El maquinista

There are many good things about The Machinist that are well deserving of praise. The very atmospheric nature of the film is supported very strongly by excellent performances all around. Christian Bale takes things to the extreme in his embodiment of his character. It is hard to take seeing him in his near-starvation body mass, which elevates the tension of this piece even further. The storyline leaves a little to be desired. While it creates its mood excellently, it does tend to plod along a little too much.

One thing that does stand out is how reminiscent of Alfred Hitchcock this film plays. Almost everything about the film screams Hitchcock, from the editing of certain scenes (the driving sequences are very much in the style of Psycho) to the Bernard Herrmann-esquire score (lots of bass clarinet), the lack of fully-exploring/revealing some of the creepier points of the film (what is dripping from the fridge?), and the washed out, grainy photography. If you want to see what a film would look like if Hitchcock were alive to film it today, this is the closest thing you could probably come across. And if that was part of Brad Anderson's intention in directing this, I have to commend him on the execution because it is uncanny.

Overall, I would recommend this film, but not to casual movie-goers. This is very much a movie-phile experience for those who appreciate character development and cinematography as much as plot points and a storyline that can be defined and followed from one action to the next. In that way it is closer to films like Magnolia or the Others, where the apex is the characters. If you are looking for a typical popcorn Hollywood thriller, this is not what you are looking for.

THE MACHINIST (Brad Anderson - Spain 2004).

Christian Bale is Trevor Reznik, a machinist in an anonymous factory somewhere in America. He is obviously scarred by some past incident but what is it? He finds mysterious notes on his refrigerator, saying 'who are you?' He sees colleagues that don't exist. He seems to have lost it completely.

A Spanish production, but with Brad Anderson at the helm as director and an almost exclusively American cast, this is basically an American film. I must admit, I kept shelving this one, due to reasons I cannot really recall now I've finally watched it, but it probably had something to do with Christian Bale's insane weight loss and all the surrounding publicity. I assumed the film was all about Bale's loss of weight and not much more. A method boy in a film solely hyped for an actor's dedication to play the part, but the film blew me away, as simple as that. Christian Bale gives a solo turn here almost unseen before. No matter how many pounds he lost, it's a remarkable performance.

Director Brad Anderson succeeds brilliantly in conceiving an atmosphere that is so compelling, as one other user on the IMDb stated, 'You just HAVE to know what the hell is going on here.' I think that's the key factor in what makes this film so incredibly compelling. The whole setting is an anonymous industrial town somewhere in the US, that could be Pennsylvania, Michigan or upstate New York (actually, it was shot near Barcelona), but it doesn't really matter where the story is located. It's the atmosphere of estrangement that does it. And Christian Bale gives such an intense performance you really want to know his cause and background. Where on earth does he come from? We know he works in a greasy factory, but why is he skin-over-bone? Why hasn't he slept in over a year? Brad Anderson creates an atmosphere so broody and sleazy, it's like a netherworld, an urban nightmare. In a certain way it reminded me of the strange urban landscape in "Eraserhead" by David Lynch.

Camera Obscura --- 9/10

a memorable character. his sin. his truth. an one of the most fascinating roles for Christian Bale. The Machinist reminds Crime and judgment. but it is not an adaptation. only a great trip in heart of strange existence, obscure crisis of a man who , step by step, becomes a shadow. a film about truth. as revelation. as key of freedom and source of sense. a film about love but not exactly in the terms of Raskolnikov - Sonia's terms. admirable exercise about honesty. and about the cage of the past. a film who must see it. for artistic virtues. for inspired script. for performances. and for a motif who remains secret long time after its end.

I really enjoyed this film. It reminded me of 21 Grams, Jacob's Ladder and Memento. Perhaps the finale left a few questions unanswered or felt a little anti-climactic but an amazing performance by Christian Bale. Haunted, brave, vulnerable, murderous but also very moving. A film which stays with you.

Now, here's an eggheaded thing, but did anyone notice the constant stream of Dostoyevsky references in the movie? Not only did Resnick (remind anyone of Raskolnikov?) put down a copy of Dostoyevsky's The Idiot at one point but the whole movie owed a lot to Notes From The Underground, Crime And Punishment and The Double. Did anyone spot the sign in the Ghost Train sequence which read Crime And Punishment? Or that Sharian's character is called Ivan (cf The Brothers Karamazov - especially the chapter Ivan's Dream)? Jennifer Jason Leigh's character is very familiar from Dostoyevsky, as was the saintly Maria.

Its a cracking film and none of these references are indispensable to enjoying it but I thought I would point it out.

Saw this incredible movie tonight and all I can say is WOW!! This movie is one you should definitely see if you enjoy such quality films like Vertigo, Psycho and most recently Identity. Massive kudos to Christian Bale who turned himself into a skeleton for the role and the wonderfully articulate pace of the director! As you watched it, you knew that there were answers at the end and the journey was simply captivating! Also fine, fine work by Michael Ironside and the absolutely gorgeous Jennifer Jason-Leigh who to this day looks just as hot as she did in Fast Times! If you have a chance to see this film and an open mind, make the trip to the ciniplex! Fantastic film!