La sombra de la sospecha

I was enthusiastic about this film being the '24' fan that I am and I knew it was going to be a bad movie but had to see it for myself.

The story line is crud, Michael Douglas has done much better and there have been hundreds of films such as this in the past before.

The only remotely interesting part of this film was the parts at the beginning when they go into detail as to how the President is protected.

Kiefer Sutherland was probably paid a barrel load for this movie and it will certainly be one he wont be remembered for.

Script - Poor Beginning - Average Ending - Poor

Spoiler!!! Stop now if you don't know the ending. I hate Tom Cruise Mission Impossible bastardizations. In the old TV series that used to be one of my all time favorites, Mr. Phelps was the voice of God. He was the ultimate Good Guy. Cruise's updated version of MI (No. 1) turned Mr. Phelps into the Bad Guy. That's like making Tonto the Bad Guy who does in the Lone Ranger. I hate movies -- or novels -- that do that, where it turns out that the DA prosecuting the innocent accused killer turns out to have done the murder himself, or the Vice President turns out to be the mole from the whatever enemy who poisons the President -- or in the case of the Sentinel, the head of the Secret Service turns out to be the Bad Guy about to kill the Prez. I warned you, that's a huge spoiler. But to me, that kind of plot is already spoiled. As the main revelation of the movie, it stinks.

Besides that, even if you don't have any more trust in your leaders than to give credence to "Mr. Phelps" turnabouts, Sentinel has some other gaping holes just too big to let slide. Maybe, just maybe, you could buy that the First Lady is having an affair with her SS detail chief behind the Prez's back. That's not impossible. Presidents have affairs, why not First Ladies? But can you really believe a guy could rise to the top of the Service itself without ever having been fully screened? Really! You think? And what was that mystery terror organization behind the plot, and how did they get onto the SS head's entanglement with the now-defunct KGB? Hmmnh? Another poser: Can anyone explain how that Xavier loser guy got all that insider info about the First Lady's affair with Douglas to begin with -- if you tell me it was the Head of the Service feeding it to him, then why the whole rest of the movie? He would have just removed the Douglas character for cause from the outset, don't cha know? The cast was good and the acting was varsity level. I liked that Michael Douglas gets to act his age, and the plot doesn't let him get away with being a 60 year old superstud who can outrun the young agents under his charge. He is slow, and he gets winded quickly. I liked Keifer. I never watched 24, but now I think I'd like it. And it was good to see Kim Basinger again, after all those years when she dropped out.

If you ignore the plot holes and the revolting spoiler, you could really like the movie for what it shows you about the inner workings of the Secret Service, one of the all-time real success stories of government service. A Beltway insider who should know told me that that part of the film was A+, and I'll take his word for it.

"The Sentinel" is an average-at-best action drama that does not come remotely close to reaching its potential. The entire movie feels rushed, with random details about each character's past thrown at you in a poorly-written screenplay. The revelation of the true bad guy in conspiracy films normally elicits at least some form of surprise or intrigue; instead, in "The Sentinel" the character is far too obvious and the scene reveals a tangential and unexplained back story that should instead be much more central to the plot.

The rush to cram details in every fleeting moment ruins this movie. For example, without spoiling the film, the culminating chase of the movie is ruined by a ridiculous proclamation of certain password to get by people; the ridiculousness of the situation takes away from what should be a tense finish.

This review is not meant to be overly disparaging; the film received 5/10 because it is a moderately entertaining summer movie and I did not regret going to see it. However, the skeleton plot seemed to be trying too hard and the characters were not well-utilized. Eva Longoria is very attractive though.

Michael Douglas is a secret service agent framed in a plot to kill the President of the US. Kiefer Sutherland is the agent on his tail.

Its not a bad movie its just been there done that with form over content film making. There is no real tension because the actors are in roles they've played a dozen or so times before (Sutherland in 24 each week)so you can pretty much walk them through whats happening.Thats the problem here, its all been done before, better.

The real question is: Do I really need to pay 10 bucks a head to see whats a essentially a big screen TV movie? I think not. As I said its not bad, its just not worth running out to the theater to see. Wait for cable where this movie really belongs.

There was some hesitation from my part about what this movie had to offer. For starters, the casting didn't seem right. Kiefer Sutherland had already done very well in "24" and the preview didn't seem to offer anything challenging to him or the audience. Eva Longoria appeared out of place, and the rest didn't seem very interesting.

When the film finally ended, I was not completely displeased for I had seen a decent thriller that could have been much better, had the responsible parties taken a little more care to watch for the narrative gaps and given a little more care to character development. We have seen threats of this type before, and that made the main conflict much more challenging to the writers. As an audience, we don't want to sit through the same old story again. We want to see something different, be thrilled and entertained.

There is nothing wrong with the casting. From Kim Basinger's delicious first lady. She carries herself with enough grace and sex appeal to make the part memorable. Michael Douglas has been and done that before. Unfortunately, the president is much of a non entity to even care about his fate. Sutherland rehashes his "24" tough guy approach with enough power to make it big enough for the big screen, and Eva does a passable job, as the newcomer.

Don't expect as many twists and fireworks as some of the established classics ("North by Northwest" and "The Fugitive" come to mind). Leave your expectations outside and enjoy the ride for whatever it might be. It's o.k.