Silver Bells

"Silver Bells" is a superb Christmas film that has many variations from the common formulaic holiday romance movies. Those who particularly like that sort of film may not enjoy this film as much - unless they happen also to appreciate films that go a bit deeper with family and marriage.

One very different aspect of this plot is that the two people who eventually come together - or really, literally "find" another person, have both lost their spouses to death three and four years earlier. Their love, or romance is a slow "discovery" of one another that happens in the context of the main plot of the film. That is the separation of a father and his son, the son running away as a young teenager, and the dad searching for him for a year. Yes, there are divorces and single moms or dads with children. And, yes there are young women who are dating or engaged to men who may not be "Mr. Right," where the right guy comes along. But those aspects have plots that have been used so often that they are hardly interesting plots for stories anymore.

"Silver Bells" also goes further in other directions. There are more aspects- differences in interests of the dad and son, a young daughter and sibling of the son; the family's annual month-long trip from their tree farm home in Nova Scotia to New York City and a regular place where they set up to sell their Christmas trees and board with a woman who is a friend. And, much more to the meat of this story and film. The young son's interest in photography and the subsequent artistic views the audience get - seeing nature and architecture through the eyes of an artist. The dad's friendship with a local police officer who has helped look for his son; and a budding other romance - the policeman and a young woman friend of the female lead.

There's no doubt that patience is required because this film is much more slowly developed, but as such it is more down to earth and gives a real feel for the story and the lives of the people. It's not a quick run around and holidays romance. The film is based on a 2004 novel of the same title by Luanne Rice. All of the cast are very good in their roles. Three whose performances stand out are Anne Heche as Catherine O'Mara, Michael Mitchell as Danny Byrne, and Courtney Jines as Bridget Byrne.

Some aspects of the production are familiar - so many of these films that air on the Hallmark TV channel are made in Canada. One can understand when part of the plot or story is imparting the traditional aspects of a white Christmas, and the beauty of the countryside, forests, and hills raped in snow. But this one was made in the U. S., so the Christmas tree harvesting might have been filmed in any of several states where such farms exist - from New England to the West Coast. This one has both the pastoral scenery and some fairly nice scenic shots of the Big Apple.

And, one other aspect that is shown more in this than in most films, is signs of Christian faith. Some films will have scenes or dialog about children in a school play of the Christmas story, or a Christmas pageant that includes religion. But this one shows churches and some of the cast going to church. In that sense, also, it is more realistic - in showing true customs and practices of the vast majority of the population of the time.

This is a very good film for the Christmas holidays about family, love, healing from the loss of loved ones, and finding new love. It's a good story of hope and about second chances in life and how healing is hastened with care about and for others.

My favorite line in the film is when Christy Byrne (played by Tate Donovan) meets Sylvester Rheinback (played by John Cunningham). Christy, "Oh, you're Catherine's boss." Sylvester, "Well, I try not to boss her around too much."

I just love Chistmas stories, all Christmas stories. The photography is excellent. You can almost feel the wonderful chilly weather. This is a film for the entire family having to deal with today's problems: Parent & Child Communication. We have to listen to what our children are saying to us. Often times parents insist on living out their dreams through their children, and not letting their children live out their own dreams. All children are gifted in some way. We as parents have to help our children realize their own dreams. We want to cushion the falls that our little ones are going to have along the way, but experience is an excellent teacher. No matter how old we are, we still keep learning even when we are old and gray. I do wish the full cast would've been listed in the credits. Often times these little films are shown only once, so it is best to plan on watching to see if it will be a "little diamond in the rough". Since I had my trusty VCR working, I'll be able to look at it a second time. There are more of life's lessons to learn in "Silver Bells".

I really didn't like this production. The title sets up a metaphor which signals the "big message". There are two problems with the "big message". First, it's delivered with hammer-like subtlety -- okay, Hallmark is not particularly good with subtlety, but still, why use a metaphor if you're going to hit us over the head with its meaning? The metaphor itself becomes little more than a scavenger hunt to find the (literal) silver bells. Second, the metaphor really doesn't match the plot. The central conflict between father and son is not well developed and doesn't make sense. The inevitable explosion seems completely out of character. I get it, son rebels against Dad's career choice for him, an age-old dilemma. But what happens here is out of character and overwrought. And what does any of this have to do with "silver bells"? The message of the metaphor would not solve the father/son conflict. Add to these issues the fact that there is absolutely no chemistry between Anne Heche and Tate Donovan. Chemistry is critical to the Hallmark formula! In fact, the relationship here is not even at the center of the story, which is a mistake, because Hallmark is all about that relationship. I would just as soon have skipped this one -- and it has to be pretty bad for me to say that!

Hallmark presented their typical Holiday story that involved a young teenage boy who was very confused and trying to find himself in this big world. He lost his mother and his father did his very best to guide his son, however, there was a conflict between the father and son and he simply took off to the Big Apple and disappeared while the father was selling his Christmas Trees in Manhattan. Ann Heche appears in the film and helps the young runaway establish himself with at least a place to sleep and earn a few bucks. As I was watching this TV film, I began to wonder about the Silver Bells and found this story typical for the Holiday Season, too Sweet for me.

A Hallmark Hall of Fame production so the quality is definitely above and beyond a normal made-for-Hallmark Channel movie. Released about twice a year to American television, these are usually pretty good movies which would sometimes be able to compete in the theaters. Anne Heche and Tate Donovan were both very good in the lead roles. The story is mostly about a runaway teen but there's surely a nice Christmasy feel here. Other Hallmark Hall of Fame productions have a way of really tugging at the heartstrings but this falls a bit short of that. Still a nice little movie for Christmastime.

--A Kat Pirate Screener