Longford

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

A TV drama exploring the relationship between notorious 'Moors Murderer' Myra Hindley (Samantha Morton) and Lord Longford (Jim Broadbent) who campaigned for her early release, only to put her on the backburner for a few years in which he went on a crusade against pornography and for her to cruelly throw his efforts back in his face after admitting to two other murders in 1987.

Being the 40th anniversary of Myra Hindley and Ian Brady's conviction for the 'Moors Murders', fresh interest has arisen in the case and TV producers want to re-create the events to fit in with the anniversary. We've already had ITV's See No Evil, which explored Myra Hindley's relationship with Ian Brady and how they ended up being brought to trial, and this is actually something of a follow-up to that film because it sort of continues the story where Hindley's been in jail for a few years and she begins using Longford to help win her early parole, right up to her and Brady's confession to the two other murders in the late 80s.

It's never easy viewing, but it's always interesting and compelling and keeps you riveted right up to the end. And the impressive performances do it no harm. Samantha Morton creates a cold but strangely vulnerable and mildly sympathetic Hindley. She might come out as a bit outspoken in real life but she's played her role well here. Broadbent is well into his role too, as the gullible but well intentioned man with the courage of his convictions. I know a lot of people will disagree with me but I actually thought Andy Serkis as Ian Brady was the one off note with the film. He makes him come off like a corny Hollywood kind of villain and compared with Johnathan Harris's quietly haunting portrayal of him in See No Evil, he just seems rather hammy. The film isn't about him anyway, and luckily he's only really a supporting role.

Not an easy view then, but a well made one, with strong performances and compelling characters. ****

The Myra Hindley/Ian Brady Moors murders of 1963, one of the most heinous crimes in England since Jack the Ripper, has been beautifully transcribed to the screen by writer Peter Morgan and Director Tom Hooper. And though the story is basically about Longford's relationship with the incarcerated Myra Hindley, the film paints a rather complete portrait of a strange man who vacillated during his lifetime among religious beliefs and spoke out strongly for the rights of prisoners and 'unfortunates' who fall out of line with the law all the while riling against pornography and other vices.

Jim Broadbent creates a wholly credible Lord Longford in this amazing performance. Transformed physically to resemble Longford's bizarre appearance, Broadbent manages to convey the spectrum of trust, self-doubt, pity, outrage, compassion and blind religious belief in a manner few actors could match. The remainder of the cast is equally excellent: Samantha Morton finds every nook and cranny of the enigmatic murderess Myra while Andy Serkis gives a chilling depiction of Ian Brady, her accomplice who knew how to manipulate the government and people as well as the infamously wily Myra.

The story is in many ways grounded by the strong forces of Lady Longford (beautifully realized by Lindsay Duncan) and the Lady Tree of Sarah Crowden and Harold Wilson of Robert Pugh. Hooper knows how to magnify the class differences between the gentry and the working class and his choices of locations and pacing of confrontations both in the prison and in the home and in the court are spot on.

This is one of those films for television that teaches us what really fine films can still be. It is a tremendously moving piece of work and Jim Broadbent will long be remember for this classic role. Highly recommended for repeated viewing. Grady Harp

This surely is one of the best made for TV dramas you are likely to see, superbly written and featuring a stunning performance from Jim Broadbent as Lord Longford. I had only ever regarded Longford as an eccentric old fool until watching this film which reveals what great humanity and compassion the man had. He finds Myra Hindley does not appear to be the monster the media built her up to be and Longford believes there may be some good in her but she is eventually shown to be as devious and manipulative as Ian Brady said she was. Brady is portrayed by Andy Serkis in a performance of incredibly raw and shocking power and you are left in no doubt that the only place for this dangerous man is behind bars, away from the public at large. It is only when Longford finds out he has been deceived that he finally listens to a copy of the infamous tape of the murders that has been sent to him anonymously through the post and thereafter he begins to question his own faith. Towards the end of both their lives Longford meets Hindley once more and in a truly shocking scene Hindley reveals her own spirituality and repentance, although not in the manner that he or anyone else could have expected. The film mixes documentary film with staged scenes to great effect and feels thoroughly authentic, capturing the era to perfection. I came away from this film feeling great admiration for this man, who may have been misled, but who only had good in his heart and did not know the meaning of hate.

