some lovely locations, a nice soundtrack and very spirited performances from Anne Hathaway as Mia and Julie Andrews as Clarisse. Another big treat was hearing Andrews sing at the pyjama party. Even seven years of not being able to sing at all, her voice is not too bad, even if it lacks the angelic quality that made her so memorable in Mary Poppins and Sound of Music. However, had he had some better material to work with, John Rhys Davies could have been really entertaining. Because that wasn't to be, he was merely good, as we didn't learn very much from his character. Other failings include a rather contrived plot- then again the predecessor wasn't entirely successful at that either-, an underdeveloped romance and some uneven scripting. Overall, not bad at all, but could have been better. 6/10 Bethany Cox.
How refreshing to attend a non-animated, G-rated movie and enjoy it! As a 41-year-old woman attending with an 82-year-old friend, I expected a light, pretty, romantic fairy tale, and that's exactly what I got. Never saw the first movie, but the "catch-up" work at the beginning made that a non-issue.
Surely, no one would go to this movie expecting to find the meaning of life portrayed on the screen. Come on, folks, this is a Disney princess flick with Julie Andrews and a G-rating; is anybody expecting deep philosophy?
Chick flick? Of course! Especially appealing to young (under 18) chicks? Definitely! Enjoyable to other adult women and men who just want a happy trip to fantasy land with no worries about sex, blood, or blue language? Absolutely!
Take this film at face value and you'll enjoy it. If you can't do that, don't bother seeing it. There are plenty of other "profound" movies out there to inspire, teach, or depress you! Go for a good time and you'll have it.
Surely, no one would go to this movie expecting to find the meaning of life portrayed on the screen. Come on, folks, this is a Disney princess flick with Julie Andrews and a G-rating; is anybody expecting deep philosophy?
Chick flick? Of course! Especially appealing to young (under 18) chicks? Definitely! Enjoyable to other adult women and men who just want a happy trip to fantasy land with no worries about sex, blood, or blue language? Absolutely!
Take this film at face value and you'll enjoy it. If you can't do that, don't bother seeing it. There are plenty of other "profound" movies out there to inspire, teach, or depress you! Go for a good time and you'll have it.
I remember seeing the first movie not expecting much from it, but when I walked out I was pleasantly surprised! When I saw the previews to this movie I thought "Oh god! Another movie ruined by a sequel!" I was slightly wrong in my thinking, because this was in fact a cute, light-hearted, feel-good movie. Maybe it's not as good as the first, but I still thought it was rather enjoyable. Anne Hathaway is a great actress and I'm so glad her talent was discovered and recognized. Julie Andrews gave a great performance as the former Queen of Genovia. This movie may have been predictable and a big ball of fluff, but what do you expect to a sequel to a Disney movie where Pixar wasn't involved? I would recommend this movie to anyone, just as long as you go into it knowing it's different from the first. I'm just praying there won't be a third movie.
Disney have proved yet again why they are a head and shoulders above the competition when it comes to producing movies that aren't admittedly brain food, but are "good clean fun", (if you'll forgive the cliché), for kids. For every little girl who ever dreamed of becoming a princess, this film is the perfect way to spend two hours.
True, it was grossly unfaithful to Meg Cabot's original novels, but still managed to convey the charm and slick veneer that has come to be associated with Disney, and the valuable message of independence for little princesses everywhere.
For the more mature audience, this is a happy chance to revisit childhood, or simply breathe a sigh of relief that what your child is watching is not in any way compromising or damaging, and will not have to be explained later.
Good message. Solid performances. Sweet (if bland and predictable at times) story line. Great movie!
Highly recommended for two hours of escapism on a summer's afternoon.
True, it was grossly unfaithful to Meg Cabot's original novels, but still managed to convey the charm and slick veneer that has come to be associated with Disney, and the valuable message of independence for little princesses everywhere.
For the more mature audience, this is a happy chance to revisit childhood, or simply breathe a sigh of relief that what your child is watching is not in any way compromising or damaging, and will not have to be explained later.
Good message. Solid performances. Sweet (if bland and predictable at times) story line. Great movie!
Highly recommended for two hours of escapism on a summer's afternoon.
What does it mean to be a princess? Besides wearing tiaras and twin sets, dancing at balls
attracting fame and fortune simply for being beautiful? A princess is stuck forever in extended adolescence she only has the trappings of power. Symbolically, at least, a queen has real power, and does not necessarily need to be beautiful.
For hundreds of years, fairy tales have filtered through our consciousness to involuntarily fuel our dreams. In the last century, what began as cautionary tales to lecture children have been sugar-spun into a Disneyfied notion of desire. But with Disney's latest, Princess Diaries 2: Royal Engagement, the recent trend of recasting fairy tales to reflect modern ideals continues, albeit with a gentler hand than yesteryear's feminists.
Simply, it's not enough to be a princess anymore. Although ostensibly a conventional tween romantic comedy, Princess Diaries 2 features a heroine who is more independent than Drew Barrymore's character in Ever After (1998) and less frustrated than Julia Stiles' Mary Donaldson clone in the The Prince and Me (2004). And, even better, in Princess Diaries 2, there are no handsome princes, just boys on the side.
