Un relato ficticio del primer gran caso de acoso sexual americano, Jenson vs. Eveleth Mines, donde una mujer que sufrió una variedad de abusos mientras trabajaba como minera presentó y ganó ... Leer todoUn relato ficticio del primer gran caso de acoso sexual americano, Jenson vs. Eveleth Mines, donde una mujer que sufrió una variedad de abusos mientras trabajaba como minera presentó y ganó la histórica demanda de 1984.Un relato ficticio del primer gran caso de acoso sexual americano, Jenson vs. Eveleth Mines, donde una mujer que sufrió una variedad de abusos mientras trabajaba como minera presentó y ganó la histórica demanda de 1984.
- Dirección
- Guión
- Reparto principal
- Nominado para 2 premios Óscar
- 5 premios y 20 nominaciones en total
Reseñas destacadas
Niki Caro does a fine job in directing. Her intentions are sincere. Perhaps the script could have been a little tighter and the courtroom sequences could have been better handled as they are a little too dramatic and unrealistic, especially the judge letting White to argue his case that way. In addition to that, the case became more about Josey's sex life rather than the actual harassment and terrorizing in the workplace. Even though this provides a twist in the story and explains a lot of Josie's situation, it takes away from the main theme. Also most of the male characters have been caricatured. I understand the film is about Josey which may be the reason why these characters weren't given much attention but even Josey's father is portrayed as a misogynist and all of a sudden he is shown to have a change of heart. It would have liked to see this characters inner conflict as he plays a crucial role in Josey's life.
In the technical front, the cinematography is smooth and gives us some spectacular glimpse of the snowy landscape and the coal mines. The sound effect and country-feel soundtrack are quite good too.
Charlize Theron deserves all the recognition she got for giving a strong, confidant and heartfelt performance as the brave hard-working and headstrong Josey Aimes. She breathes fire into her role and, along with Frances McDormand, she's the heart of the film. McDormand performs naturally and her tragic character provides some great comic relief. She has some witty one-liners that bring a smile. While most of the guys are portrayed as nasty sleazy men, Sean Bean's Kyle is the complete opposite. Nonetheless, the actor does a fine job (quite a deviation from what the type of roles he's more famous for). Harrelson's Bill White suffers from poor characterization. His character is a bit too sketchy. Harrelson tries the best with what he's got and turns in a decent enough performance. Richard Jenkins too suffers from poor writing. Sissy Spacek has a tiny role but she has a subtle dignified presence and her character contributes to one of the major turning points of the story. Rusty Schwimmer and Michelle Monaghan are adequate.
'North Country' isn't an easy film to watch because of the explicit scenes of sexual harassment and the haunting rape scene but it is a relevant film. Not only is it about women's rights, it's about everyone's right to live a life with dignity, to work with dignity. It's about standing up against injustice rather than turning a blind eye. It's about protecting your loved ones and fighting for what you believed in. Though 'North Country' isn't without its share of flaws (it is a little preachy and sometimes too dramatic), it brings forth some important themes well enough and with the support of good direction and strong performances, it's worth watching.
This movie was very tastefully done. It features a A list cast. With A list acting. It tackles a very important and very necessary message.
I'm rather puzzled with some of the reviews. However, to each their own.
I found the movie was well acted and well done.
I also found the ending to be perfect!!!
BUT FIRST... Let us FOCUS on the Title´s Content and Context:
The Director, New-Zealander Niki Caro (Whale Rider), perhaps a very apt directorial choice, being a woman, yet at the same time, precisely not being American! In the mines of Minnesota in 1989, only 3% of the workers are women. There is a whole confluence of constantly orchestrated pressure applied against all female miners intended to get them to resign.
Charlize Theron (Who won the Oscar for best actress in MONSTER in the role of the only female serial-killer in U. S. history, Florida's Aileen Wuornos) as expected, is absolutely magnificent as Josey Aimes, a woman whose only motivation is wanting to provide a better life for her two children. The fight is quite a tough one for Josey. At first, everyone seems clearly to be set against her. Neither her friends, nor his parents, not even her own children give her their support! But Josey is a very stubborn human being who does not permit anything or anyone to discourage her.
Gradually, her unshakeable character, her unparalleled courage and the enormity of the injustice committed against her finally begin working in her favor.
NORTH COUNTRY at times does exhibit some rather lethargic moments, but the cast and the quality of the story are so outstanding that is easy to overlook this minor flaw!