We should, it is said, forgive but not forget. But some deeds are so monstrous that we can only forgive by forgetting. In some senses, no murderer deserves to ever be let out of jail. But we, as civilised humans, achieve nothing but our own degradation by keeping old people who offer no further threat to society imprisoned; and forgetting may be the only we way can square this circle. But Myra Hindley's crimes were never forgotten, partly because they were peculiarly horrible, but also because she became a hate figure for the popular press. Logically, Hindely has the same rights to be at least considered for parole as any other prisoner; but no politician was ever going to end their careers by demanding it. None, except for Lord Longford, an elderly, egotistical do-gooder with a spectacular capacity for making bad calls. The common belief, supported at least in part by this film, is that manipulative Hindley played Longford for all he was worth. And yet the principles that hard cases make bad law and that justice is not vengeance are surely important and right. But a more pragmatic (or less messianic) figure might have chosen an easier terrain on which to fight this battle.

In this biopic of Longford, Jim Broadbent captures the man's physical characteristics perfectly, although the voice is still his own. Samantha Morton, always a brave actress, keeps her cards close to her chest as Hindley. Though generally following received wisdom, it's overall effect is cautiously sympathetic to Longford, and encourages one to think again about the meaning of justice, maybe more effectively than Longford himself did.

HBO has done it again and produced a film of superior quality. The films generally produced by HBO fall into the category of excellent independent movies except with much larger budgets that give them notable stars and superior production values. The DVD's that come from this cable channel are gifts to anyone who enjoys quality motion pictures.

Longford spans about forty years in the life of Frank Pakenham who was the 7th Earl of Longford. Pakenham was a very colorful character. He was basically conservative although one of his causes was examination of the treatment and sentences of criminals. He became notorious in England during the 1960's and 70's by calling for the release of Myra Hindley who - with her sadistic boyfriend - tortured and murdered five children during the years 1963-65.

Pakenham became convinced that Hindley was a basically innocent girl who came under the evil influence of her boyfriend Ian Brady. Pakenham visited Hindley numerous times in prison and convinced her to return to her religion. She totally convinced him that she was regretful of her part in the murders, and he vigorously campaigned for her parole.

All the while, Hindley was communicating with Brady and it soon came to light that she was basically pulling the wool over the eyes of a gullible man - Pakenham.

Disillusioned, Pakenham began to direct his efforts to the Nationwide Festival of Light which was a program of protest against commercial exploitation of sex and violence in Britain. Even though disillusioned, Pakenham stayed in contact with Hindley until his death in 2001.

Giving full credit to the superior production values, it is the acting in Longford that makes it an extreme pleasure.

Jim Broadbent is Lord Longford. I use "is" rather than "plays" because it appears that - from what I can determine - Broadbent so captured the personality and appearance of Longford that he even astounded those connected with the production who knew the real man. Broadbent shows us a man who is definitely a "kook" but one to be admired. He is a man who is so compassionate of his convictions that you cannot not like him even if his opinions are totally counter to your own.

Samantha Morton (nominated for an Emmy for this part) is outstanding as Myra Hindley, a woman who shows a surface of innocence above layers and layers of neurosis and evil. Viewing her interpretation of Hindley is fascinating.

Andy Serkis chills you to the bone as Ian Brady. It appears that Brady has been pretty much of a bad seed his entire life, and Serkis shows us that seed in full bloom. His is a performance not easily forgotten.

Longford is an enthralling character study of an equally enthralling real-life character. It is grand entertainment.