PUNTUACIÓN EN IMDb
6,8/10
37 mil
TU PUNTUACIÓN
Un pastor preocupado por escribir el sermón perfecto no se da cuenta de que su esposa está teniendo una aventura y sus hijos no están tramando nada bueno.Un pastor preocupado por escribir el sermón perfecto no se da cuenta de que su esposa está teniendo una aventura y sus hijos no están tramando nada bueno.Un pastor preocupado por escribir el sermón perfecto no se da cuenta de que su esposa está teniendo una aventura y sus hijos no están tramando nada bueno.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 5 nominaciones en total
Alex Macqueen
- Train Ticket Collector
- (as Alex MacQueen)
Tony Denham
- Police Interrogator
- (as Anthony Denham)
Reseñas destacadas
This charming little black comedy should have all but ultra conservatives smiling throughout the ludicrous scripting, eluding gaping plot holes and complete unrealism with sheer likability. A friendly, very export-worthy British comedy, Keeping Mum is a throwback to guilt free, sinister joys that were in much greater fashion before everyone decided to let their films guide their morality. Nothing has recently personified this old fashioned, fun spirited creepiness as affectionately as Maggie Smith's vibrant performance for her semi-cuckoo, housemaid with a few secrets of her own. With a delightful, perceptive supporting cast, the plot may not exactly pull you in (especially the first half), but will nonetheless keep pleasant spirits anchored as the real fun takes hold. Rowan Atkinson in particular, portraying a character not unlike his famous bumbling priest in Four Weddings and a Funeral, gets to exercise more of his subtle comedic chops then usually seen, and the ensuing awkwardness that radiates whenever he is on screen is sweet and endearing.
Despite the obvious tone of an utmost fictionalization, I suppose Keeping Mum will still take a few hits for it's portrayal of religion and murder, but anyone seriously trying to analyze the lack of morality on this one will have missed the whole carefree point. The characters might have been completely unbelievable by the time this thing is over, but the nature of this kind of entertainment does not beckon one to take offense to that.
Despite the obvious tone of an utmost fictionalization, I suppose Keeping Mum will still take a few hits for it's portrayal of religion and murder, but anyone seriously trying to analyze the lack of morality on this one will have missed the whole carefree point. The characters might have been completely unbelievable by the time this thing is over, but the nature of this kind of entertainment does not beckon one to take offense to that.
You could drive a horse and cart through the plot holes in this movie. It doesn't matter, just splash about in the humour. It has the predictability of a Stan and Ollie routine, Morecambe & Wise or any other such comedians who mix story telling with visual and verbal humour. Rowan Atkinson is of course the comedian cast in the straight part trying to regain a sense of humour. Maggie Smith is absolutely superb as the straight actress playing the clowning criminal. A bit of sound effect filched from Reeves and Mortimer's frying pan sketch would have heightened the humour even more. Never mind, this is harmless, charming, and engaging entertainment. Entertainment - now we don't get much of that to the pound usually.
Gloria (Kristin Scott Thomas) is a woman with problems. Her clergyman husband seems not to notice that she's there, and she resents his job, her daughter is sex-mad and her son is being bullied, and she is deprived of sleep by the incessant yapping of the neighbour's dog. Then into her life walks an angel in the form of a new housekeeper, Grace.
Thomas does very well with the central role in the film, Rowan Atkinson is absolutely brilliant as the mild-mannered clergyman Walter, and Maggie Smith is amazing as always as Grace.
This is not a side-splitter comedy but it is certainly a comedy, as it deals with a number of serious issues of religion and morality with a light touch. Primary among these issues is the age old question of "whether tis nobler in the mind to suffer the slings of arrows of outrageous fortune or to take arms against a sea of troubles and by opposing, end them." Gloria's approach to her "sea of troubles" is the approach of Job, and sure enough we hear echoes of this as Walter composes a sermon referring to the Book of Job. Grace has another approach.
Having a character who is a vicar enables the filmmakers to slip such Biblical references naturally into the script. It is a definite treat to hear Atkinson read the Bible (and in circumstances which make the viewer actually listen to what is being said!). Even with the Bible-reading, though, do not make the mistake of thinking that this is a film for young kiddies or prudes.
The film is so deftly made that there is always a lighthearted tone no matter how dark the subject matter, and the acting ranges from solid to exceptional. It's not the greatest film ever made but it is engaging and enjoyable.
Thomas does very well with the central role in the film, Rowan Atkinson is absolutely brilliant as the mild-mannered clergyman Walter, and Maggie Smith is amazing as always as Grace.
This is not a side-splitter comedy but it is certainly a comedy, as it deals with a number of serious issues of religion and morality with a light touch. Primary among these issues is the age old question of "whether tis nobler in the mind to suffer the slings of arrows of outrageous fortune or to take arms against a sea of troubles and by opposing, end them." Gloria's approach to her "sea of troubles" is the approach of Job, and sure enough we hear echoes of this as Walter composes a sermon referring to the Book of Job. Grace has another approach.