Frances McDormand (1996 Oscar winner for FARGO) also shines in the multifaceted role of best friend; coworker, representing women's interests among union workers and victim of one of the worst evils occasionally affecting mine workers: Lung Cancer! Woody Harrelson (Natural Born Killers) is convincing as the ex-football player town hero turned lawyer who takes on Josey's case. Sissy Spacek (Carrie: original version) as the dutiful Mom and Richard Jenkins (Six Feet Under) as the skeptical dad.
Almost everyone who works or has worked recently in the United States knows that the problem of sexual harassment in the workplace is something that is taken extremely seriously. This is thanks, in large part, to Josey Aimes, and the struggle she was forced to wage against that Minnesota mining company 30 years ago! It is really worth traveling to NORTH COUNTRY to see both Charlize Theron's and Frances McDormand's Oscar Nomination performances!
...ENJOY! / DISFRUTELA!
Any Comments, Questions or Observations.... in ENGLISH... o en ESPAÑOL... are most Welcome!
Charlize Theron is a good actress but seems visually too young for the character sometimes. Anyway, she managed to shine. Richard Jenkins has been OK but acts in a predictable way. Frances McDormand did very well, especially in the final half of the movie, where she really shows talent. Jeremy Renner manages to be truly despicable as the villain. Technically regular, it's a good movie and it deserves to be watched.
On the other hand, I feel disappointed, a little angry, as well as insulted as a woman that this hugely important story was made into a melodrama that flattens out what really happened, and somehow manages to diminish the political nature of sexual harassment, even while seeming to highlight it.
At least 90 percent of the problem had to do with Michael Seitzman's script.
In the interview with Seitzman on the DVD, he makes clear that he didn't think the sexual harassment story was the real story. The real story, he said, was the traumatic experience Josie had in high school, and her relationship with her son.
Therefore he should have written a script for Lifetime focusing on what he felt was the "real story". He should not have used one of the most important cases for sexual harassment in legal history as the vehicle for telling this other story.
The producers should have demanded a script that more closely resembled Susannah Grant's Erin Brockovich. The sequence of victimization after victimization depicted in North Country didn't let us get to know Josie's character in any depth. We saw her slammed against the wall again and again, from beginning to end. We see that she stands up against the oppression, but we aren't taken into her sensibility, her choices, her process, her blind spots, character change, etc, etc, like in EB. Likewise, the lack of complexity in the male "macho" characters also flattens the story, and takes away from the real difficulties in challenging sexism and sexual harassment. In real life, character complexity of those who oppress or who defend oppressors is part of what makes the problem of sexual harassment difficult to fight.
I read an interview with Niki Caro, and though I think she's a very talented director, I got the sense that she didn't really get the politics or history behind sexual harassment. It seems things aren't as bad in New Zealand as they are here in the U.S. This is a foreign culture to her, and Northern Minnesota is certainly a foreign culture. I wish she would have spent more time fully understanding the issues and cultural dynamics (including the accent and mannerisms of the area, etc, which were sprinkled into the movie, but not rigorously replicated) before undertaking the project. If she had gone the extra mile to immerse herself in the issue and the region, perhaps she would have demanded a total rewrite of the script.
¿Sabías que...?
- CuriosidadesJosey Aimes is based on Lois Jenson, who started working in the mines in 1975 and endured thirteen years of harassment before filing her first lawsuit. Jenson v. Eveleth Mines was settled in 1998, ten years after it was first filed, and over twenty years after the harassment began.
- PifiasThe movie is set in 1988-89, yet it frequently shows the Clarence Thomas/Anita Hill hearings, which occurred in 1991.
- Citas
Hank Aimes: My name is Hank Aimes and I've been a miner all my life. And I've never been ashamed of it until now. You know when we take our wives and daughters to the company barbecue, I don't hear any of them calling them those names like bitches and whores and worse. I don't see anyone grab them by their privates or drawing pictures of them on the bathroom walls, it's unspeakable. Unspeakable! So what's changed? She's still my daughter! It's a heck of a thing, to watch one of your own get treated that way. You're all supposed to be my friends, my brothers. Well, right now I don't have a friend in this room. In fact the only one I'm not ashamed of is my daughter.
- Créditos adicionalesThe Warner Bros. logo plays but with no music.
- ConexionesFeatured in HBO First Look: North Country (2005)
- Banda sonoraAntone's Polka
Written by Matt Vorderbruggen
Performed by The Matt Vorderbruggen Band
Selecciones populares
- How long is North Country?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- En terra d'homes
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 35.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 18.337.722 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 6.422.455 US$
- 23 oct 2005
- Recaudación en todo el mundo
- 25.211.175 US$
- Duración2 horas 6 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1