PUNTUACIÓN EN IMDb
6,8/10
6 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA disheveled man desperately searches New York City for his young daughter.A disheveled man desperately searches New York City for his young daughter.A disheveled man desperately searches New York City for his young daughter.
- Premios
- 2 premios y 7 nominaciones en total
Stephen McKinley Henderson
- Garage Employee
- (as Stephen Henderson)
Omar Chagall
- Garage Manager
- (as Omar Rodríguez)
Reseñas destacadas
Keane is a haunting film about a man suffering from both schizophrenia and the abduction of his 7 year old daughter. The director used long takes and up-close shots so that the audience feels drawn into the mindset of the man. While the movie is very intense, it is not unbelievingly depressing primarily due to Damian Lewis' outstanding performance as Keane. He befriends a single mom and her 7 year old daughter and those scenes manage to convey a mix of sadness, humanity and foreboding as we see Keane struggling with his inner demons. Most Hollywood actors would give a scenery-chewing performance of grief and madness - but Lewis gives a searing, contained portrayal. He shows us this man's humanity, but does not flinch from also exposing his flaws, including drug abuse and physical violence.
Disturbed William Keane (Damian Lewis) is frantically searching the bus terminal in NYC. He's broke and barely able to pay for his room. He befriends neighbor Lynn Bedik (Amy Ryan) and her daughter Kira (Abigail Breslin). He does drugs with Michelle (Tina Holmes). He's looking for his daughter but it's questionable whether it's real or all in his mind.
Damian Lewis does a brilliant job as a mentally disturbed man. I love the scene in the bar as he tries to listen to the music. More visual cinematic moves can be done to create his mental illness. He needs to have hallucinations of his daughter and she needs to be on screen. It's also a bit slow at times. Otherwise, this is a great character movie.
Damian Lewis does a brilliant job as a mentally disturbed man. I love the scene in the bar as he tries to listen to the music. More visual cinematic moves can be done to create his mental illness. He needs to have hallucinations of his daughter and she needs to be on screen. It's also a bit slow at times. Otherwise, this is a great character movie.
Only quite rarely does a film have the quality of an event really taking place. You get that feeling when you are watching 'Keane.' Most filmmakers, even the most gifted, don't seem to have the uncompromising devotion to create a realistic world in their films. Inevitably, the temptation to show their stylistic talent is what dooms well-intentioned 'verite' directors to water down their works with artifice. The only other film, in recent years, that also succeeded in recreating the real world, was 'Rosetta,' a French film that won the Palme D'Or a few years back.
And the reality that Lodge Kerrigan and the actor, Damian Lewis, create in 'Keane' is one that is particularly difficult to create - it is a reality of a person on the edge of sanity, a reality that few people who are sane enough (if anyone can be considered sane in this business)to get a film made would ever have experienced. Unfortunately, I can understand the isolation, paranoia and desperation that William Keane expresses in this movie. And it expressed with an alarming verisimilitude.
Despite my first comment that 'Keane' is a film without artifice, there are elements to the structure and editing that show the director/writer had made extremely subtle uses of film technique to compress, heighten and intensify William Keane's psychological character.
Finally, I must add that this film is an emotionally rewarding experience, providing a denouement that is cleansing and healing - a 'happy ending' that smacks of real life, not the strange and manipulative world of formula film making. When I left the theater, I felt stronger, purged, for a while at least, of the private terrors that always lurk beneath the surface.
And the reality that Lodge Kerrigan and the actor, Damian Lewis, create in 'Keane' is one that is particularly difficult to create - it is a reality of a person on the edge of sanity, a reality that few people who are sane enough (if anyone can be considered sane in this business)to get a film made would ever have experienced. Unfortunately, I can understand the isolation, paranoia and desperation that William Keane expresses in this movie. And it expressed with an alarming verisimilitude.
Despite my first comment that 'Keane' is a film without artifice, there are elements to the structure and editing that show the director/writer had made extremely subtle uses of film technique to compress, heighten and intensify William Keane's psychological character.
Finally, I must add that this film is an emotionally rewarding experience, providing a denouement that is cleansing and healing - a 'happy ending' that smacks of real life, not the strange and manipulative world of formula film making. When I left the theater, I felt stronger, purged, for a while at least, of the private terrors that always lurk beneath the surface.
I saw Keane at the 42nd annual New York Film Festival and was quite pleasantly surprised. I'm really not an indy film buff, well, I wasn't until this trip into the city. I was absolutely captivated and completely engrossed in this film. This is one of those films that keeps you on the edge of your seat and easily wraps you into the story. You really feel like your are with William Keane, you can feel what he's thinking. Then the story will take an unexpected turn...see, I told you it keeps you on the edge of your seat. This film is definitely thought provoking and sensitive to all facets of the human being. It's one of those films that you can see repeatedly and get something new from it each time. I think the only thing I don't like about it is that I can't see it again easily or purchase it on DVD. I would LOVE to have this film in my personal movie collection.
In Keane, director Lodge Kerrigan shows us a world we often try to avoid, the world of poverty and mental illness. Damian Lewis is riveting as the title character. Keane is a man who is struggling to be normal in spite of his illness, isolation and the loss of his child. We see Keane's life with all it's ugly and often self-destructive details that include drug use, violence, and anonymous sex. But somehow Kerrigan and Lewis make us pity Keane. The scenes that show interaction between Keene and the young girl he befriends are both terrifying and touching. The film is intense, exciting, scary and brilliant. This is an important movie and both Lodge Kerrigan and Damian Lewis deserve recognition for creating this incredible movie.
¿Sabías que...?
- CuriosidadesShot in 32 days for less than $1 million.
- Citas
[last lines]
Kira Bedik: Why are you crying? Don't cry.
William Keane: Yeah.
[wiping his eyes]
Kira Bedik: It's okay, I love you.
William Keane: I love you, too.
- Versiones alternativasThe DVD supplement includes an alternate cut by director Steven Soderbergh.
- ConexionesFeatured in 2006 Independent Spirit Awards (2006)
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- How long is Keane?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Untitled Lodge Kerrigan Project
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 850.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 33.256 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 6151 US$
- 11 sept 2005
- Recaudación en todo el mundo
- 476.630 US$
- Duración
- 1h 40min(100 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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