Having a character who is a vicar enables the filmmakers to slip such Biblical references naturally into the script. It is a definite treat to hear Atkinson read the Bible (and in circumstances which make the viewer actually listen to what is being said!). Even with the Bible-reading, though, do not make the mistake of thinking that this is a film for young kiddies or prudes.
The film is so deftly made that there is always a lighthearted tone no matter how dark the subject matter, and the acting ranges from solid to exceptional. It's not the greatest film ever made but it is engaging and enjoyable.
I went to this movie looking forward to a mindless comedy. I was very pleasantly surprised. Very! I was first introduced to Rowan Atkinson in the 70's and have only seen him in silly, caricature ( a caricature of himself) type roles and I love him in these roles. But he did an amazing job as a serious, thoughtful (bordering on glum) Vicar, and was absolutely believable as his journey and his attitude changed ... I would never have put him in such a role, but he really pulled it off. I was also surprised, pleasantly, at the intense spiritual undertones (okay, at times overtones) woven throughout this most enjoyable film. It was interesting to see a movie use religion as a backdrop for such a deep look into what (in my humble opinion) is clearly a non-religious aspect of human spirituality.
This great black comedy in the British tradition appeals to all generations. I went with my mother, wife and son and we all enjoyed it very much.
My 20-year-old son, who was not accustomed to this type of dark humour, was quite startled at how murder was portrayed in an off-hand, humorous way. I felt it was a revival of a genre going back to the "Wrong Box" [1966] and before. This film does not dwell on the violence, the gore, the sentiment or the psychological aspects of murder. It seems to be standard fare for most films but it didn't seem appropriate here.
As much I respect, Rowan Atkinson as a comedian, I was concerned that this film would be in the Mr Bean or Black Adder vein. In fact, I was pleasantly surprised to find that Rowan Atkinson is a very good actor. Most of the time, he played his role as an absent-minded vicar in an understated and sometimes quite touching way. Mr Bean fans will have their moments. There's also lots of innuendo combined with more subtle humour.
Maggie Smith is as ever excellent. The rest of the cast play their archetypal characters or in the case of Patrick Swayze's caricature well.
Though I was able to predict the overall plot, the story is entertaining and there is a gentle message about marital problems, the generation gap and hypocrisy. The scenery mainly in the Isle of Man and partly in Cornwall is stunning.
I recommend it highly.
My 20-year-old son, who was not accustomed to this type of dark humour, was quite startled at how murder was portrayed in an off-hand, humorous way. I felt it was a revival of a genre going back to the "Wrong Box" [1966] and before. This film does not dwell on the violence, the gore, the sentiment or the psychological aspects of murder. It seems to be standard fare for most films but it didn't seem appropriate here.
As much I respect, Rowan Atkinson as a comedian, I was concerned that this film would be in the Mr Bean or Black Adder vein. In fact, I was pleasantly surprised to find that Rowan Atkinson is a very good actor. Most of the time, he played his role as an absent-minded vicar in an understated and sometimes quite touching way. Mr Bean fans will have their moments. There's also lots of innuendo combined with more subtle humour.
Maggie Smith is as ever excellent. The rest of the cast play their archetypal characters or in the case of Patrick Swayze's caricature well.
Though I was able to predict the overall plot, the story is entertaining and there is a gentle message about marital problems, the generation gap and hypocrisy. The scenery mainly in the Isle of Man and partly in Cornwall is stunning.
I recommend it highly.
¿Sabías que...?
- CuriosidadesOne of Patrick Swayze's final movie roles, four years prior to his death on September 14, 2009, from pancreatic cancer.
- PifiasWhen everyone is taking the trunk upstairs, the shadow is visible above Grace's head moving around.
- Citas
Gloria Goodfellow: You can't just go 'round killing people just because you don't approve of them!
Grace Hawkins: You know, that's what my doctors used to say. It was the one point we could never agree on.
- Banda sonoraDid You Ever Wonder Why?
(2005)
Produced and Written by Dickon Hinchliffe
Sung by Dickon Hinchliffe and Cara Dillon
Guitar: Neil Fraser
Engineered by Philip Bagenal at Eastcote Studios and Mat Bartram at Angel Studios
Mixed by Ian Caple
Published by Keeping Mum Productions Ltd
Selecciones populares
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- How long is Keeping Mum?Con tecnología de Alexa
- Is "Keeping Mum" (2005) out on DVD yet?
- Where is this café with this huge panoramic window on the ocean?
- When Walter's wife is with the guy and he strips, why is she put off to see his willy Wonka woo woo? I didn't understand why she dosen't like Lance's Neener neener or what's the problem?
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- Secrets de família
- Localizaciones del rodaje
- Pickering Railway Station, 12 Park Street, Pickering, North Yorkshire, Inglaterra, Reino Unido(railway station where police officers board the train and arrest Rosie Jones)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 169.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 1.619.466 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 27.112 US$
- 17 sept 2006
- Recaudación en todo el mundo
- 18.586.834 US$
- Duración1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Secretos de familia (Keeping Mum) (2005) officially released in India in Hindi?
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