Añade un argumento en tu idiomaA maniac with a suitcase full of razorblades unleashes a super human killer upon a group of kids in a small Alabama town. They must take up arms with a insane Chili enthusiast if they want t... Leer todoA maniac with a suitcase full of razorblades unleashes a super human killer upon a group of kids in a small Alabama town. They must take up arms with a insane Chili enthusiast if they want to survive.A maniac with a suitcase full of razorblades unleashes a super human killer upon a group of kids in a small Alabama town. They must take up arms with a insane Chili enthusiast if they want to survive.
Lindley Praytor
- Claire
- (as Lindley Evans)
XZanthia
- Call Girl #1
- (as X-Zanthia)
Reseñas destacadas
I haven't seen it in a while. Let me think if I can cook up some words for it. I know that I am going to review it once Synapse releases it. I loved Bill Mosely's performance. Its a bizarre and gory acid trip. The blood is thick and its too weird to be predictable. Its not by any means conventional but thats what kept my mind on the movie after I watched it. There's stuff for fans of brainless splatter entertainment and a wacky/ artsy vibe that should appeal to art-house fans that can accept some thing low brow. It's a psychedelic slasher thats more original than typical but impossible to describe. The ending is wacky!
Synapse should be putting this out on DVD sometime this year!
Synapse should be putting this out on DVD sometime this year!
If it's a dose of graphic old school gore you're after then Home Sick, with its regular and excessive scenes of non-CGI carnage, definitely delivers the goods: feet are sliced, heads are crushed, fingernails are torn out, teeth are smashed in, bodies are cleaved in two.
It's the stuff between the splatter that takes the film down a notch or two.
Writer E.L. Katz and director Adam Wingard have taken an offbeat approach with their storytelling, and the cast perform accordingly, putting in some decidedly strange performances; the result is a head-scratchingly bizarre movie at times, equal parts sadistic horror, wacky splat-stick, low-brow comedy, and avant-garde art-house weirdness, an awkward mixture that is certainly memorable, but not always that easy to digest.
Bill Moseley hams it up as a creepy stranger with a suitcase full of razor blades; Tiffany Shepis rolls around manically in her dead mother's blood; Tom Towles slaps his thighs as his son and his friends play with an assortment of firearms: occasionally the silliness works, but at other times it's just too eccentric for its own good.
Home Sick is worth watching simply for all the lovely red stuff—and Shepis getting her norks out (again)—but it's certainly not for everyone.
It's the stuff between the splatter that takes the film down a notch or two.
Writer E.L. Katz and director Adam Wingard have taken an offbeat approach with their storytelling, and the cast perform accordingly, putting in some decidedly strange performances; the result is a head-scratchingly bizarre movie at times, equal parts sadistic horror, wacky splat-stick, low-brow comedy, and avant-garde art-house weirdness, an awkward mixture that is certainly memorable, but not always that easy to digest.
Bill Moseley hams it up as a creepy stranger with a suitcase full of razor blades; Tiffany Shepis rolls around manically in her dead mother's blood; Tom Towles slaps his thighs as his son and his friends play with an assortment of firearms: occasionally the silliness works, but at other times it's just too eccentric for its own good.
Home Sick is worth watching simply for all the lovely red stuff—and Shepis getting her norks out (again)—but it's certainly not for everyone.
I recently caught Home Sick on a whim at the Sidewalk Film Festival. I expected an average, post-90's low budget horror film. What I saw was a well-polished, deeply disjointing, gore-fest. Seemingly taking cues from horror masters Tobe Hooper, Dario Argento, and Lucio Fulci, Home Sick pays genuine respect to the slowly-rotting slasher genre, while adding a breath of fresh air to it as well.
Set somewhere in Alabama, Claire (Lindley Evans) comes home from California to visit her mysterious past. When visiting her friends, no one seems welcoming. This tension becomes more agitated when she and her acquaintances are confronted by Bill Moseley's (!) character, a big-grinning, blue-suited stranger who happens to carry a suitcase full of razor blades. After performing a bizarre blood-letting ritual based on the kids' hatred for others, he calmly exits. Panic, murder, hysteria, sex, drugs, guns, and chili dinners ensue.
The level of gross in this movie far exceeds anything that's come out in the mainstream since the days of Romero. Instances of broken bones, ripped-off flesh, disembowelment, and knives in the head plague this film. It's not just the gore that makes it special, but also the characters' involvement with death. This is best conveyed in a scene with a coked-out Candice (Tiffany Shepis) and her recently butchered mother. This scene is worth a review in itself.
Besides the first class gore effects, the characters add a certain dynamic to the film. Whereas most teen / young adult horror films revolve around a cast that is pulled from stereotypical high-schoolers (The Jock, The Geek, The Face, etc.), Home Sick incorporates kids that already seem pretty crazy. For fun, they sit around drinking beer and watching gory films like Evil Dead Trap 2. They look pale and have dark circles around their eyes-even the redneck kids. They work at places like the bowling alley, the funeral home, and the school cafeteria. When it hits the fan, these characters seem like they've been preparing for it all their lives. For example, a creepy guy approaches Candice and shows her a Polaroid of a curb-jaw victim he discovered. Her response is a brilliantly sarcastic `Oooh, gross.'
