Esta comedia satírica sigue las maquinaciones del portavoz principal de Big Tobacco, Nick Naylor, quien habla a favor de los cigarrillos mientras trata de seguir siendo un modelo a seguir pa... Leer todoEsta comedia satírica sigue las maquinaciones del portavoz principal de Big Tobacco, Nick Naylor, quien habla a favor de los cigarrillos mientras trata de seguir siendo un modelo a seguir para su hijo de doce años.Esta comedia satírica sigue las maquinaciones del portavoz principal de Big Tobacco, Nick Naylor, quien habla a favor de los cigarrillos mientras trata de seguir siendo un modelo a seguir para su hijo de doce años.
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- 13 premios y 32 nominaciones en total
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Entertaining and Honest...
"Thank You" for a good satire!
The majority of the credit, however, needs to go to first-time feature director Jason (son of Ivan) Reitman. Adapting from Christopher Buckley's novel, Reitman has fashioned an enormously clever script, consistent and strong in character, yet not forgetting to be incredibly funny. The style is also perfect - brisk, light-hearted, with impeccable timing marred only by a tangental subplot including Sam Elliott that is, sadly, not very funny. Overall, however, the pace is fast enough where the laughs keep coming.
Reitman also does the unthinkable: he keeps the satire dark and funny to the very end. While most comedies stray blindly into the sentimental, "Thank You" avoids unnecessary emotional tripe and - thankfully - avoids sermonizing about the dangers of smoking or of the flaws of the political process. Eckhart's flawless performance and Reitman's wonderful screenplay anchor an uncommonly perceptive comedy, provided you take yours black. If you need a little cream and sugar, "Fun with Dick and Jane" might still be at the dollar theater.
'Argument Or Negotiation?'
A Nicotine Kick in satire and sarcasm
Some jobs are harder than others but Nick Naylor (Aaron Eckhart), tobacco industry spokesman, handles his with effortless skill. Along with two other spokespeople for the alcohol- and firearms industry respectively, he is part of the self-appointed M.O.D. squad ("Merchants of Death") whose main objective is to talk. To BS. To spin. To confuse and convince their opponent, and charm their audience. A job of such nature naturally requires a certain moral flexibility, and with smooth-talk and sex appeal, it is apparent that Nick is incredibly gifted in this area.
He goes on TV-shows, verbally battles U.S. senators, deems the Cancer Research Foundation "arseholes" all the while trying to set an example for his 10-year-old son. This is naturally very difficult, doing what he does. So as Big Tobacco (for whom he is a lobbyist) launches a campaign to reinstate the "cool smoking" image into mainstream Hollywood, and sends Nick to work a producer for the proper product-placement, Nick decides to bring his son along for the ride, to see "how daddy works" in hopes to bond with him.
Good satires are hard to come by, but Reitman's "Thank You For Smoking" is so wet with sarcasm and dripping with humour that it is impossible not to enjoy. It navigates the fast-paced industry, the art of talking and spoofs the anti-smoking camp with their chiché "cancer-sick boy in a wheelchair" front (as seen in the opening scene of the film), and it explores the moral flexibility of Americans, without preaching too much in doing so. Only once does it fall prey to predictable moral messages, as when Nick starts reevaluating his work and has moral qualms following his kidnapping by an anti-smoking group, only to swoop down into tongue-and-cheek mode again and return twice as biting and twice as funny.
Although the film is evenly peppered with fun one-liners and perfect delivery from its cast, the best scene is when the M.O.D. squad are at their usual restaurant hang-out at the end of the day and brag to each other and argue over whose business kills the most people per year. Nick: "How many alcohol-related deaths per day? 100,000? That's what... 270 a day? Wow. 270 people, tragedy. Excuse me if I don't exactly see terrorists getting excited about kidnapping anyone from the alcohol-industry." Maria Bello who plays the detached, funny Moderate Spokeswoman for alcohol has great in-your-face aptitude and attitude, "That's stupid arguing." Aaron Eckhart is also hilarious throughout in a shady businessman way (I now have a major crush on him). Out of all the cast, only Nick's little kid Joe chokes on the well-written lines.
In fact, even the cinematography is well-crafted in the film... just the way a scene cuts to another deserves credit, opening with a rapid-fire ironic note. Speaking of which, "Thank You"'s opening montage of cigarette packages as credits is a stroke of genius on Reitman's part. So are the various casting choices the amount of respected actors that have been crammed into supporting roles in impressive (Robert Duvall, Sam Elliot, William H. Macy) and give rise to an almost familiar and "feel-good" tone in the film.
