Looking for Comedy in the Muslim World

In an inspired cinematic premise, especially in these times, Albert Brooks plays himself as a comedian asked to find out what makes a large portion of the world laugh.

Of course, execution of this concept leaves a bit to be desired, but it does have its fairly funny moments, especially in the opening moments, when Brooks aspires to be the lead in a remake of "Harvey." He fails to impress the director (Penny Marshall) with his desire to be "the new Jimmy Stewart," and Marshall's phony, "I liked your work in 'The In-Laws'" doesn't help his ego, either.

At home, he receives a letter from the State Department asking for him to be part of a special commission deigned to found out what Muslims construe as comedy. He goes to Washington DC, meets former Tennessee senator Fred Dalton Thompson (TV's "Law & Order"), and agrees to travel to India and Pakistan to see what makes the population laugh (despite his assignment to write a 500-page report on the topic).

He leaves his lovely wife, Amy Ryan ("Capote," 'War of the Worlds") and cute-as-a-button daughter, Laura (Emma Lockhart, "Batman Begins") for a month's adventure - not for money, but for the opportunity to be awarded the Medal of Freedom ("the nice one - with the colored ribbon").

Brooks makes the point some might bring up that India is basically a Hindi country, although over 100 million Muslims reside there (also, it's doubtful Brooks, as a Jew, would have been welcome in some of the more militant Middle Eastern countries).

Anyway, Brooks soon begins his patented celebrity whining on the flight to New Dehli, as he and his two State Department escorts, Stuart (John Carroll Lynch, "Gothika") and Mark (Jon Tenney, TV's "The Closer") are forced to fly economy class, and are then stuck in a rundown office. During these interior office scenes, Brooks keeps passing a roomful of phone operators ("There are two spin cycles on that machine," "Welcome to the William Morris Agency," "This is the White House, how may I direct your call") in another funny bit.

After hiring a lovely Indian woman, Maya (Sheetal Sheth), Brooks begins asking people on the street what makes them laugh. He is given answers from "I don't know," to "I don't speak English and please don't touch me," to a long and involved joke about being happy and laughing. Not garnering anything from this effort, Brooks decides to put on a comedy concert for about 300 Indians. This segment is pretty funny, as well, as few in the audience understand the comedian's humor (he tells a lame Halloween "Gandhi" joke, does a really bad ventriloquist act and the old "changing the improve" bit) and have little or no reaction to it.

Later, he sneaks into Pakistan and does the same routine for a group of stoned "budding comedians" who do not speak English (it's a huge success), accidentally starts an armed conflict between the two countries and is offered a part as a Hebrew man who moves into a mostly Muslim apartment complex in the inaugural situation comedy from al-Jazeera, "That Darn Jew."

The bottom line of this movie is that Muslims really don't laugh a whole lot, especially if the jokes are not funny (I guess that could be said of most anyone)and they do not get the subject. It could have been even more biting and daring, but I suppose Brooks (who wrote and directed, as well) didn't want to rock the boat too much.

I've liked most of Brooks' work (he was great in "Broadcast News" and deserved the Oscar; and "Defending Your Life," "Lost In America" and "Real Life" were terrific films), and while some jokes fall pretty flat here (as does the weak subplot of Maya and her Iranian boyfriend), this is still pretty decent work.

Yeah, I would have liked to have seen him do his stand-up in Iran, Jordan, Kuwait, Egypt or even Saudi Arabia, but I understand his reasoning (sort of). Plus, I laughed more often than not, so, as a comedy, it did its job, at least in my opinion.

Tonight I watched the worldwide premiere of this movie at the Second Dubai International Film Festival (DIFF) with Mr. Brooks attending. It was naturally a full house but I suspect this film will fade in obscurity quite fast. To start with, it was not funny. And it had nothing really to do with the Muslim World; after all the movie concentrates on India where Muslims are a minority. Finally the plot itself is flimsy and I kept wondering how could Mr. Brooks stretch it to a full length feature. And I find using such a controversial title a cheap way to draw inquisitive crowds. The movie has really very little to do with the DIFF motto of bridging cultures.

I liked the movie quite a lot. Being from India, and living in a US for a little while, I deal with cultural differences very often in my own life. While differences in food, garments, language and architecture are easy to feel, they are the tip of a cultural iceberg. And that is what this movie conveys very well. We cannot hope to understand other cultures unless we recognize their deeper aspects and humour is one such. In the movie, Brooks steals into Pakistan to meet the aspiring comedians. But the funny question is, did they laugh with him, or his Pakistani translator?

A couple of things could have been better treated. An Iranian boyfriend for an Indian girl is not as normal as shown. Nor, is the country devoid of comedy shows. Indian TV and films have a special place of honour for comedians. Some of the best on-the-face humour is in Pakistani plays on TV. But I grant that as a literary license to Brooks. After all, the story is not about India or Pakistan, or even its comedians. The story is about American and how much (little) its people understand other cultures. And, its is a very understand story, do not mistake it to be funny or a laugh riot.

Albert Brooks is not one of my all time or even a mid-level favorite. He's always reminded me of someone who is simultaneously constipated and burdened with chronic heartburn.

With that out of the way, my wife and myself went on a date to the local movie theater this weekend and saw "Looking for Comedy in the Moslem World." This is really funny stuff, from concept through execution. But the humor won't grab you by the neck and shake you till you "get it." It won't hold up a cue card and tell you when to laugh. And it won't slam you in the face with a cream pie.

Don't listen to anybody hand you their politically correct nonsense about this movie being offensive. To anyone whose mind rises above the level of nit picking, they will leave the theater feeling light hearted and very entertained.

8 out of 10 (actually it's 7.5 out of 10 but who cares)

Albert Brooks' films are an acquired taste. That said, his new film, "Looking for Comedy in the Muslim World", offers an unforgettable trip to some exotic locations in search of laughter, which is something Mr. Brooks does best. The point of his film seems to be that by laughing during difficult situations will unite people instead of separating them.

This is a film that has a lot of laughs in the way Albert Brooks throws his one liners and makes a satire of the idiocy of the assignment he has been given by those innovative guys in our government. Along the way, Mr. Brooks points out at how other cultures, India, in this case, has managed to become an integral part of ours in the way most American companies have outsourced jobs to that country. That becomes evident when we get to listen what is being said by the telephone people that work in the same building where they have found an office for the comedian. Even the White House phones seem to be answered by Indian operators!

This film is obviously not for everyone. Mr. Brooks' fans will have a field day watching this unassuming comic genius going through India and Pakistan in search of fun, but alas, what's funny for us it's not for other people. One of the funniest moments shows how a worried Brooks misses the magnificent Taj Mahal because he is too preoccupied with the job he has been given.

Of course, Albert Brooks is the best interpreter of himself. He has a style that is not obnoxious, or in your face. His presence in the film playing himself strikes the right note. Sheetal Sheth is a revelation as Maya, the eager Indian assistance who can't get Mr. Brooks' jokes however hard she tries. John Carroll Lynch and Jon Tunney are seen as Stewart and Mark, two men appointed to help Brooks perform his assignment. Penny Marshall appears at the beginning of the film as herself.

The film will reward the viewer going with an open mind to see the film because Albert Brooks is a funny man with the heart in the right place.