Voksne mennesker

After enjoying Noi Albino I was excited to see this movie when it popped up at my local art-house cinema.

I'm rather bemused by all the positive comments on it as it's really dreadful, a totally nose-dive for the director. Whereas Noi Albino is an impressive slight and tender vision of outsider culture, Dark Horse is a bad scripted and jarring attempt to render the same kind of characters.

Primarily the major problems are that the first half is supposed to be funny and isn't, while the second half is supposed to be profound and isn't. The blur between naturalism and style makes it very difficult to engage with the movie. The style on show is accompanied by the prerequsisite "glitzy" style music of mobile phone adverts, shorthand in our culture for ditzy art school cool. The jokes in the first half are strictly of the "here's a man trying to clean a wall, oh look! the water jet spray is strong so he's stumbled backwards variety". There is a barely a genuine laugh in it.

To make things worse, the director's vision of life is hopeless limited. The main character ends up giving up messing around with his life in order to have a baby and even ends up wearing a f**king cardigan into the bargain. Talk about black and white. Meanwhile another character wanders around doing absolutely nothing for the entire movie in what appears to be some kind of bourgeous satire. I turned to my girlfriend over an hour and a quarter and asked "who is that guy again?" Not a good sign with a major character.

This film is bad on every level. Badly shot, badly scripted, good actors wasted with flimsy characters. Silly worldview. Not funny.

It's little wonder that this film disappeared completely for two years before appearing on British cinema screens. It might have been better for the director if it had disappeared altogether. He's got a big whole to climb out of now and a lot to prove in order to confirm that Noi Albino wasn't just a happy mistake...

This movie is first icelandic movie I have seen. Before I entered the cinema, I had no idea what the film was about. When I exit,my feelings were so complicated that I can't find the right word. This film is fully equipped with tiny details,which makes it deeper for focused viewers.Sometimes it gets out of the borders of absurdity,you find yourself laughing unconsciously. Sometimes you feel yourself so desperate,melancholic that you freeze in your seat,not knowing what to do.To tell the truth,this is what makes a movie see-able. Techniques used in the movie are seen before but director added some new details from himself. Repetition of some scenes is like emphasizing the importance of them just like in poetry or prose. Coloured scene is great. Turning point of the movie.

really liked this movie and looking forward to see it again.

Although I appreciated the other comments submitted to this point, I saw this movie at the Cleveland International Film Festival and was terribly perplexed by what it meant to convey.

Initially it's a comedy, and a wonderful one at that. Then the characters get hit hard by life's events. Then they change. Unusual events occur, but we don't know why.

It's not until the end that we're left with the magical part of the story the movie is telling. As the main character, Daniel undergoes a slow but significant metamorphosis from a bum (but a lucky one) to a character who cares about others and has become responsible.

Although at first a minor character, the judge is a sort of doppelganger for Daniel. We first see him in the sleep clinic, then in the court where he pronounces Daniel's sentence. The near-collision with Daniel seems to trigger "the switch", where the judge then steals a gift for his child. By the time we see him staying at the airport instead of going to a meeting we're not even remotely surprised that he runs into Daniel. By the time his wife is confronted with the evidence of his theft the translation to bum is complete.

Now to see the movie paying attention to how and when the magic takes effect: is it the near-accident or when the elephants parade by? What about the flash of color? Is there something else?

A good watch to begin with and a better watch the second time around!

A lot of art movies are beautiful but ain't fun. Dark horse on the other hand is different. The movie is cinematographic really beautiful (a lot of the shot's could be art photo's) but besides that is a nice story mixed with some dark humor. I have a spot for movies that start out strong, and this one really had a nice opening!

The scenery reminds me of French movies from the sixties, maybe that's because the movie is not in color (though it was filmed in color), the looks of the girl, the fiat 500 he drives, the interiors they used or just because of the title poster (they lay in front of the fiat on a field). But it gives the Dark Horse something nice, all together the best movie a saw in months.

It's a shame that so few have seen this movie, it was just me and my girlfriend at the cinema and given the number of votes here on IMDb or rottentomatoes it is not very popular.

This is a welcome renewal of the Danish cinema! Kári is telling a traditional story of finding yourself in life, but in an untraditional way. First of all, it's in beautiful black & white, which really suits it. Second, he's not afraid of throwing the viewer off course by the characters' unexpected reactions to everyday events, their ignorance, naivety and way of tackling what life gives them.

It's funny, has fresh new talent (Tilly Scott Pedersen) and some oldies that does their job really well. At certain points in the movie the pace slows down and I felt the director didn't really know where to take the movie, and ends up with some unfinished stories - but then again it's maybe just one of those "figure it out yourself" stories. I really liked 'Voksne mennesker' and look forward to see more from Dagur Kári!