That said, I wouldn't call this "laugh-out-loud worthy" exactly and I didn't care for the ending but it is clear that a lot of thought has been put into Thank You For Smoking every line is a well-articulated kick up the arse to something and delivered by the bucket-load. A very enjoyable little satire.
8 out of 10
Very funny edu-tainment that doesn't take sides
The fact that this movie doesn't take sides - and really, could be about any issue, because it's more about the MAN behind the spokesperson - but makes fun of all sides in the tobacco issue. The interaction b/w Nick Naylor (Eckhart) & the old Marlboro Man (Sam Elliot) is priceless, as is the back-and-forth between Naylor & Senator Ortolan Finistirre (William H. Macy) towards the end of the film -it's basically good actors doing what they do well - and it's very funny.
The movie's also a little bit touchy-feely, focusing for a bit on the relationship b/w Naylor & his son, Joey (Cameron Bright) - the kid's good & some of the lines written for him are priceless.
There was one odd, stupid thing - and my wife agrees w/ me on this, so I'm not just being a guy; there are 2 'sex' scenes w/ Eckhart & Katie Holmes, but zero nudity. Nada. Not even partial. We see them having sex in multiple places & positions, but they're almost completely clothed. It just took away from the credibility is all I'm trying to point out here - as I said, my wife actually made the comment before I did.
Bottom line, it's a great movie - well worth the price of admission. It's funny, it's entertaining & it moves, what more could you ask for?
¿Sabías que...?
- CuriosidadesAs part of the message the movies promotes, no one is shown smoking a cigarette throughout the entire movie. In fact, except in the black and white film that Nick Naylor (Aaron Eckhart) watches, no one is seen even holding a cigarette. Naylor holds an empty packet, The Captain (Robert Duvall) holds an (unlit) cigar, and at about the 18:35 mark as the camera is panning around the club, a man on the right can be seen putting a pipe in his mouth although it is not clear if it is lit or not.
- PifiasDuring the MoD squad meeting, when Polly takes a bite of the pie she messes the cheese up, but in the next scene it's fine. Also, when Nick sees the cheese on top of the pie it is not melted, but when he pauses to think and stares at the pie, the cheese is clearly melted around the edges.
- Citas
Joey Naylor: [eating fast food, next to Ferris wheel, at the Santa Monica Amusement Pier] ... so what happens when you're wrong?
Nick Naylor: Whoa, Joey I'm never wrong.
Joey Naylor: But you can't always be right...
Nick Naylor: Well, if it's your job to be right, then you're never wrong.
Joey Naylor: But what if you are wrong?
Nick Naylor: OK, let's say that you're defending chocolate, and I'm defending vanilla. Now if I were to say to you: 'Vanilla is the best flavour ice-cream', you'd say...
Joey Naylor: No, chocolate is.
Nick Naylor: Exactly, but you can't win that argument... so, I'll ask you: so you think chocolate is the end all and the all of ice-cream, do you?
Joey Naylor: It's the best ice-cream, I wouldn't order any other.
Nick Naylor: Oh! So it's all chocolate for you is it?
Joey Naylor: Yes, chocolate is all I need.
Nick Naylor: Well, I need more than chocolate, and for that matter I need more than vanilla. I believe that we need freedom. And choice when it comes to our ice-cream, and that Joey Naylor, that is the definition of liberty.
Joey Naylor: But that's not what we're talking about
Nick Naylor: Ah! But that's what I'm talking about.
Joey Naylor: ...but you didn't prove that vanilla was the best...
Nick Naylor: I didn't have to. I proved that you're wrong, and if you're wrong I'm right.
Joey Naylor: But you still didn't convince me
Nick Naylor: It's that I'm not after you. I'm after them.
[points into the crowd]
- Créditos adicionalesThe opening credits are styled to appear as cigarette boxes.
- ConexionesFeatured in Today: Episodio fechado 3 junio 2005 (2005)
- Banda sonoraSmoke, Smoke, Smoke That Cigarette!
Written by Merle Travis and Tex Williams
Performed by Tex Williams and The Western Caravan
Courtesy of Capitol Records
Under license from EMI Film & Television Music
Selecciones populares
- How long is Thank You for Smoking?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Thank You for Smoking
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 6.500.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 24.793.509 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 262.923 US$
- 19 mar 2006
- Recaudación en todo el mundo
- 39.323.027 US$
- Duración
- 1h 32min(92 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1






