Ben Stone, amante de las fiestas, lo último que esperaba era que su pareja de una noche apareciera en su puerta ocho semanas después para decirle que está embarazada de él.Ben Stone, amante de las fiestas, lo último que esperaba era que su pareja de una noche apareciera en su puerta ocho semanas después para decirle que está embarazada de él.Ben Stone, amante de las fiestas, lo último que esperaba era que su pareja de una noche apareciera en su puerta ocho semanas después para decirle que está embarazada de él.
- Premios
- 8 premios y 26 nominaciones en total
Reseñas destacadas
And because it's Judd Apatow, he handles the sex gags carefully and with enough maturity that it doesn't become another stale sex comedy. But I think some people jumping on the Apatow bandwagon are so eager to praise him as the "Savior" of the sex-comedy genre that they are overlooking some of the film's flaws.
First of all, if we're going to be picky, the comedy isn't very consistent. Which is OK - I'd prefer it that way - but when you see reviews touting it as "the funniest movie of the year," expectations can't help but build.
I didn't think the acting was as good as in "The 40-Year-Old Virgin." Seth Rogen is a great supporting actor - but I find him rather irritating as a lead character. His revelation at the end of the film, too, isn't very believable - they spend so much time focusing on his life as a slacker that the transition between him being a man-child and accepting responsibility is as realistic as a "Rocky" training montage; he has a heartfelt talk with his dad (Harold Ramis) and suddenly he's 100% willing to become committed. Okay.
I'm not a big Heigl fan, but she fit the role well here. Paul Rudd was the real scene-stealer, though. But he's thrown off-balance by the casting of Apatow's wife - can he PLEASE stop putting her in all his movies? She can't act.
Overall, this is an OK comedy - better than most of its genre - and the drama is more realistic than most sex comedies, but some people were so willing to jump on it as a "masterpiece" of its genre before it even came out that the hype just killed it for me.
Seth Rogen does an excellent job, I'm glad he's been given the chance to be the lead in such a big film. And Katherine Heigl is equally entertaining. The two of them are so great together, they're just so much fun to watch on screen. The supporting actors are also wonderful. Leslie Mann and Paul Rudd are perfect together. And I think Kristen Wiig steals the show with her small yet hysterical role as one of the workers at E!.
When people go to see this they'll want to compare it with 40 Year Old Virgin. Though I'm not a big fan of comparing movies to other movies, I guess I'll have to go through with it. For me, 40 Year Old Virgin is a funnier movie, but Knocked Up is a better written film and it has more heart to it. Both films based their story on a simple premise (a nerdy 40 year old hasn't had sex, a guy has a one night stand and gets the woman pregnant), but it seems like 40 Year Old Virgin used its idea to just get laughs. Knocked Up, on the other hand, uses its set up and continues the story throughout the film, developing its characters.
So, Knocked Up is a very enjoyable film, it has some big laughs (I particularly love the side story with the bearded roommate) but its also very sweet at times. I'm sure people will love it. See the movie and you'll get more than just laughs.
The basic premise is simple: a young TV reporter celebrates a promotion by getting drunk and inadvertently pregnant. The father-to-be is a good natured, pot-head slacker who has no money. When she decides to have the baby, she's not sure what her relationship with the father should be... and the movie progresses from there.
It's a simple plot but the dialog is what makes this movie shine. No matter the scene, it was always fun to hear what the characters were going to say. Even though most of them were one-dimensional, the dialog made them seem human and easy to relate to. A fast-movie plot also kept the movie moving along - something was always happening and there was never a dull moment.
While there is a certain level of crudity throughout, the movie is generally lighthearted and innocent. It's a fun movie to see.
