Huff

Incredible writing, fantastic performances. Padget Brewster and Hank Azaria are finally getting the spotlight they both deserve. Oliver Platt's character Russell Tupper is the most entertaining character on television today. And Blythe Danner, nobody does it better. In just a few episodes,this show has renewed my faith in today's television. TV is getting creative again and it doesn't involve eating bloody gasoline soaked pig rectums or a reality show about being on a reality show because you were the winner of a dumb reality show! It's a little melancholy, a little mysterious, and sharp witted. It's one of the best shows on TV right now and definitely the best show on Showtime.

Like HBO's The Sopranos, Showtime's HUFF shows us as much about the interior lives of its characters as it does their exterior relationships and problems.

Azaria is brilliant as a well-known, highly paid psychiatrist whose practice overlaps into his family's life in countless ways, often at the expense of his own interior self-expression (except through fleeting appearances of a phantom character) and his family's safety and security. The rational approach he has to display at all times -- in other words, is practiced in displaying -- almost becomes his downfall.

Oliver Platt -- as Huff's longtime friend and successful, raunchy attorney -- and Blythe Danner -- as Huff's mother -- practically steal the show because they're both great actors and they've both been given off-the-wall, fascinating, likable characters. Platt and Danner provide some of the funniest moments. Swoozie Kurtz guest stars as the mother of Huff's wife, and is compelling in her struggle with cancer.

Drama, marital conflict, mother/son problems, unmet needs, occasional frightening violence, drugs, teen sex, kids acting more mature sometimes than their parents: HUFF has it all. And it's relieved by quirky, sometimes laughing-out-loud comedic moments. As well as the consistent solid acting and interesting story lines.

I'm not sure I can wait a year to see what happens next. The last episode left me on the edge of my chair.

Frankly, I signed up with Showtime so I could get the Sundance Channel. But, I'd keep subscribing just to catch HUFF.

I recently discovered this show and I've been watching the first season all week now, 2-3 episodes a night, thanks to Showtime On Demand. This is the kind of series that's been growing on me, more so than something I've loved from the get-go, like say Queer As Folk or Weeds. But grow on you it does, and now I would say I am addicted and when ya get a chance, I think I might need therapy, Dr. H.

The characters are all deeply flawed and also deeply human, and you grow to understand and even love them as the episodes go on. I like the son, Byrd, in particular; as portrayed by the incredible Anton Yelchin, he's sensitive and not afraid of being so. And there's Teddy, Huff's mentally-challenged brother, magnificently brought to life by Andy Comeau. The show ALSO features a tour de force weekly performance from Oliver Platt (as the insanely drug/sex addicted lawyer Russell), and even though he provides a lot of the series' comic relief, he's not a caricature either, he's a genuine person with genuine feelings, genuine pain.

Hank Azaria and Paget Brewster get the pleasure of portraying beautifully-drawn characters week after week as well, of course, 3-dimension people who are coping the best they know how with the monumental challenges of their lives, and Blythe Danner (as Huff's mother) is equally blessed, with a sublimely conflicted character whom I couldn't stand at first but now I think I wanna give a big hug.

Last night I watched the Christmas episode, "Christmas Is Ruined", which I would say is one of the best family holiday episodes I've ever seen. It felt true, pure and not in the least bit derivative, which is a huge compliment considering how many family holiday episodes on TV and holiday films there have been in the recent past.

If you're a feeling, intelligent human being on this planet, and you are currently subscribing to Showtime, there's no excuse for your not checking this series out. If you don't have this channel available to you at this time, I have one word for you: DVD.

Added on 6/28/06: So Showtime cancelled the series, after only 2 seasons, citing 'low ratings'. Is this exasperating or what? Isn't the entire point of premium cable supposed to be to run programming for reasons OTHER than ratings? Hopefully another more forward-thinking network will pick up this brilliant series. To leave the show in the lurch, the way they're doing, is tasteless, tacky and pathetic, in my opinion. Showtime viewers and everyone connected with the series deserve better, much better.

I started watching the show to get me through to the next major shows, i.e. HBO Sundays. From the first episode, I was hooked. Not to mention the line and sinker that goes along with being hooked. You love characters... You hate the characters.

By next season... this show will rival any on television. Many Emmys and Golden Globes to come.

I don't know which I love the most.

Huff's Nobility

Izzy's Prejudice's and Flakiness.....(she great!)

... Russell's .....what can I say? (Oliver Platt continues to be one of best actors I've ever seen).

Nigel Cleveland

Sometimes US TV shows just click, and produce something that goes beyond the slick, expensive productions and network push that define such forgettable water-cooler 'classics' as Desperate Housewives, Lost, and most reality TV. Here, Huff brings together a fascinating set of actors who are really allowed to flex their abilities on this riveting, passionate and touching show.

Despite the development of plot generally feeling slow and episodes ending with slightly over-the-top and shocking twists, the dialogue in particular is expertly written and interpreted in standout performances from all of the leading cast, from Hank Azaria in the lead to the delicious extremes of Blythe Danner, Oliver Platt, Paget Brewster and Andy Comeau, with a full introduction to a remarkable young talent Anton Yelchin. The only shame so far has been the under-use of Kimberly Brooks as Huff's secretary, given how much fun has been had with her opposite number in Platt's character's office.

Destined to be cruelly overlooked throughout its run on television as a 'cult show', this is a real treat for fans looking for something original, made by people who care about their work and perform it with mastery.