PUNTUACIÓN EN IMDb
6,9/10
21 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaAn Asian cross-cultural trilogy of horror films from accomplished indie directors.An Asian cross-cultural trilogy of horror films from accomplished indie directors.An Asian cross-cultural trilogy of horror films from accomplished indie directors.
- Dirección
- Guión
- Reparto principal
- Premios
- 5 premios y 14 nominaciones en total
Lee Byung-hun
- Director (segment "Cut")
- (as Lee Byung Hun)
Kyôko Hasegawa
- Kyoko (segment "Box")
- (as Kyoko Hasegawa)
Po-Lin Lau
- Li's Maid (segment "Dumplings")
- (as Pauline Lau)
Sum-Yeung Wong
- Old Hair Dresser (segment "Dumplings")
- (as Wong Sum-Yeung)
Kam-Mui Fung
- Vomiting Woman (segment "Dumplings")
- (as Fung Kam-Mui)
Wai-Man Wu
- Mei's Nurse Friend (segment "Dumplings")
- (as Wu Wai-Man)
Chak-Man Ho
- Wang (segment "Dumplings")
- (as Ho Chak-Man)
So-Foon Wong
- Kate's Mother (segment "Dumplings")
- (as Wong So-Fun)
Ho Fung Chuk
- High Society Woman 1 (segment "Dumplings")
- (as Ho Fung-Chuk)
Wai-Ling Chan
- High Society Woman 2 (segment "Dumplings")
- (as Chan Wai-Ling)
Agnes Pang
- High Society Woman 3 (segment "Dumplings")
- (as Pang Hoi-Kwan)
Suk-Hing Leung
- High Society Woman 4 (segment "Dumplings")
- (as Yeung Suk-Hing)
Reseñas destacadas
This movie is incredibly cruel and unrelenting. It plays as a single feature divided into three sections: "Dumplings", directed by Fruit Chan of Hong Kong, "Cut" directed by Park Chan-Wook of Korea and "Box" directed by Miike Takashi of Japan. Each section is like a dissertation in horror, although "Dumplings" could also be classified as an exploitation film.
All of them are beautifully produced and directed, and I especially found "Box" to be quite lavish in sets, costumes and atmosphere. They each show a lot about the culture of the respective countries they were made in and also provide new takes on the terrifying and the appalling. They are each original in their own right, although "Cut" could be compared to the "Saw" or Hannibal Lecter franchises in that there's a psycho who's trying to get a message across by way of murder and mayhem.
I don't want to give details on the plots of any of them because I think that viewers need to experience them for themselves with no preconceptions going in, but what I can say is that "Dumplings" has the most plot and is probably the one with the highest "squeam" factor, "Cut" covers a rather familiar premise but with lots of fun moments (you'll see) and "Box" is more of an artistic endeavour with not much of a plot, but for some reason I was enthralled and couldn't look away; it's the one I liked the most.
A solid 8 out of 10 for the efforts of these genius Asian directors.
All of them are beautifully produced and directed, and I especially found "Box" to be quite lavish in sets, costumes and atmosphere. They each show a lot about the culture of the respective countries they were made in and also provide new takes on the terrifying and the appalling. They are each original in their own right, although "Cut" could be compared to the "Saw" or Hannibal Lecter franchises in that there's a psycho who's trying to get a message across by way of murder and mayhem.
I don't want to give details on the plots of any of them because I think that viewers need to experience them for themselves with no preconceptions going in, but what I can say is that "Dumplings" has the most plot and is probably the one with the highest "squeam" factor, "Cut" covers a rather familiar premise but with lots of fun moments (you'll see) and "Box" is more of an artistic endeavour with not much of a plot, but for some reason I was enthralled and couldn't look away; it's the one I liked the most.
A solid 8 out of 10 for the efforts of these genius Asian directors.
