En el punto de mira

As the Bourne series raises the bar for action films, and audiences balk at two-plus hour runtimes, the filmmakers of Vantage Point seem like they are trying to bring a fresh, new, unconventional take on the action/thriller genre. Though it may annoy some people, I felt the new take turns Vantage Point into a taut terrorist thriller.

The new take or approach is jumping right into the moment (everything is already planned out, people and weapons in place, etc.) of the action and then telling it from eight different points of view. This is where some people may be mildly irritated because after you see one point of view everything is suddenly rewound and shown from the next person's point of view (this is done six times) before they all converge into a thrilling finale filled with one massive adrenaline-fuelled car/chase sequence.

Because of the complex twists and turns of the plot and characters I will be brief, very brief actually, on the plot. It starts with a TV network covering a large gathering of leaders from all over the world (including the President of the United States) who have come together to form an alliance against the war on terror. At the beginning of this meeting the US president is assassinated as he takes the stage, and it begins replaying the assassination through all the different points of view. The editing must be commended in this film as it blends all the points of views so sophisticatedly you cannot help being engrossed, and the star-studded cast includes Dennis Quaid, Mathew Fox, Forest Whitaker, William Hurt, and Sigourney Weaver simply adds to everything.

In the theater I was watching some people called out their annoyance of "again?!" on the fifth rewind, which I find amusing as the filmmakers are simply trying to come up with something new in these sequel-ridden times. And probably as those same people say Hollywood is "out of ideas" they get angry when it tries something "different" and would rather go spend their money on Spider-man 8.

I felt Vantage Point was an intelligent thriller, and yes it had its' share of implausible plot points, but these were minor as the new technique makes you feel like you have an all-seeing surveillance system. I kind of felt like I was putting a puzzle together, piece by piece, and as you see a new point of view it adds more to the story and just when you think you have it figured out it changes again.

Some reviewers make it out to almost be a B-movie, but it isn't, not by a long shot.

The story revolves around the assassination of the US president who is attending a counter-terrorism summit in Spain. The film is told from multiple viewpoints and the events that transpire within a 23-minute time frame, thus a Groundhog Day-like experience.

Vantage Point is really just an action film . . . pure and simple. When seeing this film, don't expect a complex and deep storyline; it certainly isn't that. The proper approach is to just take it for what it is. I liked this film because it had no pretensions. It didn't want to pretend that it needs to be over-analyzed by the viewer. There are no lengthy sub-plots and behind-the-back conspiracy pieces, no need to explain who is fighting for what cause. And if you approach with this frame of mind, then I assure you, you won't get bored or disappointed.

It's a movie that doesn't need to be analyzed ad nauseam. It doesn't care about needing to tie up lose ends and explain all the circumstances surrounding the assassination. Approach it from *that* "vantage point" and you'll appreciate it more.

I must admit I went into the theatre interested, but skeptical. Slowly, I got drawn into things, and by the time the we were at the fourth vantage point, I was fascinated by how all the stories interrelated with each other, and wondering the story would end up.

The acting is uniformly excellent, especially that of Dennis Quaid, who I had previously considered a mostly comic actor, but is very convincing here as a Secret Service agent.

The direction and script are also excellent, especially when you consider both are first-timers in the world of feature films. The script was not without its clichés, but I didn't see most of the plot twists coming, which I can usually spot coming a mile away in a film like this. There was one real groaner of a plot twist that you'd have to be an idiot not to see, but it goes by so fast that it doesn't really matter.

A lot of the audience in the screening I was at got frustrated by the repeated sections, obviously having no attention span. But once the third act of the film kicks into gear, everybody stopped complaining.

Speaking of which, the third act is the payoff which we've all been waiting for. Seeing all the plot threads converge in such a convincing matter was nice, as was the final action scene, which seems like it was plucked right out of one of the Bourne films. This comes as little surprise, since director Pete Travis and Bourne series director Paul Greengrass have worked together in the past.

As skeptical as I had gone in, I came out impressed. Not since The Bourne Ultimatum have I seen such a convincing, engrossing action thriller.

'Vantage Point' is pretty much another corny clichéd thriller. For a while it was a trend in Hollywood movies to portray the Japanese as the bad guys. This was followed by Russians and now I suppose it's the Muslim Arabs turns to be the heartless 'bad guys' in overly patriotic American films. Riddened with clichés, overdone shaky camera which is supposed to be effective, over-the-top high tech, excessive overblown stunts, heavily intrusive suspense music and one ridiculous twist after the other is what forms 'Vantage Point'. The reason why I was excited about this film was because I had seen, what looked like appealing clips and an interesting cast. However, none of the actors get enough scope to perform. Their roles are clichéd to say the least and unidimensional. The cast includes: that includes Sigourney Weaver (the only one who does not annoy), Forest Whitaker (dude, you just won an Oscar and this is what you come up with next?), Matthew Fox (if you're gonna be picky about movies at least pick something worthwhile), Dennis Quaid (how many times do we have to see a way-passed-middle-aged man play the action hero who saves the world?), Said Taghmaoui (just look how impartial the filmmakers are that they cast an Arab to play a terrorist leader!), Eduardo Noriega (as the Spanish police who had no clue before it was too late), Ayelet Zurer (a hot she-terrorist who's obviously there for eye-candy), Zoe Saldana (the annoying reporter for whom we're supposed to feel sorry because of her untimely death)Edgar Ramirez (the typical innocent-guy-who's-forced-by-circumstances or else terrorists will kill his brother) and William Hurt (the American president who can do no wrong). Not surprising, the American president is this saintly man who just wants to do what's right and has everyone's best interest at heart and the terrorists are ruthless killers with no feelings but of course, as mentioned before, there's a female among them and the director has to stick to his usual clichés, so this she-terrorist looks hot and since she's a woman, she has to have some empathy which is shown when she hesitates to kill the hostage. Lucky for her, her male partner does the job. Oh and there's more: Yes, the non-Americans are shown as people who think Americans are arrogant...oh so much ridicule there is. This isn't the end. There are too many more to merely list in this comment. The thing is, I don't mind watching a fun action flick as long as it doesn't pretend to be something else and insult the viewers intelligence like this piece of crap did.

What can I say? This film is a gimmick film that relates the same event through the eyes of eight different characters that each hold a piece of the puzzle. The film stops and rewinds back to 20 minutes before the event for each character. It gets a little annoying because each time it stops, the audience is left on a cliffhanger which carries the film's tension into the next character.

As for what the film promises, it promises a good puzzle, suspense and intense action. It delivers on all accounts. This plot has twists and turns and is completely logical. Half way through this movie, if you think you got it all figured out, you haven't got a clue.

The action is fairly balanced through out the film and keeps the film moving. The car chase in this film is one of the better ones I have seen in a long long time. It had some shots in it that I think were a small homage of the original The Italian Job (1969) car chase scene.

Even though I personally thought that some of the characters were paper thin, many of the actors gave strong performances that made the characters believable. Forest Whitaker was the best. I had a little problem with Dennis Quaid's character, Secret Service Agent Thomas Barnes, starting out as the thinnest of all the characters but he grows in the film. Of course, Edgar Ramirez, Saïd Taghmaoui, and Eduardo Noriega were right on and make the film (but not as much as Whitaker).

The premise of this film makes a refreshing change from the ordinary style of mainstream movies.