La guerra de los mundos

'War of the Worlds' had a lot going for it, considering the story, that it was directed by Steven Spielberg and a decent cast on paper. It turned however to be a frustratingly uneven film, with a good first half and a pretty lousy second half.

Starting with what's good, the film looks fabulous, the atmosphere that the cinematography and lighting evoked is just incredible and the special effects are without complaint too. John Williams can be relied upon to compose a good score and he does here, being both rousing and spooky. Spielberg does an impeccable job directing the first half of the film, giving a lot of the first half thrills, suspense and genuine scares.

Tom Cruise does a good job in the lead and Tim Robbins is eerily eccentric. As said, the first half has many great moments and is filled with unnerving suspense and scary chills. Truly imaginative details like the burning train, the birds/tripod scene and the river of the dead bodies burn in the memory for a long while after.

However, the human drama was not as transfixing as it should have been, being hurt by the dysfunctional family subplot being rammed down the throat with no subtlety at all with nothing relatable at all and especially by the kids.

Spielberg has demonstrated before that he is capable of directing great child performances, prime examples being Haley Joel Osment in 'AI' and Christian Bale in 'Empire of the Sun', but the performances of both Dakota Fanning and Justin Chatwin are incredibly irritating. Not sure which is more so, Fanning's constant screaming or brattiness or Chatwin made to act throughout the film but especially the second half like an indecisively written character who makes stupid decisions and acts rebellious in the most insufferable of ways. The dialogue is often insipid.

After a lot of promise in the first half, 'War of the Worlds' is let down significantly by the second half where the pace slackens (a notable example being that overlong scene in the basement) and the suspense dramatically wilts (such as when the aliens are introduced, and they are not menacing in the slightest) and is replaced by ridiculousness, frustrating character decisions and sentimentality. The Hollywood schmaltz kicks in and keeps assaulting the viewer at full throttle, while the ending is up there as one of film's most false, cloying and anti-climactic.

In conclusion, a frustratingly uneven film that starts off quite well and then completely falls apart. 5/10 Bethany Cox

What Spielberg, Cruise, and Koepp accomplish here in the first two acts is nothing short of revolutionary. They've made a big-budget summer blockbuster about massive destruction and action that manages to studiously avoid every cliché and expectation of such films. It stays resolutely on the characters' points of view, showing us almost nothing they don't see, even to the point of coming tantalizingly close to a raging battle, then avoiding showing it. It keeps its focus on character instead of spectacle. The "hero" of the piece remains decidedly unheroic, wanting only to escape, and trying to talk others out of fighting back. The purpose of every piece of action is to frighten and disturb rather than thrill, making ingenious use of familiar 9/11 imagery. At the end of the second act, it is hands-down the best alien invasion film ever made, and perhaps one of the best sci-films of all time.

Then something strange happens. The filmmakers lose their nerve, and remember that this is an extremely expensive summer film financed by two studios. Or perhaps it was the fact that it stars Tom Cruise, who up to this point has spent almost two hours doing nothing but run for his life. Suddenly, and tragically, the film changes, violating not only its carefully established tone, but its own internal logic. Suddenly, Cruise begins to act like a hero, and summer action clichés force their way into the story like a worm into an apple. The transition is jarring, and it creates a serious disconnect from the story.

While it's true that Wells' original ending creates a problem for a movie, here they try to remain faithful to it, while still shoehorning moments of triumph into the conclusion. Unfortunately, these moments come off as alternately false, unbelievable, and meaningless, since it isn't mankind that defeats the invaders in the end.

Is it recommendable? Well, I suppose that depends on what kind of viewer you are. If you feel that 75% brilliant material overshadows the 25% that falls apart, then you'll enjoy it. If, however, you're the kind of viewer who feels that the final impression a movie makes is its ultimate stamp on your memory, you may be in for a crushing disappointment. On the other hand, if you're the kind of viewer who just likes the cliché of the boom-boom summer action spectacle, you're likely to be bored and frustrated with the first two acts, and only engage in the end. It is confused about what audience it's trying to reach, and consequently, isn't likely to satisfy any of them.

Ray Ferrier (Tom Cruise) is a divorced father with daughter Rachel (Dakota Fanning) and angry teenager Robbie (Justin Chatwin). Then a strange storm appears with numerous intense lightning. Suddenly machines rise out of the ground to destroy mankind.

Director Steven Spielberg uses all his tech skills to create great CGI of this H.G. Wells vision. It looks great. There are great individual scenes like the train. Tom Cruise is good as a father looking out for his family. But a couple of things keep coming back to nag at me. The kids are a bit too much to take. I'm willing to take Dakota Fanning screaming at everything, but I can't take the annoying rebellious teen. The constant fighting with the father is so petty and so childish. The family melodrama just diminishes the scale of the movie. Then there is the change of the origins of the alien machines. It is simply a stupid idea from Spielberg to be different. There is no reason for it. Worst it makes the movie questionable. And the blood idea just adds to the silliness of the story. These are changes for the sake of changing without improving anything.

I love the book and overall theme of the movie but Tom Cruise acting is annoying which is probably because he had to work with 2 most annoying kid actors ever seen on the film. I mean almost every scene is ruined by hysterical yelling of the 3 main characters. Little girl is the worst but Tom and his movie son are not far behind.

I mean it's watchable but by the middle of the movie I was hoping aliens will take them down so we don't have to suffer this atrocity of acting

"War of the Worlds" is Steven Spielberg's third movie in which extraterrestrials visit Earth, but the first in which their intentions are malevolent. It can't be coincidence that the arrival of the ETs is heralded with eerie lights flashing amid lowering clouds, as in "CE3K." From there, the similarity ends--no light show as friendly aliens come in for a closer look. These creatures (presumably Martians, as in the original H.G. Wells novel) aren't interested in making nice; nor is there any ambiguity about their ultimate objective (as there was for much of "CE3K"). They're here to wipe us off the face of the planet, plain and simple, a point we understand before the movie has played for even half an hour, and the giant walking tripods they deploy are remorselessly efficient. So, too, is the movie--at scaring the hell out of us, notwithstanding some gaping plot holes (what's up with that camcorder, anyway?) and a couple of sequences that are too reminiscent of other movies (particularly "Independence Day" and Spielberg's own "Jurassic Park").

That Spielberg uses imagery alluding to 9/11, the Holocaust, and perhaps the siege of London during World War II is, for me, less an exploitation than a reflection of how seriously he intends the audience to take the on screen mayhem. The atmosphere is heavy with threat, and the depiction of a populace numb with shock amid the devastation is chillingly convincing, despite a few moments of Hollywood cheese. We don't have Will Smith delivering snappy one-liners right after millions are massacred by the invading alien forces, a la "ID4." Nor is there much of a rah-rah, let's-kick-some-alien-ass mood as the outmatched Earthlings try fighting back. Even the ostensible protagonist (a low-key, effective Tom Cruise) crumples at one point under the enormity of what's happening.

I'm not really sure what the posters who complained of insufficient action and FX were talking about. Seems to me the tripods were pretty much a constant presence (if not always in the foreground) from about the 15-minute mark onward. And in fact the "war" of the title is waged from the beginning--it's just not on the level of humans vs. aliens combat that some viewers apparently were expecting.