"Saam gaang yi", a.k.a. "3 Extremes", is composed of three segments
(1) "Dumplings", by Fruit Chan, is the best segment. I saw the complete film ("Jiao Zi") on 25 August 2007 on DVD released in Brazil with the title "Escravas da Vaidade" ("Slaves of the Vanity"). The gruesome tale tells the story of an aging actress that seeks out a mysterious woman that cooks dumplings with a special ingredient that rejuvenates those who eat them. My review is available in http://www.imdb.com/title/tt0472458/reviews-21
(2) "Cut", by Chan-wook Park, is a tale of cruelty and insanity. An insane stranger breaks in the house of a film director and ties him up with his wife and a boy in the room. The strange tries to force the director to kill the boy, otherwise he will cut the fingers of his wife that is a pianist.
This segment is very cruel and insane, and has a surprising conclusion.
(3) "Box", by Takashi Miike, is a confused tale. The twenty-five-year- old writer Kyoko has nightmares with a box and also with her sister Shoko. One day, she receives an invitation to visit the place where she saw her sister for the last time.
This segment is messy and predictable, with a disappointing conclusion. My vote is seven.
Title (Brazil): Not Available
(1) "Dumplings", by Fruit Chan, is the best segment. I saw the complete film ("Jiao Zi") on 25 August 2007 on DVD released in Brazil with the title "Escravas da Vaidade" ("Slaves of the Vanity"). The gruesome tale tells the story of an aging actress that seeks out a mysterious woman that cooks dumplings with a special ingredient that rejuvenates those who eat them. My review is available in http://www.imdb.com/title/tt0472458/reviews-21
(2) "Cut", by Chan-wook Park, is a tale of cruelty and insanity. An insane stranger breaks in the house of a film director and ties him up with his wife and a boy in the room. The strange tries to force the director to kill the boy, otherwise he will cut the fingers of his wife that is a pianist.
This segment is very cruel and insane, and has a surprising conclusion.
(3) "Box", by Takashi Miike, is a confused tale. The twenty-five-year- old writer Kyoko has nightmares with a box and also with her sister Shoko. One day, she receives an invitation to visit the place where she saw her sister for the last time.
This segment is messy and predictable, with a disappointing conclusion. My vote is seven.
Title (Brazil): Not Available
Wow, just went to go see these three shorts last night, which are about 45 mins a piece. I agree that "Cut" was one of the most enjoyable horror experiences I have had since High Tension. Takeshi Miike is probably the biggest name in the Asian horror biz, but I have to say that I miss the style of his earlier work, like Audition and Happiness of the Katakuri's. "Box" was very strange but it leaves little explanation for what has actually occurred, and I wish it delved a little deeper. And oh my! Mr. Fruit Chan, I have never heard of you before last night. "Dumplings" was by far one of the most deranged things I have ever watched. And the sound that was used in this short was was of the most intense, stomach curdling noises that are still sticking with me today. This was a very fun watch, and I am glad I got to see it before it left the theater. My recommendation....don't eat a big meal before you start!!!
3 extremes were 3 short stories about extreme situations. Each story has very different qualities and gave the viewer something to enjoy. Not American style, scream queen, psychobabble laden horror films. More intellectual and artistic as the characters are made to look good rather than deviant. Shorts were you can turn off the subtitles and still understand the plot are hard to come by, but these fit the bill. I wish I could speak the languages of the films because the English translation detracted from the emotional content and context. If you like slasher movies and jump out of your seat scary, pass on these. If you like more artistic, intelligent, and subtle horror films, then these shorts are for you. Some blood and minor amounts of gore. A job well done.
Three...Extremes is an anthology of three horror films by three respected Asian directors.
