Choking Man

Independent, low budget movies are my favorites. Movies about characters more than what they do are my favorites. Gritty movies set in gritty locations are my favorites. Movies in which almost nothing happens are my favorites. Movies filmed in New York are my favorites because New York is my home and my favorite place on earth. So I had great expectations for Choking Man, because it looked like it had nearly everything I love most in a movie. Man, was I disappointed!

This is a phony, manipulative and unrelentingly annoying movie. It's as phony, manipulative and unrelentingly annoying as a 1980s sitcom with a too-loud laugh track. Every character is a caricature: the dumb immigrant is EXTREMELY dumb; the old, brassy, heart-of-gold waitress is EXTREMELY brassy and gold-hearted; the gruff diner owner with a heart of gold is EXTREMELY gruff and gold-hearted; the obnoxious Irish bully is EXTREMELY obnoxious; the sweet Chinese girl is so sweet she made my teeth hurt. There is not one believable human being in the whole cast. I hated this movie.

People who go on and on about how great this movie is must love American television, because that's exactly where this movie belongs, as a TV movie on the Hallmark Channel or Lifeline or even on NBC or ABC or Fox. It takes all the things that can make a movie great and cheapens and twists them into a revolting, irritating glob of phony, rigged, forced emotionalism. This is no quirky, gritty, unconventional independent masterpiece. It is as predictable and conventional and crummy and corny and irritating as an episode of The Waltons.

I really think this film is some kid of masterwork. Really I do. The Festival described the film in its catalog much better than I can: "If you think you know Steve Barron from his music videos ("Billie Jean," "Money for Nothing," "Take on Me"), think again. The director best known for his seminal work on MTV in the early 1980's (not to mention the glitzy 1984 feature Electric Dreams) brings an entirely new aesthetic to bear on Choking Man, an intense blend of psychological drama and magical realism that speaks eloquently of the contemporary immigrant experience in America. Jorgé (Octavio Gómez Berríos) is a morbidly shy Ecuadorian dishwasher toiling away in a shabby Jamaica, Queens diner run by Rick (a Greek-accented Mandy Patinkin). Tormented on the job by his coworker Jerry (Aaron Paul) and controlled at home by his older, domineering male "roommate," Jorgé gropes mutely for a bond with Amy, a newly hired Korean waitress (Mail Order Wife's Eugenia Yuan). She tries to reciprocate, but the gulf that separates them may be too large. Interstitial fantasy sequences featuring an animated rabbit gives us the impressions of life from Jorgé's point of view, while a poster instructing diner patrons on how to perform the Heimlich Maneuver looms over and ultimately catalyzes the action. Shot over 18 days in Harlem and at Queens' Olympia Diner, Choking Man effectively portrays the polyglot milieu of the area around John F. Kennedy Airport, capturing the feeling of claustrophobia and almost literal asphyxiation newcomers to America experience as they struggle to find a place and a purpose in this strange land.

• Elliot Larkfield"

I would say this is a must see film.

A simple story of an Ecuadorian young man earning a living as a dishwasher at a diner in Queens, New York. Above the dishwashing station, a standard poster on how to deal with a choking person. The young man sees that everyday and it becomes clear that this will have a part to play somewhere.

Among other characters, an American cook and an oriental waitress complete a sort of potential love triangle. Much of the film is spent around the trio and life at the diner. Near the end, if feels a tad too long, but be patient. What's cute about the plot is that the ending is amusingly anti-climatic. You'll have to see for yourself.

A true American indie. Done with a US$400K budget.

I appreciated this film a lot. The focus of the story is a quiet, shy person named Jorge who has a connection with a new waitress at the diner where he works as a dishwasher. Every night, he goes home to a small sad apartment where a man "lives". Note: in my opinion, this man is a hallucination, and Jorge likely has some serious PTSD or other debilitating psychological problem.

His problem is an allegory for the choking man.

At one "explosive" point in the movie, he does something that frees him, and he banishes his demons. However, working up to that point, he appears painfully shy, possibly homicidal at times (because he cannot express what he wants to say/do) and at the very least very angry or desperate. But how he reacts is to quietly observe, dash away, hide, and wait to be found.

I loved the story unfolding, I loved the odd daydream-like animations (note, many of the animations flow into "demon" shapes, and his hallucinatory "roommate" has some perverse sexual imagery that Jorge tries hard to block out, but the animations are otherwise about bunnies and sweet things.) Score is great, as has been mentioned.

I thought this actor was extraordinarily good with a part that has very little speaking. This is a guy who can act with this eyes. Supporting cast is appropriate, desperate, have small stories that are additive and round it out.

Good film if you like awkward, flawed characters. It's just stories about sweet, flawed folks playing out over a Thanksgiving. That's what was so great. I don't think the fact that many are "immigrants" is important in the story, they just happen to have accents, and it adds to the sweetness.

I was going thru the cable guide one Saturday night, and I added a bunch of indie films from Sundance and IFC to my DVR record list. I recorded a few movies, and tonight I watched the first- Choking Man. It's the story of an Ecuadorian dishwasher working at a small diner in Queens who suffers from severe social anxiety and falls in love with a new Chinese waitress.

The film is well made, the director knew what he was doing and the DP did a very nice job of making it all look fantastic. The action was broken up by scenes of animation dominated by bunny rabbits and other odd stuff. Those animated sequences were dream-like, and it all blended together nicely.

The music was really fantastic- a lot of bells, toy piano sounding stuff, slow yet flowing music that added a nice depth to the action on screen. The music was a character in itself in some places, used aptly to convey a whole slew of emotions that a lot of the character themselves never portrayed all that strongly.

The movie overall- not all that great. The main character, Jorge who supposedly suffers from morbid shyness…well, he came off as retarded. You would meet someone like this and wonder if there was something wrong with them mentally. Shyness is one thing, but refusing to even look at people or say anything to them when they ask you a question- I've never encountered anyone like that, and if I did I'd probably just assume they suffer from mental retardation and leave it at that.

The problem with this movie is that Jorge isn't just unlikeable. He's worse. He's annoying. He's SO weird you don't really care what happens to him. I'm sure people like him exist in this world, but they're so far out on the periphery that in a film like this- he almost seems completely fake. The guy just comes off so badly to me that I didn't even want to see him. I would have rather watched scenes from any other character in this movie, as long as Jorge never showed his face.

That is a major problem for me, and one that cannot be overcome. It's the film's downfall. That and it was weird. There are a number of very odd things that happen in the movie and don't make a lot of sense. Someone will try to say it's deep and thoughtful, and that I just didn't get it. If so- I say 'oh well.' I certainly won't cry over that.