El caso Wells

The paranoid registrant administrator of the Department of Public Safety Erroll Babbage (Richard Gere) is forced to an early retirement due to his abusive behavior against the sex offenders that he should monitor, and shall spend his last eighteen days training his replacement Allison Lowry (Claire Danes). When the seventeen years old Harriet Wells (Kristina Sisco) is considered missing in his area of work, Errol is convinced that her disappearance is related to one of his parole sex offenders. However, his superiors do not believe on his investigations and he convinces Allison to follow him in the sick underworld of pornography and perversions trying to find the missing girl.

"The Flock" is a movie with unpleasant and bigoted story and characters with a good and dark cinematography but terrible edition and camera work. The ambiguous character of Richard Gere has a despicable behavior in spite of solving the case, and it is impossible to feel any empathy for him. In the beginning, there are statistics about the theme "sex offenders", and I do not know whether they are realistic or generated by a North American obsession that considers a sexual offense or harassment certain attitudes accepted by other societies. This film seems to be intended to spread a sort of concern and prejudice against those that have been condemned but paid their debt with the society, since they have been released on probation by the justice. My vote is six.

Title (Brazil): "Justiça a Qualquer Preço" ("Justice at any Price")

The films starts of good: the premise is intriguing and there are some scenes that get you dragged into the movie. As the movie progresses, the script starts making less and less sense and the last twenty minutes felt incredibly rushed and out of tone.

The direction wasn't good at all. What bothered me for instance was the camera-work. Too many different styles are mixed and it all ends up looking incredibly sloppy instead of the intended 'modern/flashy' effect. The music should have been better too. There were numerous examples of scenes that should have been silent that had music playing in the background and vice versa. Also, the music played was not of the highest quality.

The film is somewhat engaging, it deals with a sensitive subject and tries to deal with it in an honest yet confronting matter. At least, in the beginning. In the 2nd part of the movie there's little left of the objectivity in the script. I won't name any concrete examples because I don't want to spoil it for anyone but I'm sure you'll know what I'm talking about if you ever see it.

The acting was all right in my opinion. Not top notch but not horrible either. Gere is average like always and Danes doesn't really leave big impression either. The supporting cast should've been better, the example of Miss Avril Lavigne immediately comes to mind. She manages to ruin the only scene she has.

Many people will compare this movie to 8mm, because of the similar harsh theme but they have little in common. 8mm is a lot more powerful,darker and shows more guts(not literally). It's easily the better film. There are some shocking scenes in 'The Flock', one of which resembles a scene in 8mm a lot but this time they lacked the nerve to go all the way.

To summarize, is this movie bad? No, but it won't blow you away. The ideas are interesting but after a while the script feels uninspired and formulaic. The acting is mediocre and the score is bad. It's not really worth seeing but it'll briefly entertain you.

5.4/10

First of all i have seen 8 mm and i am normally quite resistant to some 'heavy' images. But this movie did disturb me.

Most of the viewers complain the movie had a very bad pace, to few twist turns. I both agreed and disagreed here, yes when watching the movie you know who's 'dunnit' way to early but I loved the pace. In my eyes they really made time to make you loath the bad guys and feel repulsed by the idea what they did to those poor girls.

Richard gere was holding back like always, but I often find he's perfect for these roles. Maybe he did not put of a good performance, but he was just made for these roles. Claire Danes didn't impress me in this movie, quite a shame cause i normally really love claire danes ;). You kind of get the idea they used her for eye candy above everything else.

The first 80 minutes of the movie were quite decent in my eyes but the last 20 minutes were a bit of a disappointment. They seemed to be a bit over the top.

All in all a decent movie. 6 out of 10

It does not seem that this movie managed to please a lot of people. First off, not many seem to have seen it in the first place (I just bumped into it by accident), and then judging by the reviews and the rating, of those that did many did not enjoy it very much.

Well, I did. I usually tolerate Gere for his looks and his charm, and even though I did not consider him a great actor, I know he can do crazy pretty well (I liked his Mr Jones). But this performance is all different. He is not pretty in this one, and he is not charming. His character is completely different from anything I had seen from him up to that point---old, ugly, broken, determined. And Gere, in what to me is so far his best performance ever, pulls it off beautifully. I guess it is a sign of how well an actor does his job if you cannot imagine anyone else doing it instead---think Hopkins as Hannibal Lecter, or Washington as Alonzo in Training Day. That is how good Gere was here.

The rest of the cast were fine by me, too. I guess I would not have cast Danes in this role, mostly because I think she is too good-looking for it. But she actually does an excellent job, holding her own with a Gere in top form, which is no small feat. Strickland easily delivers the best supporting act, in a part that requires a considerable range from her. I actually think she owns the key scene with Gere and Danes, and that is quite an achievement.

So what about the rest of the movie, apart from some excellent acting? The story is perhaps not hugely surprising, some 8mm-ish aspects to it, but adding the "veteran breaks in rookie" storyline to the who-dunnit, and also (like Silence of the Lambs) adding a sense of urgency through trying to save the girl and the impending retirement of Gere's character. All that is a backdrop to the development of the two main characters, as they help each other settle into their respective new stations in life. That's a lot to accomplish in a 100 minutes, but it is done well, and we end up caring for the characters and what happens to them.

Direction and photography were adequate. I could have done without the modern music-video camera movements and cutting, but then I am an old curmudgeon, and it really wasn't all that bad, in fact I think it did help with the atmosphere of the movie, which as you might have guessed, by and large isn't a happy one.

Worth seeing.

I finally caught "The Flock" on HBO. A taping at 4:20 am while I was asleep, true, but it's better watched at that hour, methinks. It was apparently only released to theaters in Japan and Turkey, from all reports, but North Americans really didn't miss much.

It's professionally produced, pairs Claire Danes memorably with Richard Gere, and makes their interplay (standard retiring-burnout-and-protégé) entirely believable in most ways.

The gore and corpses aren't beyond those in many modern horror movies, though the camera often lingers more than it should. The fetishes (and worse) of Gere's monitored ex-cons shouldn't shock anyone who's ever been in a triple-X shop.

Danes's acting is superb, especially in pursuing an abductor's trail (standard police-procedural, though by non-cops) with Gere's brooding and effective Errol. What blew a hole in this, though, is that she was miscast in the first place.

Even though one of Gere's well-worn "flock" is female, nearly all are intimidating men, and the role her character Allison is training to take up calls for more heft. Both physically and professionally.

I didn't believe for one minute that Allison chose such a grueling job out of anything more than economic need, certainly not from any more personal calling. No hints are made as to her motivation, nor is anything mentioned of her personal life, beyond nosy behavior and a clumsy allusion by compulsive background-checker Errol.

It's a miscasting on a par with what was done with Danes in "The Mod Squad," but unlike that idiocy of a plot-mangled remake, this gives Danes a quite strong setup — and much gore and many sad fetishes — to play against. If you accept that someone of her perception and refinement would ever take that job in the first place, that is.

Turn to it on cable, but I wouldn't take the effort to even go to the video store or put it in a Netflix queue. It's worth one viewing.

(Most of this review originally appeared on the IMDb board for Claire Danes, followed by considerable discussion.)