Due to the intense violence, there's absolutely no way this film could be showed at the local Cineplex, unless it's linked to some sort of festival. I can only hope that this comes out on video as it is a testament to real independent filmmaking.
Set somewhere in Alabama, Claire (Lindley Evans) comes home from California to visit her mysterious past. When visiting her friends, no one seems welcoming. This tension becomes more agitated when she and her acquaintances are confronted by Bill Moseley's (!) character, a big-grinning, blue-suited stranger who happens to carry a suitcase full of razor blades. After performing a bizarre blood-letting ritual based on the kids' hatred for others, he calmly exits. Panic, murder, hysteria, sex, drugs, guns, and chili dinners ensue.
The level of gross in this movie far exceeds anything that's come out in the mainstream since the days of Romero. Instances of broken bones, ripped-off flesh, disembowelment, and knives in the head plague this film. It's not just the gore that makes it special, but also the characters' involvement with death. This is best conveyed in a scene with a coked-out Candice (Tiffany Shepis) and her recently butchered mother. This scene is worth a review in itself.
Besides the first class gore effects, the characters add a certain dynamic to the film. Whereas most teen / young adult horror films revolve around a cast that is pulled from stereotypical high-schoolers (The Jock, The Geek, The Face, etc.), Home Sick incorporates kids that already seem pretty crazy. For fun, they sit around drinking beer and watching gory films like Evil Dead Trap 2. They look pale and have dark circles around their eyes-even the redneck kids. They work at places like the bowling alley, the funeral home, and the school cafeteria. When it hits the fan, these characters seem like they've been preparing for it all their lives. For example, a creepy guy approaches Candice and shows her a Polaroid of a curb-jaw victim he discovered. Her response is a brilliantly sarcastic `Oooh, gross.'
Due to the intense violence, there's absolutely no way this film could be showed at the local Cineplex, unless it's linked to some sort of festival. I can only hope that this comes out on video as it is a testament to real independent filmmaking.
I really enjoyed this movie. I thought the cinematography was pretty stunning as well. I didn't understand the whole movie at a few parts,so I think editing could have been a little better, but it was still a great film. I was really impressed with Mosley's performance, as always, as well as Lindley Evans who appears to be a newbie. Hope we see more of her. I'll finish in saying that I saw it at a film festival, but I haven't heard much about it since, which is somewhat of a disappointment. I'd like to know when and where it will be available. Does anyone know?
Edited for length
Edited for length
An enigmatic and seemingly psychotic stranger (Bill Moseley) crashes a home-coming get together among some friends in Alabama. Brandishing a suitcase full of razorblades, he demands that everyone at the party give him the name of someone that they truly despise, which they very reluctantly do, but when they people named begin to die the friends become fearful for their own lives because one of them made a flippant comment at the party. Now they have to come up with a plan to survive, with the help of a chili-loving redneck gun enthusiast (Tom Towles).
Aside from Moseley and Towles, the acting from most of the others is pretty dire (Especially Matt Lero as Timmy, who seems content to channel Eric Freeman's 'acting chops' as Ricky from Silent Night Deadly Night 2). However this is easily overlooked as the movie is more or less just so much gory, weird fun and left me impressed.
Eye Candy: XZanthia and an extra get topless and make out; Tiffany Shepis also loses her shirt
My Grade: B-
DVD Extras: Commentary with Director Adam Wingard and writer/ producer E. L. Katz; deleted opening sequence; Bill Mosley interview segment; 'In a room where darkness counts' featurette; and 3 short films ("the Girlfriend", "1,000 year sleep" & "Laura Panic")
Aside from Moseley and Towles, the acting from most of the others is pretty dire (Especially Matt Lero as Timmy, who seems content to channel Eric Freeman's 'acting chops' as Ricky from Silent Night Deadly Night 2). However this is easily overlooked as the movie is more or less just so much gory, weird fun and left me impressed.
Eye Candy: XZanthia and an extra get topless and make out; Tiffany Shepis also loses her shirt
My Grade: B-
DVD Extras: Commentary with Director Adam Wingard and writer/ producer E. L. Katz; deleted opening sequence; Bill Mosley interview segment; 'In a room where darkness counts' featurette; and 3 short films ("the Girlfriend", "1,000 year sleep" & "Laura Panic")
¿Sabías que...?
- CuriosidadesDuring an 2004 interview, Tiffany Shepis explained how she got cast. "It was really weird. I got this call and I probably get like five of these a month. Some young kid fresh out of film school, whose like 'you're so hot' and 'I really love you' shit and 'we want you in our movie' and I'm like cool, alright and they send a script and I say yeah sounds cool, a lot of fun. And I give them my rates, and, of course, it never happens. So I got this call and these guys in Alabama are like, 'we love you and we want to put you in a movie with Bill Moseley and Tom Towles.' And I'm like yeah sure. I give them my rates and like a week later they send me a plane ticket and hotel and I was like wow. They are like eighteen years old. We went out to Alabama and we shot these crazy scenes. Not much of a story line but a big shit pile of gore and I got to work with Bill."
- ConexionesFeatures La venganza sangrienta de Aki (1992)
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Detalles
- Duración1 hora 29 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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