Prête-moi ta main

There wasn't a dry eye amongst the audience yesterday afternoon after I left the cinema, having seen this gem of a film in a sold-out house as part of this year's Hamburg Film Festival. And the tears shed were all of laughter. This film was hilarious, there's no other way of saying this. There wasn't one boring bit in it, I laughed right through it and with me everyone else of us three hundred lovers of French cinéma.

Alain Chabat was absolutely terrific. A great clown if needs be and serious if the situation calls for it. The performance was of course completely over the top, but this was exactly what the story needed and what made it work so well. Equally great was Charlotte Gainsbourg who I love to see a lot, and the mother was also a very strong performance. The sisters could have been a bit more detailed in character script-wise, but apart from that there is nothing to moan about. I had a great afternoon seeing this film while Hamburg was drowning in rain outside, and I wish films like this from France would get a regular release in Germany. But the distributors is this country don't seem to understand that the French make good films. I at least can't wait to find a DVD which offers subtitles (Hello Australia? Please?) because that film I need at home to watch several more times!

From the opening shots of the lead actor, we are given a early view on how so many mens lives are run by the women in them, and the humour that comes thru with all that goes on in the day to day of 'normal' life.

Eric Lartigau, the director picks up on how so many European men feel that they are in complete control of their lives, yet without the help/support of the women around them cannot seem to make things work. The use of facial image throughout the film is superb, and his clever positioning of the senior member of the family (mother) is spot on.

While there are more than enough laughs in the movie, it still deals with single parents/adoption and the strength of family in society. Truly rewarding to watch, and again one that only the French seam capable to make.

So far one of the best 50 or so Films I have seen this year, and well worth a five start rating. I look forward to adding this one to the DVD collection when it is released and highly recommend it to all ages.

Behold the mighty off-screen presence of singer-actor Luis Mariano, the emerging patron saint of French comedy: Jaco van Dormael's touching "The Eighth Day" came first, then Djamel Bensalah's hilarious "Homeboys at the Beach", and now "How to Get Married". This one is more predictable than the other two, but it will keep lovers of happy endings satisfied without too much of a guilty conscience. If you are, however, like me and think romantic comedy is essentially a cuss word, this old-school vaudeville piece may be your one chance at reconciliation. Charlotte Gainsbourg, super-charming as usual, and Alain Chabat click as comedians and also make a very handsome couple. Oh, and *do* watch out for Virginie Bordes as Annick, the spicy waitress.

"I Do: How to Get Married and Stay Single" is an extremely funny film. I really enjoyed watching a family try to control a 43 year-old's life. It seems to be such a foreign idea that a family would go through such extremes but makes for a great movie. I also enjoyed seeing how the director and scene writers decided to make the main character use his heartbreaks as encouragement for a career. The fact that he was able to channel those feelings into making perfumes that reminded him of the women who broke is hear was incredible.

The director in this movie, Eric Lartigau, brought his skills from working not only as a director but also as a former co-writer, assistant director, and actor to this movie. Though he was more involved with directing TV series, his knowledge brought him great success in this movie. Following this film, he continued with his career and got nominated for a Cesar Award as Best Adapted Screenplay for the movie "The Big Picture."

This movie brings up the involvement family members have in each other lives as well as the extremes people go through for their families to back off. These ideas seem to be the most interesting because they are working against each other. On one hand, Luis (the main character) is trying to get his nagging sisters and mother off of his back in finding a wife because they are just annoying him while all they want is for him to have a wife to be happy and do things for him. It is a bit of a Catch 22 because you want your family to be happy, but at what expense? Will you nag them to death because you think it is best for them? Hopefully not.

The setting of this movie was very modern. It gives the audience a great full view of their lives. It made the movie more believable and realistic by having such a broad and diverse setting throughout the film. It shows multiple sections of the office wear Luis works as well as his house, mother's house, etc. I also think Lartigau did a wonderful job in directing. He also got the actors feel believable. By the end of the movie, you feel a sense of a connection with each person. You feel exactly how they do and grow a sense of respect for each character.

I love love. I'm a sucker for romantic comedies and as of late, I've been on a foreign film binge. Enter stage left: I Do. While undeniably predictable, the film has its charms and throws in some obstacles I didn't expect and found myself smiling as I watched it unfold.

However, my main concern was the lack of chemistry between Luis and Emma. There were no looks of intrigue, scarcely any playful banter between the two - for the most part, their interaction seemed to be simply what Luis intended it to be - a business interaction. Perhaps I'm terribly picky, but I found the leap between the conspirers' platonic relationship to romance to be a sudden leap rather than one with a bit of a build up. In that case alone, I was mildly disappointed.

But with that aspect aside, the actors do do a good job with the script they're given. Luis's family, although somewhat irritating, are simultaneously charming and overbearing and I warmed up to them in the end. I really think the men need a bit more screen time as they were hardly in it and my favorite scene (the scene with the M6) happened to be one of their few. The wedding comes too quickly for my taste, but with a few more scenes to build character relationships, this film would've been a knock out. So not bad, but not exactly the best film either.