I'm not a fan of much of director Gary Marshall's work although Pretty Woman's a classic, Runaway Bride, Raising Helen and the original Princess Diaries are very ordinary films. But in this enchanting sequel, he and screenwriter Shonda Rhimes give us a character who's not just beautiful, klutzy and funny. Mia Mignonette Thermopoulos Rinaldi is growing into her power.
Princess Diaries 2 begins five years after the original at Mia's 21st birthday party. After the schemings of John Rhys Davies triggers an ancient Genovian law, Mia has one month to marry, otherwise she will forfeit the throne. As two very different suitors court her, Mia relies on her now affectionate relationship with her grandmother, Queen Clarisse (Julie Andrews), to guide her. Meanwhile security chief Joe (Hector Elizondo) woos the Queen.
There are hackneyed moments, the worst of which is a pajama party featuring dozens of little princesses who are designed to reflect their aspirant audience. Although enjoyable, this scene serves no dramatic function, except perhaps to showcase Julie Andrew's expertise in mattress surfing. The change in Queen Clarisse's character is also unexplained she's transformed from being an acerbic biddy in the first film to being the dream grandmother. However, this film is entertaining, humorous and has a positive message. The cast and characters are also strong, particularly Anne Hathaway as Mia, and there's plenty of chemistry between her and Nicholas (Chris Pine). Heather Matarazzo and Fat Louie the cat also make brief appearances.
Princess Diaries 2: Royal Engagement improves on the original, and will be a particular hit with its target audience: tween and teen girls. But this film's got enough substance to appeal to an older audience if you let it. ***/***** stars.
For hundreds of years, fairy tales have filtered through our consciousness to involuntarily fuel our dreams. In the last century, what began as cautionary tales to lecture children have been sugar-spun into a Disneyfied notion of desire. But with Disney's latest, Princess Diaries 2: Royal Engagement, the recent trend of recasting fairy tales to reflect modern ideals continues, albeit with a gentler hand than yesteryear's feminists.
Simply, it's not enough to be a princess anymore. Although ostensibly a conventional tween romantic comedy, Princess Diaries 2 features a heroine who is more independent than Drew Barrymore's character in Ever After (1998) and less frustrated than Julia Stiles' Mary Donaldson clone in the The Prince and Me (2004). And, even better, in Princess Diaries 2, there are no handsome princes, just boys on the side.
I'm not a fan of much of director Gary Marshall's work although Pretty Woman's a classic, Runaway Bride, Raising Helen and the original Princess Diaries are very ordinary films. But in this enchanting sequel, he and screenwriter Shonda Rhimes give us a character who's not just beautiful, klutzy and funny. Mia Mignonette Thermopoulos Rinaldi is growing into her power.
Princess Diaries 2 begins five years after the original at Mia's 21st birthday party. After the schemings of John Rhys Davies triggers an ancient Genovian law, Mia has one month to marry, otherwise she will forfeit the throne. As two very different suitors court her, Mia relies on her now affectionate relationship with her grandmother, Queen Clarisse (Julie Andrews), to guide her. Meanwhile security chief Joe (Hector Elizondo) woos the Queen.
There are hackneyed moments, the worst of which is a pajama party featuring dozens of little princesses who are designed to reflect their aspirant audience. Although enjoyable, this scene serves no dramatic function, except perhaps to showcase Julie Andrew's expertise in mattress surfing. The change in Queen Clarisse's character is also unexplained she's transformed from being an acerbic biddy in the first film to being the dream grandmother. However, this film is entertaining, humorous and has a positive message. The cast and characters are also strong, particularly Anne Hathaway as Mia, and there's plenty of chemistry between her and Nicholas (Chris Pine). Heather Matarazzo and Fat Louie the cat also make brief appearances.
Princess Diaries 2: Royal Engagement improves on the original, and will be a particular hit with its target audience: tween and teen girls. But this film's got enough substance to appeal to an older audience if you let it. ***/***** stars.
¿Sabías que...?
- CuriosidadesAnne Hathaway's mother, Kate McCauley Hathaway, appeared in this movie as the choir director.
- PifiasIn the first movie we learn that Genovia Independence Day is before Mia's birthday, but in this movie it is after.
- Citas
Queen Clarisse Renaldi: The Queen is never late, everybody else is simply early.
- Créditos adicionalesAt the end of the credits, the voice of Joe (Hector Elizondo), gives a commercial encouraging viewers to travel to Genovia.
- ConexionesFeatured in Kelly Clarkson: Breakaway (2004)
- Banda sonoraMiracles Happen
Written by Pam Sheyne and Eliot Kennedy
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- El diario de la princesa 2
- Localizaciones del rodaje
- Longford Castle, Inglaterra, Reino Unido(Castle fly over)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 40.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 95.170.481 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 22.956.453 US$
- 15 ago 2004
- Recaudación en todo el mundo
- 134.734.481 US$
- Duración
- 1h 53min(113 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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