PUNTUACIÓN EN IMDb
5,9/10
29 mil
TU PUNTUACIÓN
Una mujer se esfuerza por superar la muerte de su prometido y todos los secretos que este le escondía a medida que reconstruye su vida.Una mujer se esfuerza por superar la muerte de su prometido y todos los secretos que este le escondía a medida que reconstruye su vida.Una mujer se esfuerza por superar la muerte de su prometido y todos los secretos que este le escondía a medida que reconstruye su vida.
Kyla Wise
- Comforting Friend
- (as Kyla Anderson)
Argumento
¿Sabías que...?
- CuriosidadesJennifer Garner was pregnant while filming this movie.
- PifiasFritz tells Gray that Grady's child was conceived "at a Halloween party," but when Gray first meets the child's mother she says the child will be "four next October." A child conceived on Halloween would be born near the end of July. It is also very possible that Fritz made up the conception date since most of the rest of that story was also incorrect. This is not a goof. When Fritz tells Gray that the baby was conceived at Halloween, he was lying. It was the same conversation where he said that the kid was "7 or 8", when we later learn that the kid was actually 3 and the product of an ongoing affair and not a one-night stand at a Halloween party.
- Banda sonoraRazor
Written by Dave Grohl
Performed by Foo Fighters
Courtesy of RCA Records Label/Roswell Records
By arrangement with Sony BMG Music Entertainment
Reseña destacada
Is there a production company somewhere that specializes in churning out the kind of banal, unoffensive films that are frequently used as in-flight movies, and if so, is it responsible for this film?
A flight from London to Chicago happens to be where I saw this movie, and even with absolutely nothing else to do or distract me, I had trouble staying with it. "Catch and Release" isn't bad. It's too safe to be bad. Rather, it's painfully uninspired. It's the kind of movie you simply can't imagine anyone getting up the energy to make. Was there really a screen writer out there who thought this story needed desperately to be told, and actually went to the trouble to tell it? Was there really a director who decided he had to bring this story to the screen, a cinematographer who put effort into planning shots? Did any of the actors read this script and think it was a project they simply had to be involved with? Apparently, because we have the movie itself as proof that at least someone thought it was worth brining to audiences. And there are decent things about it, notably Juliette Lewis, who gives a delightful performance as a new-age hippie struggling with motherhood, who makes you wish the movie was about her every time she appears on screen. Jennifer Garner, who the movie is supposed to be about, fades into the background, because neither she as an actress nor the character as written is capable of drawing our attention to herself. The script is too timid to allow any dramatic conflict to last more than a couple of scenes, so loose ends are neatly tied up with assembly-line efficiency.
This is film-making at its most disposable.
Grade: C
A flight from London to Chicago happens to be where I saw this movie, and even with absolutely nothing else to do or distract me, I had trouble staying with it. "Catch and Release" isn't bad. It's too safe to be bad. Rather, it's painfully uninspired. It's the kind of movie you simply can't imagine anyone getting up the energy to make. Was there really a screen writer out there who thought this story needed desperately to be told, and actually went to the trouble to tell it? Was there really a director who decided he had to bring this story to the screen, a cinematographer who put effort into planning shots? Did any of the actors read this script and think it was a project they simply had to be involved with? Apparently, because we have the movie itself as proof that at least someone thought it was worth brining to audiences. And there are decent things about it, notably Juliette Lewis, who gives a delightful performance as a new-age hippie struggling with motherhood, who makes you wish the movie was about her every time she appears on screen. Jennifer Garner, who the movie is supposed to be about, fades into the background, because neither she as an actress nor the character as written is capable of drawing our attention to herself. The script is too timid to allow any dramatic conflict to last more than a couple of scenes, so loose ends are neatly tied up with assembly-line efficiency.
This is film-making at its most disposable.
Grade: C
- evanston_dad
- 20 may 2007
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- How long is Catch and Release?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Catch and Release
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 25.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 15.539.051 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 7.658.898 US$
- 28 ene 2007
- Recaudación en todo el mundo
- 16.162.580 US$
- Duración2 horas 4 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Las vueltas de la vida (2006) officially released in Japan in Japanese?
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