"Dumplings" - Directed by Fruit Chan
In Dumplings, an actress who has entered middle age and begun to lose the attention of her husband to an affair with a younger woman visits Aunt Mei, an old woman who still has the looks of her youth. Aunt Mei has a secret recipe that makes anyone look years younger, but such an unnatural benefit comes from a truly abominable source. I found Dumplings to be absolutely stomach-churning. A horror movie that doesn't even attempt to scare you, but actually tries (and succeeds, in my case) to horrifying you. Not for the squeamish. Even the sound effects eventually became almost more than I could bear. Disturbing and entertaining. - 8/10
"Cut" - Directed by Chan-wook Park
A talented director and his wife are taken captive by a murderous, utterly insane movie extra. Cut is darkly comedic, utterly absurd, and far more meta than the other movies in this collection. It took me a while to figure out whether I liked it or not, but by the end of the segment, I was won over. Like Dumplings, Cut isn't frightening in the conventional sense. Instead, it's flat-out zany (in a good way). - 7/10
"Box" - Directed by Takashi Miike
The most haunting of the three segments. Box is about a jealousy-fueled tragic accident involving two young sisters. The surviving sibling suffers from suffocating (literally) dreams and disturbing visions of her deceased sibling, even years later as an adult. Box is probably the creepiest of the three, and it has a psycho-sexual aspect to it that makes the whole thing even more unsettling. Definitely more of an atmospheric, "mood" movie than the other two. - 8/10
I liked all three segments, as well as the movie as a whole. I found Dumplings to be the most effective/entertaining, but I recommend the entire anthology. The three short films are not only memorable and very different from one another, but they're also fairly unique among the other horror movies that I've seen.
Overall - 8/10
"Dumplings" - Directed by Fruit Chan
In Dumplings, an actress who has entered middle age and begun to lose the attention of her husband to an affair with a younger woman visits Aunt Mei, an old woman who still has the looks of her youth. Aunt Mei has a secret recipe that makes anyone look years younger, but such an unnatural benefit comes from a truly abominable source. I found Dumplings to be absolutely stomach-churning. A horror movie that doesn't even attempt to scare you, but actually tries (and succeeds, in my case) to horrifying you. Not for the squeamish. Even the sound effects eventually became almost more than I could bear. Disturbing and entertaining. - 8/10
"Cut" - Directed by Chan-wook Park
A talented director and his wife are taken captive by a murderous, utterly insane movie extra. Cut is darkly comedic, utterly absurd, and far more meta than the other movies in this collection. It took me a while to figure out whether I liked it or not, but by the end of the segment, I was won over. Like Dumplings, Cut isn't frightening in the conventional sense. Instead, it's flat-out zany (in a good way). - 7/10
"Box" - Directed by Takashi Miike
The most haunting of the three segments. Box is about a jealousy-fueled tragic accident involving two young sisters. The surviving sibling suffers from suffocating (literally) dreams and disturbing visions of her deceased sibling, even years later as an adult. Box is probably the creepiest of the three, and it has a psycho-sexual aspect to it that makes the whole thing even more unsettling. Definitely more of an atmospheric, "mood" movie than the other two. - 8/10
I liked all three segments, as well as the movie as a whole. I found Dumplings to be the most effective/entertaining, but I recommend the entire anthology. The three short films are not only memorable and very different from one another, but they're also fairly unique among the other horror movies that I've seen.
Overall - 8/10
¿Sabías que...?
- CuriosidadesThe three films are Chinese, Korean and Japanese.
- Pifias(at around 1h 17 mins) In the segment "Cut," towards the end of the film there is a panning shot looking in through a window. The reflection of one or more persons standing on the outside portion (the side the camera is on) can be seen.
- Versiones alternativasLions Gate's U.S. version changes the order of the segments. In the original Asian release, the order was "Box"/"Dumplings"/"Cut." The American release has been changed to "Dumplings"/"Cut"/"Box."
- ConexionesEdited into Dumplings (2004)
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- How long is Three... Extremes?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Three... Extremes
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 77.532 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 36.414 US$
- 30 oct 2005
- Recaudación en todo el mundo
- 516.930 US$
- Duración
- 2h 6min(126 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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