The comedy is clever and insightful, loaded with little self-referential moments and pop culture references (the Munich one is particularly awesome), and while it occasionally veers toward the puerile, the movie's subject matter ensures that the humour remains considered and intelligent for the most part. The performances are outstanding, but not just in terms of comic timing. Rogen appears built for this sort of balanced role as he realises that he has to grow up to meet the challenges of relationships and parenthood, and Heigl is just as effective as she learns to accommodate Ben's lifestyle and releases her grip on her career. The support from Paul Rudd and Leslie Mann is also brilliant. While their conflict-ridden marriage doesn't make them the greatest of role models for Ben and Alison, it certainly provides lots of laughs, and the clashes between Mann's overly paranoid Debbie and Rudd's laid-back Pete provide an interesting projection of how Ben & Alison's relationship could turn out.
The Rudd & Rogen moments make for some of the movie's better lines, but their humour is finely balanced with that emotional depth that I mentioned before, making the characters far more than punchline machines, which benefits the movie immeasurably. The awkward intimacy of Ben & Alison's almost-forced relationship also provides touching and comic moments, as Apatow examines what happens "when life doesn't care about your plan". Even the serious, emotional scenes are laced with a sort of ironic, bittersweet humour, which again gives the characters a sense of realism but also makes the movie that bit more comfortable and reassuring.
A subject that could have been treated with a crass touch, Apatow remains in tune with his previous effort, The 40 Year Old Virgin, and chooses to focus on the impact the pregnancy has on the lives of the characters, allowing their actions and interactions to create the comedy as they come to terms with their new situation. His light touch makes Knocked Up touching, insightful, and very, very, funny.
¿Sabías que...?
- CuriosidadesWith the exception of Paul Rudd, the actors who play Ben's friends all keep their real first names for their character's names.
- PifiasWhen Ben and Pete are in the Las Vegas hotel room, the Sands Hotel is seen out the window. The Sands was imploded in 1996 to make way for the Venetian.
- Citas
Debbie: I'm not gonna go to the end of the fucking line, who the fuck are you? I have just as much of a right to be here as any of these little skanky girls. What, am I not skanky enough for you, you want me to hike up my fucking skirt? What the fuck is your problem? I'm not going anywhere, you're just some roided out freak with a fucking clipboard. And your stupid little fucking rope! You know what, you may have power now but you are not god. You're a doorman, okay. You're a doorman, doorman, doorman, doorman, doorman, so... Fuck You! You fucking fag with your fucking little faggy gloves.
Doorman: I know... you're right. I'm so sorry, I fuckin' hate this job. I don't want to be the one to pass judgement, decide who gets in. Shit makes me sick to my stomach, I get the runs from the stress. It's not cause you're not hot, I would love to tap that ass. I would tear that ass up. I can't let you in cause you're old as fuck. For this club, you know, not for the earth.
Debbie: What?
Doorman: You old, she pregnant. Can't have a bunch of old pregnant bitches running around. That's crazy, I'm only allowed to let in five percent black people. He said that, that means if there's 25 people here I get to let in one and a quarter black people. So I gotta hope there's a black midget in the crowd.
- Créditos adicionalesBaby photos of the cast and crew are shown during the closing credits.
- Versiones alternativasIn the UK theatrical release, during the first scene where the guys work on their website, the material regarding Short Cuts was replaced by a skit on Total Recall and the three breasted lady, containing Jason's impression of Arnie saying "damn it Cohaagen, give dem di ayer". This scene is absent from both region 1 and 2 DVDs, and only the Short Cuts is included. The Total Recall bit doesn't even appear in deleted scenes, meaning it seems to have vanished.
- Banda sonoraAll Night
Written by Stephen Marley, Damian Marley (as Damian Robert Nesta Marley),
Coxsone Dodd, Jackie Mittoo
Performed by Damian Marley featuring Stephen Marley
Courtesy of Universal Records
Under license from Universal Music Enterprises
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Embolic compromès
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 30.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 148.768.917 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 30.690.990 US$
- 3 jun 2007
- Recaudación en todo el mundo
- 219.922.417 US$
- Duración
- 2h 9min(129 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1