El perfume: Historia de un asesino

In this colourful and gripping film, you can literally "smell" the pictures. Sometimes they are captivating, sometimes awful, but they are always fascinating. A great, great movie about sensuality, desire, greed... and the quest for love. Wonderful cast (even Hoffman is excellent!), wonderful music (and the score is not "too" present, which is a good thing), wonderful direction. 2 and a half hours may seem a long time for some, but not for the real sensualists. The story and the film may have their flaws, but they also have outstanding qualities and in a perfect world Tom Tykwer should receive an award for his superb adaptation of the splendid book by Patrick Süsskind.

A must see. Or, should I say, a must "smell"!

It was a masterful achievement bringing the concepts of scent in to a book, bringing it to the large screen has even more challenges, which I believe was superbly overcome in this film. The film is narrated to ensure the audience understands some of the concepts and some parts of the plot were "dumbed-down" to make sure the audience got the point.

Unfortunately, much of the book had to be skipped in the interest of time – much of Grenouille's childhood is glossed over and the bit after the cave visit is completely omitted.

Despite this, the atmospheric sets and brilliant acting (with the exception of a disappointing Mr. Hoffman, who really does not have the stature of a master Parisian perfumer) kept me completely enthralled.

As in the original book, there is quite a bit of nudity, which is tastefully done, but I will be interested to see how this is swallowed in America – it will probably get an 18 rating or be cut down, which is a shame, it was given a 12 rating in Germany.

In summary, a really great film, but probably best if you have read the book beforehand..

Wow, this is really a bizarre story with an ending that probably will turn off 98 percent of viewers who stick with this two hours, 147-minute film. I'm not sure what to make of it, other than totally understanding if people are left unsatisfied after watching this movie. As I said, I'm not sure how to interpret it as I just finished it minutes ago. It leaves you almost stunned.

Rather than judging that finale and having to use spoilers, let me just comment on the first two hours of the film, which I found utterly fascinating. If I wasn't such an admirer of photography, art and special-effects, I doubt I would have found the movie so appealing because the story is "not for everyone." However, thanks to stunning French city and countryside scenery, 18th century period and beautiful women it enhanced the story to me. Yet, regardless of the visual treats, the story was so unusual it still would have held my attention.

There are enough reviews here so that to go into the story in detail isn't needed except to say this is an "original." I'm not familiar with any other story about a man who has such an extraordinary sense of smell that he can perform olfactory miracles and then, because of it, uses it to turn into a mass murderer. This is weird, really weird, but captivating to say the least.

Ben Wishaw, who plays the lead character "Jean-Baptist Grenouille, has a face that is perfect for this role. His emaciated body, which survived a brutal childhood existence from the moment he was born also makes his character all the more credible. The looks of shock and awe on this man's face throughout the picture also add to his believability. He was mesmerizing with his haunting expressions. Dustin Hoffman and Alan Rickman provide "name" actors the film but it's Wishaw's movie, all the way.

I can only recommend this movie to those who share similar interests in cinematography and who like a "different" story but there are so many things in here - especially the ending - that could offend so many people, I would be hesitant to recommend this to the general viewer.

I'm going to go look for the book at our local library. I'm curious how that version compared to the screenplay.

To my dismay this movie has been accused of dealing with the addressed subjects only on the surface and just trying to shock the audience with extreme imagery. I strongly have to disagree with that. "Das Parfum" may be a lot of things but shocking sure isn't one of them. Of course it is visually overwhelming and not only with pictures of pretty flowers and sounds of the wind softly shaking the trees on a warm summer night but what is this movie, if not a piece about the sensuality of the human being? Yes, it is about smells but smelling is just simply not one of the things you can experience while sitting in a movie theatre. This motion picture however comes very close to it. We see close-ups on maggots crawling around and fish getting their heads chopped of but also human bodies in all their perfection and people declaring their honest love for one another. It might be impossible to make the audience fully understand the world in which Jean-Baptiste Grenouille lives but it does manage to create a similar vibe that brings us close to what Grenouille "feels" when he smells. Tom Tykwer beautifully achieves to always put the audience in the right mood, with the help of an amazing soundtrack and great camera work.

One could criticize that Ben Wishaw is too good looking for the part but we have to keep in mind that this story is supposed to be about the character of Grenouille and the way he himself sees his live. Since to him, the smell is the soul of every being, his appearance does not matter to him. So we might as well thank Tom Tykwer for casting an actor who is pretty decent to look at for two and half hours.

Please watch this movie without any prejudices. Open your mind to images and sounds and try to imagine what your feeling could "smell" like. And even if that does not work you can still just enjoy a beautifully told story. Either way, you will be touched.

I don't know if Kubrick really said, that the Novel, on which the movie is based, was not screen-able, because it was based on the smell sense of humans! But Tom Tykwer shows us here, that there is more there than the smell!

I haven't read the novel, so I don't know how accurate the depictions are, but it seems like Tom T. is not afraid to pull punches. That's not to say, that this overly violent in the explicit sense. But one would argue that the real horror, always plays in ones mind. Seems like you will be able to judge if you're backing this theory or if you're against it. And although we never really get the man behind all this madness, it's a great work of art (the movie that is ... if you want you can call something else also a "work of art" ... You'll get it, after watching the movie, if you don't already know the novel!)