Shadows in the Dark: The Val Lewton Legacy

Legendary producer Val Lewton who made some of the scariest horror films of all time finally gets a documentary about his life and the movies. It quickly (but fully) covers his early life and explains how he got to work for RKO Pictures and produce "The Cat People", "I Walked With a Zombie", "Bedlam", "The Body Snatcher", "The Leopard Man", "Isle of the Dead", the long unseen "Ghost Ship" and "The Seventh Victim". "Curse of the Cat People" is pretty much ignored but that's understandable--it's not really a horror film despite the title. They talk to coworkers, relatives, friends, other horror directors and film historians who get into how he made the films and why they're so important. What I find most interesting is that the studios GAVE him the titles and told him to make a story out of the title! It's incredible what classics he made with no money and just a title to work on. If you're a fan of his horror films (like me) you'll find this absolutely riveting. At 53 minutes it also doesn't wear out its welcome. Just fascinating. A 10 all the way.

A great overview of Lewton's career. Especially good because it ties the mid-century and modern creators of horror cinema back to Lewton as an influence. I could have listened to some of them talk for another half-hour. Harlan Ellison is especially insightful and generous with his praise of Lewton's style of filmmaking.

I think it could have gone a bit deeper into Lewton's psyche and how that played into the subtext of his films, but that's also been covered extensively elsewhere, so maybe this was better off with the approach it took.

I do wish that my favorite Lewton film, Curse of the Cat People, had gotten more than a cursory mention at the end. The films that seemed to get the most time spent of them were Cat People, I Walked with a Zombie, The Leopard Man, The Seventh Victim and The Body Snatcher -- the last of which this documentary definitely convinced me that I need to see soon. It's a glaring hole in my movie watching.

For many average film-goers the name of Val Lewton means absolutely nothing. For genre enthusiasts(in horror)the name begins to have greater meaning, and if you are a horror fan of the the horror films of the 30s and 40s - then Val Lewton is not just an important name but a giant. Val Lewton was a producer that produced a group of atmospherically charged, elegantly filmed, subtly contexed films from a period roughly from 1942 to 1945 or so. These films were horror films that were meant to help dig RKO out of the mire that Orson Welles had put them in with his Citizen Kane and The Magnificent Ambersons. RKO would give Lewton a title and he would assemble the script, the director, the crew team, the actors, and then blend them all together to make not only viable box office hits but some of the most powerfully symbolic, metaphorical, suggestive horror films ever made. Included in these films were Cat People, I Walked with a Zombie, The Body Snatcher, and The Leopard Man. Shadows in the Dark chronicles Lewton's impact in the genre and gives us some information about his life. It is a short(53) minutes that goes by very pleasantly and leaves you wanting to know more about the man and his films. Horror icons and writers such as George Romero, William Freidkin, Richard Matheson, and so on give their takes on the legacy of Lewton and his films. Val Lewton's son is on hand to probably give the best insights into the world of his father. This is a wonderful documentary that comes with the five disc set released in 2005 with 9 of Lewton;s films. Although the documentary is very engaging and has lots of information in it I had not realized, I had wished that they would have examined each film in a bit more depth. It certainly left me hungering for more.

Serviceable rather than outstanding documentary (close to one hour in length) about Val Lewton, the celebrated producer of a series of nine classic - and highly influential - horror films made at RKO in the 1940s; it's part of Warner's 5-Disc THE VAL LEWTON COLLECTION Box Set (included as a double-feature with THE SEVENTH VICTIM [1943]).

Apart from the films themselves (which are dealt with in more detail - though not all of them! - in the individual Audio Commentaries on their respective discs), it touches upon his entire life and career. Therefore, I was somewhat disappointed to find that CAT PEOPLE (1942) takes up a lot of the running-time - having been the first film in the series - while THE GHOST SHIP (1943) and ISLE OF THE DEAD (1945) are once again overlooked; in fact, the three Boris Karloff films are discussed simultaneously - with, for instance, BEDLAM (1946) cited as being Lewton's best film but with no proper context provided to back up such a statement (with which many would argue to begin with, myself included)!

Still, all the participants - including film-makers such as Joe Dante, William Friedkin, John Landis, George A. Romero and Robert Wise (at the time, the sole surviving member of Lewton's "Snake Pit" unit), as well as the critics/writers who contributed to the various Audio Commentaries (it was especially nice to be able to see the face behind the voice) - are clearly well-informed, enthusiastic and reverential about their subject, so that, in the end, the documentary proves well worth viewing (if not the penetrating look at the man himself - what really made him tick, essentially - one would have wished for).

Documentary about the great 1940s horror movie producer Val Lewton, featured on the 2005 DVD release "The Val Lewton Horror Collection."

You will learn how Lewton saved RKO by making successful B-movies between 1942 and 1946. How he opposed the idea of "Gone With the Wind", which was a mistake on Lewton's part. How he inspired Richard Matheson to write Lewton a letter, and thus change the history of horror cinema... no Matheson, no great horror of the 1960s!

John Landis calls Cat People's ethics "demented" and sees a lot of sexuality in the plot. Was it there? Maybe. Others have commented on the sexuality and homosexuality of Lewton's films, including "Cat People" and "The Seventh Victim". Was he a more clever script writer than already given credit for?