Una trabajadora social lucha por salvar a una niña de sus padres maltratadores, solo para descubrir que la situación es más peligrosa de lo que esperaba.Una trabajadora social lucha por salvar a una niña de sus padres maltratadores, solo para descubrir que la situación es más peligrosa de lo que esperaba.Una trabajadora social lucha por salvar a una niña de sus padres maltratadores, solo para descubrir que la situación es más peligrosa de lo que esperaba.
- Premios
- 3 nominaciones en total
- Judge
- (as John Carroll)
Reseñas destacadas
Horror films in which children are the central element of the plot are nothing new. We had classics like "Village of the Damned", "The Omen" and the entire "Children of the Corn" franchise, not to mention the more recent films like "The Orphan". However, they are still delicious and appealing, when they are really well done. The film has an interesting story, which unfolds at a good pace, without twists, subterfuges or stratagems to amplify the suspense, and everything suffers from a certain degree of predictability. However, the film benefits from the good construction of the characters, especially the protagonist, a social worker who soon conquers us with her dedication and good intentions, and holds our attention until the end.
In fact, the excellent performances of Renee Zellweger and young Jodelle Ferland are essential for the quality and strength of the final product. Zellweger had already shown us, in several previous works, to be an actress of great talent and versatility, but she manages to take the film on her back, while Ferland was able to overcome her inexperience and youth to give us a colossal job. For a child actress, she even looks like an adult, as threatening and calculating as she can be. The film also features the work of Ian McShane and Bradley Cooper, safe bets on the supporting characters.
The film is not particularly remarkable in terms of production values and technical issues. Cinematography is standard, but it works quite well and is effective, adapting well and helping to build the light tension felt during the film. Some scenes in particular (such as the sinking car scene or the fire) were brilliantly shot, but there is a greater sense of danger. The sets and costumes are everything we could hope for, without surprises or major problems. The editing and the soundtrack do their job discreetly.
I'm not a Zellweger fan by any means, but she was decent in this movie. Stay tuned to the very end and you will be rewarded.
Though Renee Zellweger is not particularly convincing as a social worker, she conveys her feeling of threat very well, making her stressed out character vivid. The plot is good, as at first it makes you feel so sympathetic and sorry for the girl, then it slowly prepares you for something entirely different. The story is so engaging and scary, that I wanted to see more of what's going to happen, yet I wanted to see less because it's scary. "Case 39" is successful in creating a suspenseful atmosphere, full of threat and uncertainty. I don't know why "Case 39" is having trouble getting distribution and and a release date, as I find it a very scary horror film.
Zellweger breaks the usual bounds of professional distance when she takes it on herself to take in the child. Once she does the little girl proves not quite what she originally seems and literally sucks the humanitarianism out of her.
This will go completely over the people who are not Star Trek fans, but young Ms. Ferland reminded me so much of an evil Talosian. If you will recall in that famous pilot for Star Trek, the Talosians are blessed with the power of illusion, they can make you see and hear all kinds of things that are not there. With that they can trick you into stuff. There not evil people however, but Captain Christopher Pike when he's captured by them has to learn their secret in order to triumph.
That's what Renee has to do, overcome the power of illusion. How it all works out for her is what you have to see Case 39 for.
As for the film itself, Case 39 is a cut above a lot of these horror films, but it could have used considerable improvement in the storytelling.
¿Sabías que...?
- CuriosidadesThis movie was completed in 2007, and was initially scheduled for an American release in August 2008, but was delayed twice before its final release date on October 1, 2010, three years after completing production.
- Pifias(at around 31 mins) When the cop lets Emily into the house, he hands her the key and tells her to lock up when she leaves; but the door frame is still visibly broken from being kicked in earlier, leaving the door obviously impossible to lock.
- Citas
Douglas J. Ames: Everybody has fears... now, what scares you?
Lillith Sullivan: Me.
Douglas J. Ames: You scare yourself?
Lillith Sullivan: Sometimes.
Douglas J. Ames: Why? What about yourself scares you?
Lillith Sullivan: I have bad thoughts.
Douglas J. Ames: About what?
Lillith Sullivan: People.
Douglas J. Ames: People in general or... certain people?
Lillith Sullivan: Certain people.
Douglas J. Ames: Like who?
Lillith Sullivan: You.
Douglas J. Ames: You have bad thoughts about me? Why?
Lillith Sullivan: I just do.
Douglas J. Ames: Did I do something or say something that upset you?
Lillith Sullivan: It's just... the way you are.
Douglas J. Ames: How am I?
Lillith Sullivan: Facile.
Douglas J. Ames: Facile? Pfff... do you even know what that means?
Lillith Sullivan: Easily comprehended, often lacking sincerity or depth. You're smug too... want me to tell you what that means?
Douglas J. Ames: Uhm, If I... seem smug or facile, I want...
Lillith Sullivan: Don't apologize.
Douglas J. Ames: Why not?
Lillith Sullivan: You're a grown-up... it's embarrassing.
- ConexionesFeatured in Phelous & the Movies: Phelous Is on Case 39 (2010)
Selecciones populares
Detalles
Taquilla
- Presupuesto
- 26.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 13.261.851 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 5.350.570 US$
- 3 oct 2010
- Recaudación en todo el mundo
- 28.190.603 US$
- Duración
- 1h 49min(109 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1