Spartan

Well i was starting to wonder whether Val would get his career back on track after seeing him in mishaps like Mindhunters (Cheesey but fun) and his brief role in The Missing (Boring boring boring). I haven't seen Wonderland yet so i can't judge him on that one just now.

This is the guy that starred in films such as Willow, Heat and Tombstone (His best role to date), he should be starring in bigger films these days and making a better reputation for himself you would think. But up until now this hasn't happened. So thank god for Spartan....

The trailer looked quite average so i wasn't expecting much, but it starred Kilmer and Macy so i was hoping to be pleasantly surprised somehow. Which i was.

The reason why this film hit the right note for me was its pace. It flowed really well and i thank Mamet the director for that. The first thirty minutes to forty five are fantastic and didn't let go of the audiences attention at all. It did dip through the middle but again picked up to my delight after that patchy spell.

I've already commented on Kilmer enough and he does a great job in his role of Agent Scott. He is backed up by rookie partner Curtis played by Derek Luke. This is the first time i have seen this guy and he did a great job with the screen time that he had.

My one disappointment is William H Macy's character Stoddard. There was no development whatsoever to his character and he was restricted to very tight screen time. The best actor in this film restricted to a few lines is very harsh. I'm sure a few people will agree with me there.

By the way i loved the fact that they didn't relate to the girl as the 'presidents daughter' once throughout this film. Simple but effective

A gem of a film.

This is a competent political thriller written and directed by the talented David Mamet with a strong central performance from Val Kilmer as an American secret agent with a direct and brutal style of operation. From the opening sequence of a woman running through woods (like "Silence Of The Lambs"), this is a taut tale which never lets up the pace, with strong violence and a number of plot twists along a road with plenty of blood and betrayal, and the music by Mark Isham adds real atmosphere. But there are no great action sequences or memorable lines of dialogue to lift the film to a higher level. Nevertheless the movie deserves a higher profile that it is receiving so far.

David Mamet ("Heist", "The Spanish Prisoner") has a deserved reputation as a non-traditional writer/director whose singular style indelibly marks all of his work. With his latest movie, "Spartan", Mamet again proves his quirkiness with a unique mysterious thriller.

Although more ambitious than most plots, the premise is not extremely out of the ordinary. The collegiate First Daughter has gone missing, and black ops government agents must track her down before the press unearths the story that could harm her. Val Kilmer plays the soldier of the manhunt, the talented military worker bee who takes orders from a variety of recognizable faces such as William H. Macy, Ed O'Neill, and Clark Gregg. In their search for the girl, Kilmer and company weave through a (perhaps too) winding maze of half-truths that have come to characterize Mamet works.

Because Kilmer, in the lead role, rarely knows more about the investigation than his direct task, the audience sits in a similar situation, never ahead of the story. This ignorance glues the viewer to the screen and causes the hour and forty minutes to zip by at a surprisingly smooth and quick pace. However that same ignorance also prevents the film from making what could have been a deeper connection. With little to no background information on virtually all the characters, there is no emotional investment in anyone. What happens is more important than to whom it happens. The fact that the film still compels despite this is a testament to Mamet's taut script.

His signature almost-but-not-quite-stilted dialogue is less dominant and more accessible than in other pictures, perhaps because of the high-strung nature of the government operations. In common situations though, Mamet's semi-formal words still shine. There is very little cliché dialogue, even in common situations, and what triteness exists is often swallowed by the surrounding originality. Kilmer occasionally falls prey to the easily entangling awkwardness, although that stumbling is not significantly out of character. The supporting cast, many of whom previously worked with Mamet, are stellar in their delivery, particularly Macy and Gregg.

"Spartan", like many of Mamet's movies, is fully entertaining but due to the slightly off-kilter nature of his work, fails to fully suck in the viewer, piquing interest without engrossing. You truly want to know what happens, but you don't care greatly.

Bottom Line: Call it 7 of 10 for a good but not great film.

A political thriller that manages to be both logical and surprising. Dialogues are smart and every character is given an important role in this military puzzle film. It shows, in an unconventional way, the hidden world of intelligence service at all its levels (the highest and the lowest). This movie was unnoticed by the general public because of its being somehow simple (with no special effect) but it's for sure genuine and of high quality; it has surprise twists, tough guys and some great action scenes. Furthermore what makes this flick special is not only the story but also the original way David Mamet chose to tell it; Val Kilmer acted in a very mature and professional manner and deserves many compliments for that.

David Mamet's Spartan had me leaving the theater thinking 'yeah, it was a good movie, some things I didn't understand'. Perhaps that's Mamet's intention- he's one of the reigning rulers of writers who use calculated, cool twists in storytelling- but I felt the moments in the film where I wasn't surprised so much by the turns taken. Not to say Spartan doesn't have some surprises (a few elements, such as a couple of deaths and a revelation or two which I won't put down here), and as a visual storyteller I got involved in the tension building with Val Kilmer's situation.

Kilmer, playing both mentor to training rangers and "worker-bee" to the United States government's special op's, is put on the case of the kidnapping of the President's daughter. It needs to be solved before the media grabs it, but it may not be that easy. Kilmer's Scott is a little more distant in tone and style sometimes, thinking of things to say to people that could border on a hack's cliche, yet Mamet isn't unforgivable in all the dialog. What dissapointed me were some of his choices in shots - he's not always as subtle as you might've thought in his cut-aways and use of music. While this is different territory in subject matter (dealing with a thriller on a political, topical scale), some of the tricks Mamet was pulling seemed stagey, and more predictable than he's known for.

Should people rush to theatres to see Spartan? Depends- for fans of Kilmer there's a lingering aura of understatement, concern, of a character who has been following rules his whole life, and it's not that bad. Derek Luke is a formidable supporting presence. Ed O'Neill strikes up some dramatic credit amid his post-Married with Children days. William H. Macy could've deserved a little more screen time to emphasize his importance to the story. And Kristen Bell is believable as the torn daughter. The script isn't rapid fire Mamet in delivery and tone, so it is at a pace that will dissapoint those who are looking for non-stop thrills. Maybe my grade is un-fair- the material does seek to be seen again- but I just didn't get that it was top-shelve stuff. B